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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7A89F it is the complementary color #585760. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7A89F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7A89F shade: #ACA89A, #BDBAAD, #CECCC0, #DFDED3 and #F0F0E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7A89F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7A89F shade: #A7A89F, #96968C, #858479, #747266 and #636053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7A89F shade: #A7A89F, #A8A69F, #A8A49F, #A8A19F and #A89F9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7A89F shade: #A7A89F, #A4A89F, #A2A89F, #9FA89F and #9FA8A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7A89F shade matches the following richer shades: #A7A89F, #B2B790, #BEC581, #C9D472 and #D5E363

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7A89F shade: #A7A89F, #9B99AD, #908ABC, #847BCB and #796CDA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7A89F shade: #A8A49F, #A8A69F, #A7A89F, #A4A89F and #A2A89F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7A89F shade: #7F8074, #939489, #A7A89F, #BBBBB4 and #CECFCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7A89F shade: #A7A89F, #9FA8A1 and #A59FA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7A89F shade: #A7A89F, #9FA7A8 and #A89FA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7A89F shade: #A7A89F, #9FA8A1, #A09FA8 and #A89FA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7A89F shade: #A7A89F, #9FA8A4, #A09FA8 and #A89FA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 5 / 34

HEX #A7A89F

RGB 167 168 159

HSL 66.67, 0.05%, 0.64%

LAB 68.55, -2.02, 4.51

 

Complementary color

CMYK 8 / 9 / 0 / 62

HEX #585760

RGB 88 87 96

HSL 246.67, 0.05%, 0.36%

LAB 37.36, 2.38, -5.05

 

CMYK 0 / 2 / 10 / 33

HEX #ACA89A

RGB 172 168 154

HSL 46.67, 0.1%, 0.64%

LAB 68.83, -1.06, 7.73

 

CMYK 0 / 2 / 8 / 26

HEX #BDBAAD

RGB 189 186 173

HSL 48.75, 0.11%, 0.71%

LAB 75.42, -1.25, 6.95

 

CMYK 0 / 1 / 7 / 19

HEX #CECCC0

RGB 206 204 192

HSL 51.43, 0.13%, 0.78%

LAB 81.9, -1.42, 6.21

 

CMYK 0 / 0 / 5 / 13

HEX #DFDED3

RGB 223 222 211

HSL 55, 0.16%, 0.85%

LAB 88.27, -1.58, 5.5

 

CMYK 0 / 0 / 4 / 6

HEX #F0F0E6

RGB 240 240 230

HSL 60, 0.25%, 0.92%

LAB 94.55, -1.73, 4.82

 

CMYK 1 / 0 / 5 / 34

HEX #A7A89F

RGB 167 168 159

HSL 66.67, 0.05%, 0.64%

LAB 68.55, -2.02, 4.51

 

CMYK 0 / 0 / 7 / 41

HEX #96968C

RGB 150 150 140

HSL 60, 0.05%, 0.57%

LAB 61.82, -1.87, 5.27

 

CMYK 0 / 1 / 9 / 48

HEX #858479

RGB 133 132 121

HSL 55, 0.05%, 0.5%

LAB 54.94, -1.7, 6.07

 

CMYK 0 / 2 / 12 / 55

HEX #747266

RGB 116 114 102

HSL 51.43, 0.06%, 0.43%

LAB 47.89, -1.52, 6.92

 

CMYK 0 / 3 / 16 / 61

HEX #636053

RGB 99 96 83

HSL 48.75, 0.09%, 0.36%

LAB 40.64, -1.3, 7.86

 

CMYK 1 / 0 / 5 / 34

HEX #A7A89F

RGB 167 168 159

HSL 66.67, 0.05%, 0.64%

LAB 68.55, -2.02, 4.51

 

CMYK 0 / 1 / 5 / 34

HEX #A8A69F

RGB 168 166 159

HSL 46.67, 0.05%, 0.64%

LAB 68.09, -0.57, 3.86

 

CMYK 0 / 2 / 5 / 34

HEX #A8A49F

RGB 168 164 159

HSL 33.33, 0.05%, 0.64%

LAB 67.56, 0.52, 3.09

 

CMYK 0 / 4 / 5 / 34

HEX #A8A19F

RGB 168 161 159

HSL 13.33, 0.05%, 0.64%

LAB 66.76, 2.17, 1.93

 

CMYK 0 / 5 / 5 / 34

HEX #A89F9F

RGB 168 159 159

HSL 0, 0.05%, 0.64%

LAB 66.23, 3.27, 1.16

 

CMYK 1 / 0 / 5 / 34

HEX #A7A89F

RGB 167 168 159

HSL 66.67, 0.05%, 0.64%

LAB 68.55, -2.02, 4.51

 

CMYK 2 / 0 / 5 / 34

HEX #A4A89F

RGB 164 168 159

HSL 86.67, 0.05%, 0.64%

LAB 68.32, -3.11, 4.14

 

CMYK 4 / 0 / 5 / 34

HEX #A2A89F

RGB 162 168 159

HSL 100, 0.05%, 0.64%

LAB 68.16, -3.83, 3.9

 

CMYK 5 / 0 / 5 / 34

HEX #9FA89F

RGB 159 168 159

HSL 120, 0.05%, 0.64%

LAB 67.93, -4.9, 3.54

 

CMYK 5 / 0 / 5 / 34

HEX #9FA8A0

RGB 159 168 160

HSL 126.67, 0.05%, 0.64%

LAB 67.96, -4.72, 3.02

 

CMYK 1 / 0 / 5 / 34

HEX #A7A89F

RGB 167 168 159

HSL 66.67, 0.05%, 0.64%

LAB 68.55, -2.02, 4.51

 

CMYK 3 / 0 / 21 / 28

HEX #B2B790

RGB 178 183 144

HSL 67.69, 0.21%, 0.64%

LAB 73.12, -8.42, 19.29

 

CMYK 4 / 0 / 35 / 23

HEX #BEC581

RGB 190 197 129

HSL 66.18, 0.37%, 0.64%

LAB 77.56, -13.1, 33.35

 

CMYK 5 / 0 / 46 / 17

HEX #C9D472

RGB 201 212 114

HSL 66.73, 0.53%, 0.64%

LAB 82.23, -17.98, 46.94

 

CMYK 6 / 0 / 56 / 11

HEX #D5E363

RGB 213 227 99

HSL 66.56, 0.7%, 0.64%

LAB 86.99, -21.88, 59.68

 

CMYK 1 / 0 / 5 / 34

HEX #A7A89F

RGB 167 168 159

HSL 66.67, 0.05%, 0.64%

LAB 68.55, -2.02, 4.51

 

CMYK 10 / 12 / 0 / 32

HEX #9B99AD

RGB 155 153 173

HSL 246, 0.11%, 0.64%

LAB 63.97, 4.75, -10.15

 

CMYK 23 / 27 / 0 / 26

HEX #908ABC

RGB 144 138 188

HSL 247.2, 0.27%, 0.64%

LAB 59.65, 13.09, -25.26

 

CMYK 35 / 39 / 0 / 20

HEX #847BCB

RGB 132 123 203

HSL 246.75, 0.43%, 0.64%

LAB 55.46, 22.17, -40.36

 

CMYK 44 / 50 / 0 / 15

HEX #796CDA

RGB 121 108 218

HSL 247.09, 0.6%, 0.64%

LAB 51.67, 32.49, -54.95

 

CMYK 0 / 2 / 5 / 34

HEX #A8A49F

RGB 168 164 159

HSL 33.33, 0.05%, 0.64%

LAB 67.56, 0.52, 3.09

 

CMYK 0 / 1 / 5 / 34

HEX #A8A69F

RGB 168 166 159

HSL 46.67, 0.05%, 0.64%

LAB 68.09, -0.57, 3.86

 

CMYK 1 / 0 / 5 / 34

HEX #A7A89F

RGB 167 168 159

HSL 66.67, 0.05%, 0.64%

LAB 68.55, -2.02, 4.51

 

CMYK 2 / 0 / 5 / 34

HEX #A4A89F

RGB 164 168 159

HSL 86.67, 0.05%, 0.64%

LAB 68.32, -3.11, 4.14

 

CMYK 4 / 0 / 5 / 34

HEX #A2A89F

RGB 162 168 159

HSL 100, 0.05%, 0.64%

LAB 68.16, -3.83, 3.9

 

CMYK 1 / 0 / 9 / 50

HEX #7F8074

RGB 127 128 116

HSL 65, 0.05%, 0.48%

LAB 53.18, -2.67, 6.38

 

CMYK 1 / 0 / 7 / 42

HEX #939489

RGB 147 148 137

HSL 65.45, 0.05%, 0.56%

LAB 60.95, -2.43, 5.68

 

CMYK 1 / 0 / 5 / 34

HEX #A7A89F

RGB 167 168 159

HSL 66.67, 0.05%, 0.64%

LAB 68.55, -2.02, 4.51

 

CMYK 0 / 0 / 4 / 27

HEX #BBBBB4

RGB 187 187 180

HSL 60, 0.05%, 0.72%

LAB 75.7, -1.27, 3.53

 

CMYK 0 / 0 / 2 / 19

HEX #CECFCA

RGB 206 207 202

HSL 72, 0.05%, 0.8%

LAB 82.92, -1.24, 2.35

 

CMYK 1 / 0 / 5 / 34

HEX #A7A89F

RGB 167 168 159

HSL 66.67, 0.05%, 0.64%

LAB 68.55, -2.02, 4.51

 

CMYK 5 / 0 / 4 / 34

HEX #9FA8A1

RGB 159 168 161

HSL 133.33, 0.05%, 0.64%

LAB 67.98, -4.53, 2.51

 

CMYK 2 / 5 / 0 / 34

HEX #A59FA8

RGB 165 159 168

HSL 280, 0.05%, 0.64%

LAB 66.23, 3.88, -3.9

 

CMYK 1 / 0 / 5 / 34

HEX #A7A89F

RGB 167 168 159

HSL 66.67, 0.05%, 0.64%

LAB 68.55, -2.02, 4.51

 

CMYK 5 / 1 / 0 / 34

HEX #9FA7A8

RGB 159 167 168

HSL 186.67, 0.05%, 0.64%

LAB 67.9, -2.62, -1.5

 

CMYK 0 / 5 / 1 / 34

HEX #A89FA7

RGB 168 159 167

HSL 306.67, 0.05%, 0.64%

LAB 66.45, 4.76, -2.99

 

CMYK 1 / 0 / 5 / 34

HEX #A7A89F

RGB 167 168 159

HSL 66.67, 0.05%, 0.64%

LAB 68.55, -2.02, 4.51

 

CMYK 5 / 0 / 4 / 34

HEX #9FA8A1

RGB 159 168 161

HSL 133.33, 0.05%, 0.64%

LAB 67.98, -4.53, 2.51

 

CMYK 5 / 5 / 0 / 34

HEX #A09FA8

RGB 160 159 168

HSL 246.67, 0.05%, 0.64%

LAB 65.82, 2.12, -4.55

 

CMYK 0 / 5 / 2 / 34

HEX #A89FA5

RGB 168 159 165

HSL 320, 0.05%, 0.64%

LAB 66.4, 4.38, -1.95

 

CMYK 1 / 0 / 5 / 34

HEX #A7A89F

RGB 167 168 159

HSL 66.67, 0.05%, 0.64%

LAB 68.55, -2.02, 4.51

 

CMYK 5 / 0 / 2 / 34

HEX #9FA8A4

RGB 159 168 164

HSL 153.33, 0.05%, 0.64%

LAB 68.06, -3.95, 0.96

 

CMYK 5 / 5 / 0 / 34

HEX #A09FA8

RGB 160 159 168

HSL 246.67, 0.05%, 0.64%

LAB 65.82, 2.12, -4.55

 

CMYK 0 / 5 / 4 / 34

HEX #A89FA2

RGB 168 159 162

HSL 340, 0.05%, 0.64%

LAB 66.31, 3.82, -0.4

 

Description

Color code: HEX #A7A89F | qconv.com Color code: HEX #A7A89F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 168 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 168 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 5 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 5% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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