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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D761F it is the complementary color #6289E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D761F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9D761F: #A2761A, #B3882D, #C49A40, #D5AC53 and #E6BE66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D761F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9D761F: #9D761F, #8C640C, #7B5200, #6A4000 and #592E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 80 / 38

HEX #9D761F

RGB 157 118 31

HSL 41.43, 0.67%, 0.37%

LAB 52.09, 7, 50.29

 

Complementary color

CMYK 56 / 39 / 0 / 12

HEX #6289E0

RGB 98 137 224

HSL 221.43, 0.67%, 0.63%

LAB 57.91, 11.86, -48.46

 

CMYK 0 / 27 / 84 / 36

HEX #A2761A

RGB 162 118 26

HSL 40.59, 0.72%, 0.37%

LAB 52.63, 9.12, 52.75

 

CMYK 0 / 24 / 75 / 30

HEX #B3882D

RGB 179 136 45

HSL 40.75, 0.6%, 0.44%

LAB 59.33, 7.49, 52.52

 

CMYK 0 / 21 / 67 / 23

HEX #C49A40

RGB 196 154 64

HSL 40.91, 0.53%, 0.51%

LAB 65.92, 6.13, 51.64

 

CMYK 0 / 19 / 61 / 16

HEX #D5AC53

RGB 213 172 83

HSL 41.08, 0.61%, 0.58%

LAB 72.41, 4.98, 50.48

 

CMYK 0 / 17 / 56 / 10

HEX #E6BE66

RGB 230 190 102

HSL 41.25, 0.72%, 0.65%

LAB 78.82, 4, 49.23

 

CMYK 0 / 25 / 80 / 38

HEX #9D761F

RGB 157 118 31

HSL 41.43, 0.67%, 0.37%

LAB 52.09, 7, 50.29

 

CMYK 0 / 29 / 91 / 45

HEX #8C640C

RGB 140 100 12

HSL 41.25, 0.84%, 0.3%

LAB 45.24, 8.83, 49.71

 

CMYK 0 / 33 / 100 / 52

HEX #7B5200

RGB 123 82 0

HSL 40, 1%, 0.24%

LAB 38.28, 11.06, 46.86

 

CMYK 0 / 40 / 100 / 58

HEX #6A4000

RGB 106 64 0

HSL 36.23, 1%, 0.21%

LAB 31.19, 13.68, 41.05

 

CMYK 0 / 48 / 100 / 65

HEX #592E00

RGB 89 46 0

HSL 31.01, 1%, 0.17%

LAB 23.93, 16.45, 33.84

 

CMYK 0 / 25 / 80 / 38

HEX #9D761F

RGB 157 118 31

HSL 41.43, 0.67%, 0.37%

LAB 52.09, 7, 50.29

 

CMYK 0 / 12 / 80 / 38

HEX #9D8A1F

RGB 157 138 31

HSL 50.95, 0.67%, 0.37%

LAB 57.51, -4.17, 55.2

 

CMYK 1 / 0 / 80 / 38

HEX #9B9D1F

RGB 155 157 31

HSL 60.95, 0.67%, 0.37%

LAB 62.66, -15.22, 59.71

 

CMYK 15 / 0 / 80 / 38

HEX #869D1F

RGB 134 157 31

HSL 70.95, 0.67%, 0.37%

LAB 61.03, -24.4, 57.64

 

CMYK 28 / 0 / 80 / 38

HEX #719D1F

RGB 113 157 31

HSL 80.95, 0.67%, 0.37%

LAB 59.64, -33.09, 55.86

 

CMYK 0 / 25 / 80 / 38

HEX #9D761F

RGB 157 118 31

HSL 41.43, 0.67%, 0.37%

LAB 52.09, 7, 50.29

 

CMYK 0 / 25 / 80 / 18

HEX #D09C29

RGB 208 156 41

HSL 41.32, 0.67%, 0.49%

LAB 67.54, 9.24, 62.82

 

CMYK 0 / 25 / 75 / 98

HEX #040301

RGB 4 3 1

HSL 40, 0.6%, 0.01%

LAB 0.84, -0.02, 0.85

 

CMYK 0 / 25 / 80 / 78

HEX #37290B

RGB 55 41 11

HSL 40.91, 0.67%, 0.13%

LAB 17.56, 2.6, 20.9

 

CMYK 0 / 25 / 80 / 58

HEX #6A5015

RGB 106 80 21

HSL 41.65, 0.67%, 0.25%

LAB 35.7, 4.59, 36.85

 

CMYK 0 / 25 / 80 / 38

HEX #9D761F

RGB 157 118 31

HSL 41.43, 0.67%, 0.37%

LAB 52.09, 7, 50.29

 

CMYK 71 / 0 / 80 / 38

HEX #2D9D1F

RGB 45 157 31

HSL 113.33, 0.67%, 0.37%

LAB 56.85, -53.87, 52.25

 

CMYK 58 / 80 / 0 / 38

HEX #421F9D

RGB 66 31 157

HSL 256.67, 0.67%, 0.37%

LAB 25.48, 47.59, -61.89

 

CMYK 0 / 25 / 80 / 38

HEX #9D761F

RGB 157 118 31

HSL 41.43, 0.67%, 0.37%

LAB 52.09, 7, 50.29

 

CMYK 80 / 0 / 25 / 38

HEX #1F9D75

RGB 31 157 117

HSL 160.95, 0.67%, 0.37%

LAB 57.74, -42.74, 11.67

 

CMYK 25 / 80 / 0 / 38

HEX #751F9D

RGB 117 31 157

HSL 280.95, 0.67%, 0.37%

LAB 32.25, 55.53, -50.55

 

CMYK 0 / 25 / 80 / 38

HEX #9D761F

RGB 157 118 31

HSL 41.43, 0.67%, 0.37%

LAB 52.09, 7, 50.29

 

CMYK 71 / 0 / 80 / 38

HEX #2D9D1F

RGB 45 157 31

HSL 113.33, 0.67%, 0.37%

LAB 56.85, -53.87, 52.25

 

CMYK 80 / 55 / 0 / 38

HEX #1F479D

RGB 31 71 157

HSL 220.95, 0.67%, 0.37%

LAB 32.33, 18.77, -50.78

 

CMYK 10 / 80 / 0 / 38

HEX #8E1F9D

RGB 142 31 157

HSL 292.86, 0.67%, 0.37%

LAB 36.3, 60.26, -43.81

 

CMYK 0 / 25 / 80 / 38

HEX #9D761F

RGB 157 118 31

HSL 41.43, 0.67%, 0.37%

LAB 52.09, 7, 50.29

 

CMYK 80 / 0 / 66 / 38

HEX #1F9D36

RGB 31 157 54

HSL 130.95, 0.67%, 0.37%

LAB 56.75, -54.09, 43.27

 

CMYK 80 / 55 / 0 / 38

HEX #1F479D

RGB 31 71 157

HSL 220.95, 0.67%, 0.37%

LAB 32.33, 18.77, -50.78

 

CMYK 0 / 80 / 15 / 38

HEX #9D1F86

RGB 157 31 134

HSL 310.95, 0.67%, 0.37%

LAB 37.61, 59.73, -27.5

 

Description

Color code: HEX #9D761F | qconv.com Color code: HEX #9D761F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 118 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 118 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 80 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 80% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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