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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CEB40 it is the complementary color #6314BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CEB40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CEB40 shade: #A1EB3B, #B2FD4E, #C3FF61, #D4FF74 and #E5FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CEB40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CEB40 shade: #9CEB40, #8BD92D, #7AC71A, #69B507 and #58A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CEB40 shade: #9DEB42, #CBEB42, #EBDE42, #EBB042 and #EB8342

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CEB40 shade: #9DEB42, #6FEB42, #42EB42, #42EB70 and #42EB9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CEB40 shade matches the following richer shades: #9DEB42 and #9EFC31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CEB40 shade: #9DEB42, #9CDA53, #9AC964, #99B875 and #98A785

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CEB40 shade: #EBDD42, #CCEB42, #9FEB42, #72EB42 and #45EB42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CEB40 shade: #74C615, #8AE71C, #9DEB42, #B0EF67 and #C4F38C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CEB40 shade: #9CEB40, #42EBB0 and #EB42E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CEB40 shade: #9CEB40, #429FEB and #EB429F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CEB40 shade: #9CEB40, #42EBB0, #8E42EB and #EB427D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CEB40 shade: #9CEB40, #42EBE3, #8E42EB and #EB424A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 73 / 8

HEX #9CEB40

RGB 156 235 64

HSL 87.72, 0.81%, 0.59%

LAB 85.43, -49.41, 70.64

 

Complementary color

CMYK 48 / 90 / 0 / 25

HEX #6314BF

RGB 99 20 191

HSL 267.72, 0.81%, 0.41%

LAB 31.61, 63.77, -72.05

 

CMYK 31 / 0 / 75 / 8

HEX #A1EB3B

RGB 161 235 59

HSL 85.23, 0.81%, 0.58%

LAB 85.66, -47.93, 72.56

 

CMYK 30 / 0 / 69 / 1

HEX #B2FD4E

RGB 178 253 78

HSL 85.71, 0.98%, 0.65%

LAB 91.8, -48.37, 72.54

 

CMYK 24 / 0 / 62 / 0

HEX #C3FF61

RGB 195 255 97

HSL 82.78, 1%, 0.69%

LAB 93.44, -41.82, 67.32

 

CMYK 17 / 0 / 55 / 0

HEX #D4FF74

RGB 212 255 116

HSL 78.56, 1%, 0.73%

LAB 94.64, -34.01, 60.93

 

CMYK 10 / 0 / 47 / 0

HEX #E5FF87

RGB 229 255 135

HSL 73, 1%, 0.76%

LAB 95.97, -25.88, 54.16

 

CMYK 34 / 0 / 73 / 8

HEX #9CEB40

RGB 156 235 64

HSL 87.72, 0.81%, 0.59%

LAB 85.43, -49.41, 70.64

 

CMYK 36 / 0 / 79 / 15

HEX #8BD92D

RGB 139 217 45

HSL 87.21, 0.69%, 0.51%

LAB 79.22, -48.87, 70.28

 

CMYK 39 / 0 / 87 / 22

HEX #7AC71A

RGB 122 199 26

HSL 86.71, 0.77%, 0.44%

LAB 72.93, -48.13, 68.99

 

CMYK 42 / 0 / 96 / 29

HEX #69B507

RGB 105 181 7

HSL 86.21, 0.93%, 0.37%

LAB 66.57, -47.12, 66.33

 

CMYK 46 / 0 / 100 / 36

HEX #58A300

RGB 88 163 0

HSL 87.61, 1%, 0.32%

LAB 60.13, -45.77, 61.84

 

CMYK 33 / 0 / 72 / 8

HEX #9DEB42

RGB 157 235 66

HSL 87.69, 0.81%, 0.59%

LAB 85.49, -48.94, 70.04

 

CMYK 14 / 0 / 72 / 8

HEX #CBEB42

RGB 203 235 66

HSL 71.36, 0.81%, 0.59%

LAB 88.21, -31.73, 73.62

 

CMYK 0 / 6 / 72 / 8

HEX #EBDE42

RGB 235 222 66

HSL 55.38, 0.81%, 0.59%

LAB 87.14, -12.43, 73.43

 

CMYK 0 / 25 / 72 / 8

HEX #EBB042

RGB 235 176 66

HSL 39.05, 0.81%, 0.59%

LAB 75.52, 11.22, 62.01

 

CMYK 0 / 44 / 72 / 8

HEX #EB8342

RGB 235 131 66

HSL 23.08, 0.81%, 0.59%

LAB 65.19, 34.95, 51.32

 

CMYK 33 / 0 / 72 / 8

HEX #9DEB42

RGB 157 235 66

HSL 87.69, 0.81%, 0.59%

LAB 85.49, -48.94, 70.04

 

CMYK 53 / 0 / 72 / 8

HEX #6FEB42

RGB 111 235 66

HSL 104.02, 0.81%, 0.59%

LAB 83.54, -63.17, 67.45

 

CMYK 72 / 0 / 72 / 8

HEX #42EB42

RGB 66 235 66

HSL 120, 0.81%, 0.59%

LAB 82.36, -72.77, 65.87

 

CMYK 72 / 0 / 52 / 8

HEX #42EB70

RGB 66 235 112

HSL 136.33, 0.81%, 0.59%

LAB 82.78, -67.79, 47.17

 

CMYK 72 / 0 / 33 / 8

HEX #42EB9D

RGB 66 235 157

HSL 152.31, 0.81%, 0.59%

LAB 83.45, -60.18, 25.81

 

CMYK 33 / 0 / 72 / 8

HEX #9DEB42

RGB 157 235 66

HSL 87.69, 0.81%, 0.59%

LAB 85.49, -48.94, 70.04

 

CMYK 37 / 0 / 81 / 1

HEX #9EFC31

RGB 158 252 49

HSL 87.78, 0.97%, 0.59%

LAB 90.37, -56.32, 79.69

 

CMYK 33 / 0 / 72 / 8

HEX #9DEB42

RGB 157 235 66

HSL 87.69, 0.81%, 0.59%

LAB 85.49, -48.94, 70.04

 

CMYK 28 / 0 / 62 / 15

HEX #9CDA53

RGB 156 218 83

HSL 87.56, 0.65%, 0.59%

LAB 80.65, -40.82, 58.47

 

CMYK 23 / 0 / 50 / 21

HEX #9AC964

RGB 154 201 100

HSL 87.92, 0.48%, 0.59%

LAB 75.8, -32.22, 45.16

 

CMYK 17 / 0 / 36 / 28

HEX #99B875

RGB 153 184 117

HSL 87.76, 0.32%, 0.59%

LAB 71.1, -22.3, 30.66

 

CMYK 9 / 0 / 20 / 35

HEX #98A785

RGB 152 167 133

HSL 86.47, 0.16%, 0.59%

LAB 66.52, -11.53, 15.85

 

CMYK 0 / 6 / 72 / 8

HEX #EBDD42

RGB 235 221 66

HSL 55.03, 0.81%, 0.59%

LAB 86.88, -11.94, 73.18

 

CMYK 13 / 0 / 72 / 8

HEX #CCEB42

RGB 204 235 66

HSL 71.01, 0.81%, 0.59%

LAB 88.28, -31.33, 73.71

 

CMYK 32 / 0 / 72 / 8

HEX #9FEB42

RGB 159 235 66

HSL 86.98, 0.81%, 0.59%

LAB 85.6, -48.24, 70.18

 

CMYK 51 / 0 / 72 / 8

HEX #72EB42

RGB 114 235 66

HSL 102.96, 0.81%, 0.59%

LAB 83.65, -62.36, 67.59

 

CMYK 71 / 0 / 72 / 8

HEX #45EB42

RGB 69 235 66

HSL 118.93, 0.81%, 0.59%

LAB 82.42, -72.28, 65.95

 

CMYK 41 / 0 / 89 / 22

HEX #74C615

RGB 116 198 21

HSL 87.8, 0.81%, 0.43%

LAB 72.33, -49.91, 69.3

 

CMYK 40 / 0 / 88 / 9

HEX #8AE71C

RGB 138 231 28

HSL 87.49, 0.81%, 0.51%

LAB 83.25, -55.42, 77.64

 

CMYK 33 / 0 / 72 / 8

HEX #9DEB42

RGB 157 235 66

HSL 87.69, 0.81%, 0.59%

LAB 85.49, -48.94, 70.04

 

CMYK 26 / 0 / 57 / 6

HEX #B0EF67

RGB 176 239 103

HSL 87.79, 0.81%, 0.67%

LAB 87.94, -41.14, 58.36

 

CMYK 19 / 0 / 42 / 5

HEX #C4F38C

RGB 196 243 140

HSL 87.38, 0.81%, 0.75%

LAB 90.66, -31.89, 44.73

 

CMYK 34 / 0 / 73 / 8

HEX #9CEB40

RGB 156 235 64

HSL 87.72, 0.81%, 0.59%

LAB 85.43, -49.41, 70.64

 

CMYK 72 / 0 / 25 / 8

HEX #42EBB0

RGB 66 235 176

HSL 159.05, 0.81%, 0.59%

LAB 83.81, -56.19, 16.49

 

CMYK 0 / 72 / 3 / 8

HEX #EB42E3

RGB 235 66 227

HSL 302.84, 0.81%, 0.59%

LAB 59.07, 80.24, -47.41

 

CMYK 34 / 0 / 73 / 8

HEX #9CEB40

RGB 156 235 64

HSL 87.72, 0.81%, 0.59%

LAB 85.43, -49.41, 70.64

 

CMYK 72 / 32 / 0 / 8

HEX #429FEB

RGB 66 159 235

HSL 206.98, 0.81%, 0.59%

LAB 63.3, -2.76, -46.12

 

CMYK 0 / 72 / 32 / 8

HEX #EB429F

RGB 235 66 159

HSL 326.98, 0.81%, 0.59%

LAB 56.15, 71.26, -12.88

 

CMYK 34 / 0 / 73 / 8

HEX #9CEB40

RGB 156 235 64

HSL 87.72, 0.81%, 0.59%

LAB 85.43, -49.41, 70.64

 

CMYK 72 / 0 / 25 / 8

HEX #42EBB0

RGB 66 235 176

HSL 159.05, 0.81%, 0.59%

LAB 83.81, -56.19, 16.49

 

CMYK 40 / 72 / 0 / 8

HEX #8E42EB

RGB 142 66 235

HSL 266.98, 0.81%, 0.59%

LAB 46.51, 63.66, -72.8

 

CMYK 0 / 72 / 47 / 8

HEX #EB427D

RGB 235 66 125

HSL 339.05, 0.81%, 0.59%

LAB 55.11, 67.9, 5.7

 

CMYK 34 / 0 / 73 / 8

HEX #9CEB40

RGB 156 235 64

HSL 87.72, 0.81%, 0.59%

LAB 85.43, -49.41, 70.64

 

CMYK 72 / 0 / 3 / 8

HEX #42EBE3

RGB 66 235 227

HSL 177.16, 0.81%, 0.59%

LAB 85.06, -43.54, -8.48

 

CMYK 40 / 72 / 0 / 8

HEX #8E42EB

RGB 142 66 235

HSL 266.98, 0.81%, 0.59%

LAB 46.51, 63.66, -72.8

 

CMYK 0 / 72 / 69 / 8

HEX #EB424A

RGB 235 66 74

HSL 357.16, 0.81%, 0.59%

LAB 54.08, 64.46, 34.49

 

Description

Color code: HEX #9CEB40 | qconv.com Color code: HEX #9CEB40 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 235 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 235 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 73 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 73% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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