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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2FD4E it is the complementary color #4D02B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2FD4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2FD4E shade: #B7FD49, #C8FF5C, #D9FF6F, #EAFF82 and #FBFF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2FD4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2FD4E shade: #B2FD4E, #A1EB3B, #90D928, #7FC715 and #6EB502

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2FD4E shade: #B2FD4E, #E1FD4E, #FDE94E, #FDBA4E and #FD8B4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2FD4E shade: #B2FD4E, #83FD4E, #53FD4E, #4EFD77 and #4EFDA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2FD4E shade matches the following richer shades: #B2FD4E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2FD4E shade: #B2FD4E, #B0EE5C, #AEE06B, #ACD179 and #A9C388

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2FD4E shade: #FDE84E, #E2FD4E, #B4FD4E, #85FD4E and #57FD4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2FD4E shade: #8DF602, #A0FC25, #B2FD4E, #C3FD77 and #D5FE9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2FD4E shade: #B2FD4E, #4EFDBA and #FD4EFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2FD4E shade: #B2FD4E, #4EB4FD and #FD4EB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2FD4E shade: #B2FD4E, #4EFDBA, #974EFD and #FD4E91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2FD4E shade: #B2FD4E, #4EFDEE, #974EFD and #FD4E5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 69 / 1

HEX #B2FD4E

RGB 178 253 78

HSL 85.71, 0.98%, 0.65%

LAB 91.8, -48.37, 72.54

 

Complementary color

CMYK 56 / 99 / 0 / 31

HEX #4D02B1

RGB 77 2 177

HSL 265.71, 0.98%, 0.35%

LAB 26.14, 62.14, -72.86

 

CMYK 28 / 0 / 71 / 1

HEX #B7FD49

RGB 183 253 73

HSL 83.33, 0.98%, 0.64%

LAB 92.04, -46.89, 74.61

 

CMYK 22 / 0 / 64 / 0

HEX #C8FF5C

RGB 200 255 92

HSL 80.25, 1%, 0.68%

LAB 93.7, -40.35, 69.67

 

CMYK 15 / 0 / 56 / 0

HEX #D9FF6F

RGB 217 255 111

HSL 75.83, 1%, 0.72%

LAB 94.92, -32.56, 63.5

 

CMYK 8 / 0 / 49 / 0

HEX #EAFF82

RGB 234 255 130

HSL 70.08, 1%, 0.75%

LAB 96.26, -24.46, 56.9

 

CMYK 2 / 0 / 42 / 0

HEX #FBFF95

RGB 251 255 149

HSL 62.26, 1%, 0.79%

LAB 97.71, -16.16, 50.07

 

CMYK 30 / 0 / 69 / 1

HEX #B2FD4E

RGB 178 253 78

HSL 85.71, 0.98%, 0.65%

LAB 91.8, -48.37, 72.54

 

CMYK 31 / 0 / 75 / 8

HEX #A1EB3B

RGB 161 235 59

HSL 85.23, 0.81%, 0.58%

LAB 85.66, -47.93, 72.56

 

CMYK 34 / 0 / 82 / 15

HEX #90D928

RGB 144 217 40

HSL 84.75, 0.7%, 0.5%

LAB 79.45, -47.33, 71.91

 

CMYK 36 / 0 / 89 / 22

HEX #7FC715

RGB 127 199 21

HSL 84.27, 0.81%, 0.43%

LAB 73.16, -46.52, 70.21

 

CMYK 39 / 0 / 99 / 29

HEX #6EB502

RGB 110 181 2

HSL 83.8, 0.98%, 0.36%

LAB 66.8, -45.47, 67.22

 

CMYK 30 / 0 / 69 / 1

HEX #B2FD4E

RGB 178 253 78

HSL 85.71, 0.98%, 0.65%

LAB 91.8, -48.37, 72.54

 

CMYK 11 / 0 / 69 / 1

HEX #E1FD4E

RGB 225 253 78

HSL 69.6, 0.98%, 0.65%

LAB 94.66, -30.76, 76.34

 

CMYK 0 / 8 / 69 / 1

HEX #FDE94E

RGB 253 233 78

HSL 53.14, 0.98%, 0.65%

LAB 91.55, -9.88, 73.97

 

CMYK 0 / 26 / 69 / 1

HEX #FDBA4E

RGB 253 186 78

HSL 37.03, 0.98%, 0.65%

LAB 79.93, 14.11, 62.12

 

CMYK 0 / 45 / 69 / 1

HEX #FD8B4E

RGB 253 139 78

HSL 20.91, 0.98%, 0.65%

LAB 69.4, 38.52, 50.78

 

CMYK 30 / 0 / 69 / 1

HEX #B2FD4E

RGB 178 253 78

HSL 85.71, 0.98%, 0.65%

LAB 91.8, -48.37, 72.54

 

CMYK 48 / 0 / 69 / 1

HEX #83FD4E

RGB 131 253 78

HSL 101.83, 0.98%, 0.65%

LAB 89.69, -63.37, 69.7

 

CMYK 67 / 0 / 69 / 1

HEX #53FD4E

RGB 83 253 78

HSL 118.29, 0.98%, 0.65%

LAB 88.28, -74.56, 67.79

 

CMYK 69 / 0 / 53 / 1

HEX #4EFD77

RGB 78 253 119

HSL 134.06, 0.98%, 0.65%

LAB 88.54, -71.01, 50.99

 

CMYK 69 / 0 / 34 / 1

HEX #4EFDA7

RGB 78 253 167

HSL 150.51, 0.98%, 0.65%

LAB 89.23, -63.2, 28.61

 

CMYK 30 / 0 / 69 / 1

HEX #B2FD4E

RGB 178 253 78

HSL 85.71, 0.98%, 0.65%

LAB 91.8, -48.37, 72.54

 

CMYK 30 / 0 / 69 / 1

HEX #B2FD4E

RGB 178 253 78

HSL 85.71, 0.98%, 0.65%

LAB 91.8, -48.37, 72.54

 

CMYK 26 / 0 / 61 / 7

HEX #B0EE5C

RGB 176 238 92

HSL 85.48, 0.81%, 0.65%

LAB 87.56, -41.64, 62.63

 

CMYK 22 / 0 / 52 / 12

HEX #AEE06B

RGB 174 224 107

HSL 85.64, 0.65%, 0.65%

LAB 83.64, -34.74, 51.52

 

CMYK 18 / 0 / 42 / 18

HEX #ACD179

RGB 172 209 121

HSL 85.23, 0.49%, 0.65%

LAB 79.47, -26.9, 39.63

 

CMYK 13 / 0 / 30 / 24

HEX #A9C388

RGB 169 195 136

HSL 86.44, 0.33%, 0.65%

LAB 75.6, -19.14, 26.83

 

CMYK 0 / 8 / 69 / 1

HEX #FDE84E

RGB 253 232 78

HSL 52.8, 0.98%, 0.65%

LAB 91.3, -9.38, 73.72

 

CMYK 11 / 0 / 69 / 1

HEX #E2FD4E

RGB 226 253 78

HSL 69.26, 0.98%, 0.65%

LAB 94.73, -30.37, 76.43

 

CMYK 29 / 0 / 69 / 1

HEX #B4FD4E

RGB 180 253 78

HSL 85.03, 0.98%, 0.65%

LAB 91.91, -47.66, 72.68

 

CMYK 47 / 0 / 69 / 1

HEX #85FD4E

RGB 133 253 78

HSL 101.14, 0.98%, 0.65%

LAB 89.76, -62.81, 69.8

 

CMYK 66 / 0 / 69 / 1

HEX #57FD4E

RGB 87 253 78

HSL 116.91, 0.98%, 0.65%

LAB 88.37, -73.81, 67.92

 

CMYK 43 / 0 / 99 / 4

HEX #8DF602

RGB 141 246 2

HSL 85.82, 0.98%, 0.49%

LAB 87.77, -60.62, 84.21

 

CMYK 37 / 0 / 85 / 1

HEX #A0FC25

RGB 160 252 37

HSL 85.67, 0.97%, 0.57%

LAB 90.43, -56.07, 82.45

 

CMYK 30 / 0 / 69 / 1

HEX #B2FD4E

RGB 178 253 78

HSL 85.71, 0.98%, 0.65%

LAB 91.8, -48.37, 72.54

 

CMYK 23 / 0 / 53 / 1

HEX #C3FD77

RGB 195 253 119

HSL 85.97, 0.97%, 0.73%

LAB 93.1, -39.04, 57.53

 

CMYK 16 / 0 / 37 / 0

HEX #D5FE9F

RGB 213 254 159

HSL 85.89, 0.98%, 0.81%

LAB 94.96, -28.62, 41.19

 

CMYK 30 / 0 / 69 / 1

HEX #B2FD4E

RGB 178 253 78

HSL 85.71, 0.98%, 0.65%

LAB 91.8, -48.37, 72.54

 

CMYK 69 / 0 / 26 / 1

HEX #4EFDBA

RGB 78 253 186

HSL 157.03, 0.98%, 0.65%

LAB 89.59, -59.37, 19.43

 

CMYK 0 / 69 / 1 / 1

HEX #FD4EFA

RGB 253 78 250

HSL 301.03, 0.98%, 0.65%

LAB 64.35, 83.74, -51.68

 

CMYK 30 / 0 / 69 / 1

HEX #B2FD4E

RGB 178 253 78

HSL 85.71, 0.98%, 0.65%

LAB 91.8, -48.37, 72.54

 

CMYK 69 / 29 / 0 / 1

HEX #4EB4FD

RGB 78 180 253

HSL 205.03, 0.98%, 0.65%

LAB 70.42, -6.8, -44.72

 

CMYK 0 / 69 / 29 / 1

HEX #FD4EB4

RGB 253 78 180

HSL 325.03, 0.98%, 0.65%

LAB 61.33, 74.22, -16.94

 

CMYK 30 / 0 / 69 / 1

HEX #B2FD4E

RGB 178 253 78

HSL 85.71, 0.98%, 0.65%

LAB 91.8, -48.37, 72.54

 

CMYK 69 / 0 / 26 / 1

HEX #4EFDBA

RGB 78 253 186

HSL 157.03, 0.98%, 0.65%

LAB 89.59, -59.37, 19.43

 

CMYK 40 / 69 / 0 / 1

HEX #974EFD

RGB 151 78 253

HSL 265.03, 0.98%, 0.65%

LAB 50.83, 64.14, -75.8

 

CMYK 0 / 69 / 43 / 1

HEX #FD4E91

RGB 253 78 145

HSL 337.03, 0.98%, 0.65%

LAB 60.23, 70.56, 1.69

 

CMYK 30 / 0 / 69 / 1

HEX #B2FD4E

RGB 178 253 78

HSL 85.71, 0.98%, 0.65%

LAB 91.8, -48.37, 72.54

 

CMYK 69 / 0 / 6 / 1

HEX #4EFDEE

RGB 78 253 238

HSL 174.86, 0.98%, 0.65%

LAB 90.8, -47, -5.71

 

CMYK 40 / 69 / 0 / 1

HEX #974EFD

RGB 151 78 253

HSL 265.03, 0.98%, 0.65%

LAB 50.83, 64.14, -75.8

 

CMYK 0 / 69 / 64 / 1

HEX #FD4E5C

RGB 253 78 92

HSL 355.2, 0.98%, 0.65%

LAB 59.07, 66.59, 31.01

 

Description

Color code: HEX #B2FD4E | qconv.com Color code: HEX #B2FD4E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 253 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 253 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 69 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 69% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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