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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CD14F it is the complementary color #632EB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CD14F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CD14F shade: #A1D14A, #B2E35D, #C3F570, #D4FF83 and #E5FF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CD14F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CD14F shade: #9CD14F, #8BBF3C, #7AAD29, #699B16 and #588903

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CD14F shade: #9BD14D, #BFD14D, #D1C04D, #D19C4D and #D1784D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CD14F shade: #9BD14D, #77D14D, #54D14D, #4DD169 and #4DD18D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CD14F shade matches the following richer shades: #9BD14D, #9EE33A and #A2F528

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CD14F shade: #9BD14D, #98BF5F, #94AD71, #919B83 and #8E8895

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CD14F shade: #D1BF4D, #BFD14D, #9CD14D, #79D14D and #55D14D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CD14F shade: #71A12A, #87C232, #9BD14D, #ADD96D and #C0E28E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CD14F shade: #9CD14F, #4DD19C and #D14DD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CD14F shade: #9CD14F, #4D9CD1 and #D14D9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CD14F shade: #9CD14F, #4DD19C, #824DD1 and #D14D82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CD14F shade: #9CD14F, #4DD1C4, #824DD1 and #D14D5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 62 / 18

HEX #9CD14F

RGB 156 209 79

HSL 84.46, 0.59%, 0.56%

LAB 78.01, -37.14, 57.27

 

Complementary color

CMYK 44 / 74 / 0 / 31

HEX #632EB0

RGB 99 46 176

HSL 264.46, 0.59%, 0.44%

LAB 33.44, 50.71, -60.16

 

CMYK 23 / 0 / 65 / 18

HEX #A1D14A

RGB 161 209 74

HSL 81.33, 0.59%, 0.55%

LAB 78.27, -35.64, 59.71

 

CMYK 22 / 0 / 59 / 11

HEX #B2E35D

RGB 178 227 93

HSL 81.94, 0.71%, 0.63%

LAB 84.58, -35.92, 58.94

 

CMYK 20 / 0 / 54 / 4

HEX #C3F570

RGB 195 245 112

HSL 82.56, 0.87%, 0.7%

LAB 90.81, -36.11, 57.99

 

CMYK 17 / 0 / 49 / 0

HEX #D4FF83

RGB 212 255 131

HSL 80.81, 1%, 0.76%

LAB 94.8, -32.6, 54.35

 

CMYK 10 / 0 / 41 / 0

HEX #E5FF96

RGB 229 255 150

HSL 74.86, 1%, 0.79%

LAB 96.15, -24.32, 47.3

 

CMYK 25 / 0 / 62 / 18

HEX #9CD14F

RGB 156 209 79

HSL 84.46, 0.59%, 0.56%

LAB 78.01, -37.14, 57.27

 

CMYK 27 / 0 / 69 / 25

HEX #8BBF3C

RGB 139 191 60

HSL 83.82, 0.52%, 0.49%

LAB 71.61, -36.83, 57.89

 

CMYK 29 / 0 / 76 / 32

HEX #7AAD29

RGB 122 173 41

HSL 83.18, 0.62%, 0.42%

LAB 65.11, -36.37, 57.99

 

CMYK 32 / 0 / 86 / 39

HEX #699B16

RGB 105 155 22

HSL 82.56, 0.75%, 0.35%

LAB 58.51, -35.69, 57.13

 

CMYK 36 / 0 / 98 / 46

HEX #588903

RGB 88 137 3

HSL 81.94, 0.96%, 0.27%

LAB 51.81, -34.74, 54.82

 

CMYK 26 / 0 / 63 / 18

HEX #9BD14D

RGB 155 209 77

HSL 84.55, 0.59%, 0.56%

LAB 77.94, -37.67, 58.01

 

CMYK 9 / 0 / 63 / 18

HEX #BFD14D

RGB 191 209 77

HSL 68.18, 0.59%, 0.56%

LAB 80.3, -23.59, 61.25

 

CMYK 0 / 8 / 63 / 18

HEX #D1C04D

RGB 209 192 77

HSL 52.27, 0.59%, 0.56%

LAB 77.16, -7.6, 58.32

 

CMYK 0 / 25 / 63 / 18

HEX #D19C4D

RGB 209 156 77

HSL 35.91, 0.59%, 0.56%

LAB 67.92, 11.46, 48.15

 

CMYK 0 / 43 / 63 / 18

HEX #D1784D

RGB 209 120 77

HSL 19.55, 0.59%, 0.56%

LAB 59.46, 30.91, 38.31

 

CMYK 26 / 0 / 63 / 18

HEX #9BD14D

RGB 155 209 77

HSL 84.55, 0.59%, 0.56%

LAB 77.94, -37.67, 58.01

 

CMYK 43 / 0 / 63 / 18

HEX #77D14D

RGB 119 209 77

HSL 100.91, 0.59%, 0.56%

LAB 76.11, -50.09, 55.49

 

CMYK 60 / 0 / 63 / 18

HEX #54D14D

RGB 84 209 77

HSL 116.82, 0.59%, 0.56%

LAB 74.84, -59.66, 53.73

 

CMYK 63 / 0 / 50 / 18

HEX #4DD169

RGB 77 209 105

HSL 132.73, 0.59%, 0.56%

LAB 74.95, -57.71, 40.95

 

CMYK 63 / 0 / 33 / 18

HEX #4DD18D

RGB 77 209 141

HSL 149.09, 0.59%, 0.56%

LAB 75.51, -51.52, 23.36

 

CMYK 26 / 0 / 63 / 18

HEX #9BD14D

RGB 155 209 77

HSL 84.55, 0.59%, 0.56%

LAB 77.94, -37.67, 58.01

 

CMYK 30 / 0 / 74 / 11

HEX #9EE33A

RGB 158 227 58

HSL 84.5, 0.75%, 0.56%

LAB 83.19, -45.68, 70.45

 

CMYK 34 / 0 / 84 / 4

HEX #A2F528

RGB 162 245 40

HSL 84.29, 0.91%, 0.56%

LAB 88.51, -52.5, 80.23

 

CMYK 26 / 0 / 63 / 18

HEX #9BD14D

RGB 155 209 77

HSL 84.55, 0.59%, 0.56%

LAB 77.94, -37.67, 58.01

 

CMYK 20 / 0 / 50 / 25

HEX #98BF5F

RGB 152 191 95

HSL 84.38, 0.43%, 0.56%

LAB 72.74, -28.78, 43.85

 

CMYK 14 / 0 / 35 / 32

HEX #94AD71

RGB 148 173 113

HSL 85, 0.27%, 0.56%

LAB 67.56, -19.21, 28.06

 

CMYK 6 / 0 / 15 / 39

HEX #919B83

RGB 145 155 131

HSL 85, 0.11%, 0.56%

LAB 62.59, -8.08, 11.38

 

CMYK 5 / 9 / 0 / 42

HEX #8E8895

RGB 142 136 149

HSL 267.69, 0.06%, 0.56%

LAB 57.59, 4.81, -6.13

 

CMYK 0 / 9 / 63 / 18

HEX #D1BF4D

RGB 209 191 77

HSL 51.82, 0.59%, 0.56%

LAB 76.89, -7.08, 58.04

 

CMYK 9 / 0 / 63 / 18

HEX #BFD14D

RGB 191 209 77

HSL 68.18, 0.59%, 0.56%

LAB 80.3, -23.59, 61.25

 

CMYK 25 / 0 / 63 / 18

HEX #9CD14D

RGB 156 209 77

HSL 84.09, 0.59%, 0.56%

LAB 78, -37.3, 58.09

 

CMYK 42 / 0 / 63 / 18

HEX #79D14D

RGB 121 209 77

HSL 100, 0.59%, 0.56%

LAB 76.19, -49.46, 55.61

 

CMYK 59 / 0 / 63 / 18

HEX #55D14D

RGB 85 209 77

HSL 116.36, 0.59%, 0.56%

LAB 74.87, -59.43, 53.77

 

CMYK 30 / 0 / 74 / 37

HEX #71A12A

RGB 113 161 42

HSL 84.2, 0.59%, 0.4%

LAB 60.93, -34.33, 53.41

 

CMYK 30 / 0 / 74 / 24

HEX #87C232

RGB 135 194 50

HSL 84.58, 0.59%, 0.48%

LAB 72.2, -40.29, 62.05

 

CMYK 26 / 0 / 63 / 18

HEX #9BD14D

RGB 155 209 77

HSL 84.55, 0.59%, 0.56%

LAB 77.94, -37.67, 58.01

 

CMYK 20 / 0 / 50 / 15

HEX #ADD96D

RGB 173 217 109

HSL 84.44, 0.59%, 0.64%

LAB 81.63, -31.67, 48.16

 

CMYK 15 / 0 / 37 / 11

HEX #C0E28E

RGB 192 226 142

HSL 84.29, 0.59%, 0.72%

LAB 85.78, -25.07, 37.45

 

CMYK 25 / 0 / 62 / 18

HEX #9CD14F

RGB 156 209 79

HSL 84.46, 0.59%, 0.56%

LAB 78.01, -37.14, 57.27

 

CMYK 63 / 0 / 25 / 18

HEX #4DD19C

RGB 77 209 156

HSL 155.91, 0.59%, 0.56%

LAB 75.81, -48.4, 15.84

 

CMYK 0 / 63 / 0 / 18

HEX #D14DD1

RGB 209 77 209

HSL 300, 0.59%, 0.56%

LAB 55.55, 67.71, -43.05

 

CMYK 25 / 0 / 62 / 18

HEX #9CD14F

RGB 156 209 79

HSL 84.46, 0.59%, 0.56%

LAB 78.01, -37.14, 57.27

 

CMYK 63 / 25 / 0 / 18

HEX #4D9CD1

RGB 77 156 209

HSL 204.09, 0.59%, 0.56%

LAB 61.62, -8.09, -34.33

 

CMYK 0 / 63 / 25 / 18

HEX #D14D9C

RGB 209 77 156

HSL 324.09, 0.59%, 0.56%

LAB 53.24, 59.78, -15.93

 

CMYK 25 / 0 / 62 / 18

HEX #9CD14F

RGB 156 209 79

HSL 84.46, 0.59%, 0.56%

LAB 78.01, -37.14, 57.27

 

CMYK 63 / 0 / 25 / 18

HEX #4DD19C

RGB 77 209 156

HSL 155.91, 0.59%, 0.56%

LAB 75.81, -48.4, 15.84

 

CMYK 38 / 63 / 0 / 18

HEX #824DD1

RGB 130 77 209

HSL 264.09, 0.59%, 0.56%

LAB 45.16, 49.61, -60.25

 

CMYK 0 / 63 / 38 / 18

HEX #D14D82

RGB 209 77 130

HSL 335.91, 0.59%, 0.56%

LAB 52.37, 56.64, -1.8

 

CMYK 25 / 0 / 62 / 18

HEX #9CD14F

RGB 156 209 79

HSL 84.46, 0.59%, 0.56%

LAB 78.01, -37.14, 57.27

 

CMYK 63 / 0 / 6 / 18

HEX #4DD1C4

RGB 77 209 196

HSL 174.09, 0.59%, 0.56%

LAB 76.78, -38.73, -4.2

 

CMYK 38 / 63 / 0 / 18

HEX #824DD1

RGB 130 77 209

HSL 264.09, 0.59%, 0.56%

LAB 45.16, 49.61, -60.25

 

CMYK 0 / 63 / 57 / 18

HEX #D14D5A

RGB 209 77 90

HSL 354.09, 0.59%, 0.56%

LAB 51.38, 52.96, 20.74

 

Description

Color code: HEX #9CD14F | qconv.com Color code: HEX #9CD14F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 209 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 209 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 62 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 62% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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