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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D9CD1 it is the complementary color #B2632E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D9CD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D9CD1 shade: #529CCC, #63AEDF, #74C0F2, #85D2FF and #96E4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D9CD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D9CD1 shade: #4D9CD1, #3C8ABE, #2B78AB, #1A6698 and #095485

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D9CD1 shade: #4D9CD1, #4D78D1, #4D54D1, #684DD1 and #8C4DD1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D9CD1 shade: #4D9CD1, #4D78D1, #4D54D1 and #4D4DD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D9CD1 shade matches the following richer shades: #4D9CD1, #3A9FE3 and #28A3F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D9CD1 shade: #4D9CD1, #5F98BF, #7195AD, #83919B and #958E88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D9CD1 shade: #4DD1BF, #4DBFD1, #4D9CD1, #4D79D1 and #4D55D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D9CD1 shade: #2A71A1, #3288C2, #4D9CD1, #6DAED9 and #8EC0E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D9CD1 shade: #4D9CD1, #9C4DD1 and #D1D14D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D9CD1 shade: #4D9CD1, #D14D9C and #9CD14D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D9CD1 shade: #4D9CD1, #9C4DD1, #D1824D and #82D14D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D9CD1 shade: #4D9CD1, #C44DD1, #D1824D and #5AD14D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 25 / 0 / 18

HEX #4D9CD1

RGB 77 156 209

HSL 204.09, 0.59%, 0.56%

LAB 61.62, -8.09, -34.33

 

Complementary color

CMYK 0 / 44 / 74 / 30

HEX #B2632E

RGB 178 99 46

HSL 24.09, 0.59%, 0.44%

LAB 50.2, 27.65, 42.79

 

CMYK 60 / 24 / 0 / 20

HEX #529CCC

RGB 82 156 204

HSL 203.61, 0.54%, 0.56%

LAB 61.59, -8.77, -31.56

 

CMYK 56 / 22 / 0 / 13

HEX #63AEDF

RGB 99 174 223

HSL 203.71, 0.66%, 0.63%

LAB 68.21, -9.42, -31.78

 

CMYK 52 / 21 / 0 / 5

HEX #74C0F2

RGB 116 192 242

HSL 203.81, 0.83%, 0.7%

LAB 74.71, -9.93, -32

 

CMYK 48 / 18 / 0 / 0

HEX #85D2FF

RGB 133 210 255

HSL 202.13, 1%, 0.76%

LAB 80.91, -12.01, -29.37

 

CMYK 41 / 11 / 0 / 0

HEX #96E4FF

RGB 150 228 255

HSL 195.43, 1%, 0.79%

LAB 86.6, -17.23, -20.63

 

CMYK 63 / 25 / 0 / 18

HEX #4D9CD1

RGB 77 156 209

HSL 204.09, 0.59%, 0.56%

LAB 61.62, -8.09, -34.33

 

CMYK 68 / 27 / 0 / 25

HEX #3C8ABE

RGB 60 138 190

HSL 204, 0.52%, 0.49%

LAB 54.92, -7.09, -34.11

 

CMYK 75 / 30 / 0 / 33

HEX #2B78AB

RGB 43 120 171

HSL 203.91, 0.6%, 0.42%

LAB 48.12, -5.79, -33.87

 

CMYK 83 / 33 / 0 / 40

HEX #1A6698

RGB 26 102 152

HSL 203.81, 0.71%, 0.35%

LAB 41.2, -4.04, -33.58

 

CMYK 93 / 37 / 0 / 48

HEX #095485

RGB 9 84 133

HSL 203.71, 0.87%, 0.28%

LAB 34.17, -1.65, -33.22

 

CMYK 63 / 25 / 0 / 18

HEX #4D9CD1

RGB 77 156 209

HSL 204.09, 0.59%, 0.56%

LAB 61.62, -8.09, -34.33

 

CMYK 63 / 43 / 0 / 18

HEX #4D78D1

RGB 77 120 209

HSL 220.45, 0.59%, 0.56%

LAB 51.4, 13.13, -50.44

 

CMYK 63 / 60 / 0 / 18

HEX #4D54D1

RGB 77 84 209

HSL 236.82, 0.59%, 0.56%

LAB 42.03, 35.59, -65.54

 

CMYK 50 / 63 / 0 / 18

HEX #684DD1

RGB 104 77 209

HSL 252.27, 0.59%, 0.56%

LAB 42.54, 44.42, -64.62

 

CMYK 33 / 63 / 0 / 18

HEX #8C4DD1

RGB 140 77 209

HSL 268.64, 0.59%, 0.56%

LAB 46.29, 51.76, -58.36

 

CMYK 63 / 25 / 0 / 18

HEX #4D9CD1

RGB 77 156 209

HSL 204.09, 0.59%, 0.56%

LAB 61.62, -8.09, -34.33

 

CMYK 63 / 43 / 0 / 18

HEX #4D78D1

RGB 77 120 209

HSL 220.45, 0.59%, 0.56%

LAB 51.4, 13.13, -50.44

 

CMYK 63 / 60 / 0 / 18

HEX #4D54D1

RGB 77 84 209

HSL 236.82, 0.59%, 0.56%

LAB 42.03, 35.59, -65.54

 

CMYK 63 / 63 / 0 / 18

HEX #4D4DD1

RGB 77 77 209

HSL 240, 0.59%, 0.56%

LAB 40.39, 39.87, -68.21

 

CMYK 63 / 25 / 0 / 18

HEX #4D9CD1

RGB 77 156 209

HSL 204.09, 0.59%, 0.56%

LAB 61.62, -8.09, -34.33

 

CMYK 74 / 30 / 0 / 11

HEX #3A9FE3

RGB 58 159 227

HSL 204.14, 0.75%, 0.56%

LAB 62.71, -6.55, -42.65

 

CMYK 84 / 33 / 0 / 4

HEX #28A3F5

RGB 40 163 245

HSL 204, 0.91%, 0.56%

LAB 64.35, -4.21, -49.99

 

CMYK 63 / 25 / 0 / 18

HEX #4D9CD1

RGB 77 156 209

HSL 204.09, 0.59%, 0.56%

LAB 61.62, -8.09, -34.33

 

CMYK 50 / 20 / 0 / 25

HEX #5F98BF

RGB 95 152 191

HSL 204.38, 0.43%, 0.56%

LAB 60.47, -7.77, -25.96

 

CMYK 35 / 14 / 0 / 32

HEX #7195AD

RGB 113 149 173

HSL 204, 0.27%, 0.56%

LAB 59.91, -6.41, -16.56

 

CMYK 15 / 6 / 0 / 39

HEX #83919B

RGB 131 145 155

HSL 205, 0.11%, 0.56%

LAB 59.38, -2.86, -6.99

 

CMYK 0 / 5 / 9 / 42

HEX #958E88

RGB 149 142 136

HSL 27.69, 0.06%, 0.56%

LAB 59.45, 1.49, 4.11

 

CMYK 63 / 0 / 9 / 18

HEX #4DD1BF

RGB 77 209 191

HSL 171.82, 0.59%, 0.56%

LAB 76.64, -40.04, -1.71

 

CMYK 63 / 9 / 0 / 18

HEX #4DBFD1

RGB 77 191 209

HSL 188.18, 0.59%, 0.56%

LAB 71.85, -26.55, -18.6

 

CMYK 63 / 25 / 0 / 18

HEX #4D9CD1

RGB 77 156 209

HSL 204.09, 0.59%, 0.56%

LAB 61.62, -8.09, -34.33

 

CMYK 63 / 42 / 0 / 18

HEX #4D79D1

RGB 77 121 209

HSL 220, 0.59%, 0.56%

LAB 51.67, 12.51, -50

 

CMYK 63 / 59 / 0 / 18

HEX #4D55D1

RGB 77 85 209

HSL 236.36, 0.59%, 0.56%

LAB 42.27, 34.98, -65.15

 

CMYK 74 / 30 / 0 / 37

HEX #2A71A1

RGB 42 113 161

HSL 204.2, 0.59%, 0.4%

LAB 45.46, -5.39, -32.18

 

CMYK 74 / 30 / 0 / 24

HEX #3288C2

RGB 50 136 194

HSL 204.17, 0.59%, 0.48%

LAB 54.22, -5.98, -37.51

 

CMYK 63 / 25 / 0 / 18

HEX #4D9CD1

RGB 77 156 209

HSL 204.09, 0.59%, 0.56%

LAB 61.62, -8.09, -34.33

 

CMYK 50 / 20 / 0 / 15

HEX #6DAED9

RGB 109 174 217

HSL 203.89, 0.59%, 0.64%

LAB 68.41, -9.02, -28.13

 

CMYK 37 / 15 / 0 / 11

HEX #8EC0E2

RGB 142 192 226

HSL 204.29, 0.59%, 0.72%

LAB 75.41, -8.02, -22.17

 

CMYK 63 / 25 / 0 / 18

HEX #4D9CD1

RGB 77 156 209

HSL 204.09, 0.59%, 0.56%

LAB 61.62, -8.09, -34.33

 

CMYK 25 / 63 / 0 / 18

HEX #9C4DD1

RGB 156 77 209

HSL 275.91, 0.59%, 0.56%

LAB 48.23, 55.32, -55.14

 

CMYK 0 / 0 / 63 / 18

HEX #D1D14D

RGB 209 209 77

HSL 60, 0.59%, 0.56%

LAB 81.67, -16.2, 63.11

 

CMYK 63 / 25 / 0 / 18

HEX #4D9CD1

RGB 77 156 209

HSL 204.09, 0.59%, 0.56%

LAB 61.62, -8.09, -34.33

 

CMYK 0 / 63 / 25 / 18

HEX #D14D9C

RGB 209 77 156

HSL 324.09, 0.59%, 0.56%

LAB 53.24, 59.78, -15.93

 

CMYK 25 / 0 / 63 / 18

HEX #9CD14D

RGB 156 209 77

HSL 84.09, 0.59%, 0.56%

LAB 78, -37.3, 58.09

 

CMYK 63 / 25 / 0 / 18

HEX #4D9CD1

RGB 77 156 209

HSL 204.09, 0.59%, 0.56%

LAB 61.62, -8.09, -34.33

 

CMYK 25 / 63 / 0 / 18

HEX #9C4DD1

RGB 156 77 209

HSL 275.91, 0.59%, 0.56%

LAB 48.23, 55.32, -55.14

 

CMYK 0 / 38 / 63 / 18

HEX #D1824D

RGB 209 130 77

HSL 24.09, 0.59%, 0.56%

LAB 61.7, 25.55, 40.98

 

CMYK 38 / 0 / 63 / 18

HEX #82D14D

RGB 130 209 77

HSL 95.91, 0.59%, 0.56%

LAB 76.61, -46.53, 56.18

 

CMYK 63 / 25 / 0 / 18

HEX #4D9CD1

RGB 77 156 209

HSL 204.09, 0.59%, 0.56%

LAB 61.62, -8.09, -34.33

 

CMYK 6 / 63 / 0 / 18

HEX #C44DD1

RGB 196 77 209

HSL 294.09, 0.59%, 0.56%

LAB 53.65, 64.63, -46.18

 

CMYK 0 / 38 / 63 / 18

HEX #D1824D

RGB 209 130 77

HSL 24.09, 0.59%, 0.56%

LAB 61.7, 25.55, 40.98

 

CMYK 57 / 0 / 63 / 18

HEX #5AD14D

RGB 90 209 77

HSL 114.09, 0.59%, 0.56%

LAB 75.02, -58.23, 53.98

 

Description

Color code: HEX #4D9CD1 | qconv.com Color code: HEX #4D9CD1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 156 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 156 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 25 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 25% 0% 18% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

37% - Калькулятор - 15 Окт...
Link: http://kodeks-pirata.ucoz.ru

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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