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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CAC4D it is the complementary color #6353B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CAC4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9CAC4D: #A1AC48, #B2BE5B, #C3D06E, #D4E281 and #E5F494

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CAC4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9CAC4D: #9CAC4D, #8B9A3A, #7A8827, #697614 and #586401

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 55 / 33

HEX #9CAC4D

RGB 156 172 77

HSL 70.11, 0.38%, 0.49%

LAB 67.36, -19.62, 46.23

 

Complementary color

CMYK 44 / 53 / 0 / 30

HEX #6353B2

RGB 99 83 178

HSL 250.11, 0.38%, 0.51%

LAB 41.3, 30.66, -48.61

 

CMYK 6 / 0 / 58 / 33

HEX #A1AC48

RGB 161 172 72

HSL 66.6, 0.41%, 0.48%

LAB 67.69, -17.96, 49.03

 

CMYK 6 / 0 / 52 / 25

HEX #B2BE5B

RGB 178 190 91

HSL 67.27, 0.43%, 0.55%

LAB 74.22, -18.41, 47.98

 

CMYK 6 / 0 / 47 / 18

HEX #C3D06E

RGB 195 208 110

HSL 67.96, 0.51%, 0.62%

LAB 80.65, -18.76, 46.85

 

CMYK 6 / 0 / 43 / 11

HEX #D4E281

RGB 212 226 129

HSL 68.66, 0.63%, 0.7%

LAB 86.98, -19.05, 45.7

 

CMYK 6 / 0 / 39 / 4

HEX #E5F494

RGB 229 244 148

HSL 69.38, 0.81%, 0.77%

LAB 93.23, -19.27, 44.56

 

CMYK 9 / 0 / 55 / 33

HEX #9CAC4D

RGB 156 172 77

HSL 70.11, 0.38%, 0.49%

LAB 67.36, -19.62, 46.23

 

CMYK 10 / 0 / 62 / 40

HEX #8B9A3A

RGB 139 154 58

HSL 69.38, 0.45%, 0.42%

LAB 60.7, -19.17, 47.19

 

CMYK 10 / 0 / 71 / 47

HEX #7A8827

RGB 122 136 39

HSL 68.66, 0.55%, 0.34%

LAB 53.91, -18.55, 47.8

 

CMYK 11 / 0 / 83 / 54

HEX #697614

RGB 105 118 20

HSL 67.96, 0.71%, 0.27%

LAB 46.99, -17.71, 47.55

 

CMYK 12 / 0 / 99 / 61

HEX #586401

RGB 88 100 1

HSL 67.27, 0.98%, 0.2%

LAB 39.9, -16.59, 46.04

 

CMYK 9 / 0 / 55 / 33

HEX #9CAC4D

RGB 156 172 77

HSL 70.11, 0.38%, 0.49%

LAB 67.36, -19.62, 46.23

 

CMYK 19 / 0 / 55 / 33

HEX #8CAC4D

RGB 140 172 77

HSL 80.21, 0.38%, 0.49%

LAB 66.23, -26.11, 44.62

 

CMYK 28 / 0 / 55 / 33

HEX #7CAC4D

RGB 124 172 77

HSL 90.32, 0.38%, 0.49%

LAB 65.22, -32.29, 43.2

 

CMYK 37 / 0 / 55 / 33

HEX #6DAC4D

RGB 109 172 77

HSL 99.79, 0.38%, 0.49%

LAB 64.4, -37.7, 42.02

 

CMYK 46 / 0 / 55 / 33

HEX #5DAC4D

RGB 93 172 77

HSL 109.89, 0.38%, 0.49%

LAB 63.65, -42.93, 40.95

 

CMYK 9 / 0 / 55 / 33

HEX #9CAC4D

RGB 156 172 77

HSL 70.11, 0.38%, 0.49%

LAB 67.36, -19.62, 46.23

 

CMYK 9 / 0 / 55 / 13

HEX #CADF64

RGB 202 223 100

HSL 70.24, 0.66%, 0.63%

LAB 85.12, -24.22, 56.91

 

CMYK 11 / 0 / 53 / 93

HEX #111309

RGB 17 19 9

HSL 72, 0.36%, 0.05%

LAB 5.46, -2.51, 4.44

 

CMYK 10 / 0 / 56 / 73

HEX #3F461F

RGB 63 70 31

HSL 70.77, 0.39%, 0.2%

LAB 28.21, -9.85, 22.35

 

CMYK 9 / 0 / 55 / 53

HEX #6E7936

RGB 110 121 54

HSL 69.85, 0.38%, 0.34%

LAB 48.58, -14.73, 34.88

 

CMYK 9 / 0 / 55 / 33

HEX #9CAC4D

RGB 156 172 77

HSL 70.11, 0.38%, 0.49%

LAB 67.36, -19.62, 46.23

 

CMYK 55 / 0 / 35 / 33

HEX #4DAC70

RGB 77 172 112

HSL 142.11, 0.38%, 0.49%

LAB 63.55, -41.89, 22.6

 

CMYK 13 / 55 / 0 / 33

HEX #964DAC

RGB 150 77 172

HSL 286.11, 0.38%, 0.49%

LAB 45.32, 45.81, -38.33

 

CMYK 9 / 0 / 55 / 33

HEX #9CAC4D

RGB 156 172 77

HSL 70.11, 0.38%, 0.49%

LAB 67.36, -19.62, 46.23

 

CMYK 55 / 9 / 0 / 33

HEX #4D9CAC

RGB 77 156 172

HSL 190.11, 0.38%, 0.49%

LAB 60.19, -19.58, -15.74

 

CMYK 0 / 55 / 9 / 33

HEX #AC4D9C

RGB 172 77 156

HSL 310.11, 0.38%, 0.49%

LAB 47.6, 49.06, -25.07

 

CMYK 9 / 0 / 55 / 33

HEX #9CAC4D

RGB 156 172 77

HSL 70.11, 0.38%, 0.49%

LAB 67.36, -19.62, 46.23

 

CMYK 55 / 0 / 35 / 33

HEX #4DAC70

RGB 77 172 112

HSL 142.11, 0.38%, 0.49%

LAB 63.55, -41.89, 22.6

 

CMYK 46 / 55 / 0 / 33

HEX #5D4DAC

RGB 93 77 172

HSL 250.11, 0.38%, 0.49%

LAB 38.92, 31.14, -48.91

 

CMYK 0 / 55 / 20 / 33

HEX #AC4D89

RGB 172 77 137

HSL 322.11, 0.38%, 0.49%

LAB 46.82, 46.04, -14.9

 

CMYK 9 / 0 / 55 / 33

HEX #9CAC4D

RGB 156 172 77

HSL 70.11, 0.38%, 0.49%

LAB 67.36, -19.62, 46.23

 

CMYK 55 / 0 / 19 / 33

HEX #4DAC8C

RGB 77 172 140

HSL 159.79, 0.38%, 0.49%

LAB 64.14, -35.92, 8.05

 

CMYK 46 / 55 / 0 / 33

HEX #5D4DAC

RGB 93 77 172

HSL 250.11, 0.38%, 0.49%

LAB 38.92, 31.14, -48.91

 

CMYK 0 / 55 / 37 / 33

HEX #AC4D6D

RGB 172 77 109

HSL 339.79, 0.38%, 0.49%

LAB 45.88, 42.23, 0.68

 

Description

Color code: HEX #9CAC4D | qconv.com Color code: HEX #9CAC4D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 172 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 172 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 55 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 55% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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