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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C7614 it is the complementary color #6389EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C7614. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9C7614: #A1760F, #B28822, #C39A35, #D4AC48 and #E5BE5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C7614. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9C7614: #9C7614, #8B6401, #7A5200, #694000 and #582E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 87 / 39

HEX #9C7614

RGB 156 118 20

HSL 43.24, 0.77%, 0.35%

LAB 51.92, 6.18, 53.72

 

Complementary color

CMYK 58 / 42 / 0 / 8

HEX #6389EB

RGB 99 137 235

HSL 223.24, 0.77%, 0.65%

LAB 58.55, 15.61, -53.57

 

CMYK 0 / 27 / 91 / 37

HEX #A1760F

RGB 161 118 15

HSL 42.33, 0.83%, 0.35%

LAB 52.47, 8.38, 55.69

 

CMYK 0 / 24 / 81 / 30

HEX #B28822

RGB 178 136 34

HSL 42.5, 0.68%, 0.42%

LAB 59.15, 6.6, 56.48

 

CMYK 0 / 21 / 73 / 24

HEX #C39A35

RGB 195 154 53

HSL 42.68, 0.57%, 0.49%

LAB 65.73, 5.1, 56.14

 

CMYK 0 / 19 / 66 / 17

HEX #D4AC48

RGB 212 172 72

HSL 42.86, 0.62%, 0.56%

LAB 72.21, 3.85, 55.28

 

CMYK 0 / 17 / 60 / 10

HEX #E5BE5B

RGB 229 190 91

HSL 43.04, 0.73%, 0.63%

LAB 78.6, 2.78, 54.17

 

CMYK 0 / 24 / 87 / 39

HEX #9C7614

RGB 156 118 20

HSL 43.24, 0.77%, 0.35%

LAB 51.92, 6.18, 53.72

 

CMYK 0 / 28 / 99 / 45

HEX #8B6401

RGB 139 100 1

HSL 43.04, 0.99%, 0.27%

LAB 45.09, 8.14, 52.15

 

CMYK 0 / 33 / 100 / 52

HEX #7A5200

RGB 122 82 0

HSL 40.33, 1%, 0.24%

LAB 38.15, 10.58, 46.72

 

CMYK 0 / 39 / 100 / 59

HEX #694000

RGB 105 64 0

HSL 36.57, 1%, 0.21%

LAB 31.04, 13.19, 40.88

 

CMYK 0 / 48 / 100 / 65

HEX #582E00

RGB 88 46 0

HSL 31.36, 1%, 0.17%

LAB 23.77, 15.96, 33.62

 

CMYK 0 / 24 / 87 / 39

HEX #9C7614

RGB 156 118 20

HSL 43.24, 0.77%, 0.35%

LAB 51.92, 6.18, 53.72

 

CMYK 0 / 10 / 87 / 38

HEX #9D8D14

RGB 157 141 20

HSL 52.99, 0.77%, 0.35%

LAB 58.29, -6.15, 58.99

 

CMYK 4 / 0 / 87 / 38

HEX #979D14

RGB 151 157 20

HSL 62.63, 0.77%, 0.35%

LAB 62.29, -17.33, 62.05

 

CMYK 18 / 0 / 87 / 38

HEX #809D14

RGB 128 157 20

HSL 72.7, 0.77%, 0.35%

LAB 60.56, -27.34, 59.91

 

CMYK 33 / 0 / 87 / 38

HEX #699D14

RGB 105 157 20

HSL 82.77, 0.77%, 0.35%

LAB 59.13, -36.65, 58.12

 

CMYK 0 / 24 / 87 / 39

HEX #9C7614

RGB 156 118 20

HSL 43.24, 0.77%, 0.35%

LAB 51.92, 6.18, 53.72

 

CMYK 0 / 24 / 87 / 19

HEX #CF9D1B

RGB 207 157 27

HSL 43.33, 0.77%, 0.46%

LAB 67.62, 7.87, 66.96

 

CMYK 0 / 33 / 100 / 99

HEX #030200

RGB 3 2 0

HSL 40, 1%, 0.01%

LAB 0.57, -0.02, 0.85

 

CMYK 0 / 24 / 87 / 79

HEX #362907

RGB 54 41 7

HSL 43.4, 0.77%, 0.12%

LAB 17.39, 1.78, 22.3

 

CMYK 0 / 25 / 88 / 59

HEX #694F0D

RGB 105 79 13

HSL 43.04, 0.78%, 0.23%

LAB 35.25, 4.38, 39.51

 

CMYK 0 / 24 / 87 / 39

HEX #9C7614

RGB 156 118 20

HSL 43.24, 0.77%, 0.35%

LAB 51.92, 6.18, 53.72

 

CMYK 80 / 0 / 87 / 38

HEX #1F9D14

RGB 31 157 20

HSL 115.18, 0.77%, 0.35%

LAB 56.54, -56.74, 54.86

 

CMYK 59 / 87 / 0 / 38

HEX #40149D

RGB 64 20 157

HSL 259.27, 0.77%, 0.35%

LAB 23.75, 51.81, -64.75

 

CMYK 0 / 24 / 87 / 39

HEX #9C7614

RGB 156 118 20

HSL 43.24, 0.77%, 0.35%

LAB 51.92, 6.18, 53.72

 

CMYK 87 / 0 / 24 / 38

HEX #149D77

RGB 20 157 119

HSL 163.36, 0.77%, 0.35%

LAB 57.65, -43.26, 10.4

 

CMYK 24 / 87 / 0 / 38

HEX #77149D

RGB 119 20 157

HSL 283.36, 0.77%, 0.35%

LAB 31.48, 59.06, -51.78

 

CMYK 0 / 24 / 87 / 39

HEX #9C7614

RGB 156 118 20

HSL 43.24, 0.77%, 0.35%

LAB 51.92, 6.18, 53.72

 

CMYK 80 / 0 / 87 / 38

HEX #1F9D14

RGB 31 157 20

HSL 115.18, 0.77%, 0.35%

LAB 56.54, -56.74, 54.86

 

CMYK 87 / 62 / 0 / 38

HEX #143B9D

RGB 20 59 157

HSL 222.92, 0.77%, 0.35%

LAB 28.67, 26.01, -56.75

 

CMYK 7 / 87 / 0 / 38

HEX #92149D

RGB 146 20 157

HSL 295.18, 0.77%, 0.35%

LAB 36.07, 63.69, -44.14

 

CMYK 0 / 24 / 87 / 39

HEX #9C7614

RGB 156 118 20

HSL 43.24, 0.77%, 0.35%

LAB 51.92, 6.18, 53.72

 

CMYK 87 / 0 / 68 / 38

HEX #149D32

RGB 20 157 50

HSL 133.14, 0.77%, 0.35%

LAB 56.58, -55.74, 44.77

 

CMYK 87 / 62 / 0 / 38

HEX #143B9D

RGB 20 59 157

HSL 222.92, 0.77%, 0.35%

LAB 28.67, 26.01, -56.75

 

CMYK 0 / 87 / 18 / 38

HEX #9D1480

RGB 157 20 128

HSL 312.7, 0.77%, 0.35%

LAB 36.42, 61.47, -25.64

 

Description

Color code: HEX #9C7614 | qconv.com Color code: HEX #9C7614 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 118 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 118 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 87 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 87% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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