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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C667C it is the complementary color #639983. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C667C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9C667C: #A16677, #B2788A, #C38A9D, #D49CB0 and #E5AEC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C667C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9C667C: #9C667C, #8B5469, #7A4256, #693043 and #581E30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 21 / 39

HEX #9C667C

RGB 156 102 124

HSL 335.56, 0.21%, 0.51%

LAB 49.53, 25.01, -3.27

 

Complementary color

CMYK 35 / 0 / 14 / 40

HEX #639983

RGB 99 153 131

HSL 155.56, 0.21%, 0.49%

LAB 59.04, -22.96, 5.93

 

CMYK 0 / 37 / 26 / 37

HEX #A16677

RGB 161 102 119

HSL 342.71, 0.24%, 0.52%

LAB 49.99, 26.13, 0.46

 

CMYK 0 / 33 / 22 / 30

HEX #B2788A

RGB 178 120 138

HSL 341.38, 0.27%, 0.58%

LAB 56.81, 25.3, -0.5

 

CMYK 0 / 29 / 19 / 24

HEX #C38A9D

RGB 195 138 157

HSL 340, 0.32%, 0.65%

LAB 63.52, 24.55, -1.36

 

CMYK 0 / 26 / 17 / 17

HEX #D49CB0

RGB 212 156 176

HSL 338.57, 0.39%, 0.72%

LAB 70.11, 23.87, -2.14

 

CMYK 0 / 24 / 15 / 10

HEX #E5AEC3

RGB 229 174 195

HSL 337.09, 0.51%, 0.79%

LAB 76.6, 23.24, -2.87

 

CMYK 0 / 35 / 21 / 39

HEX #9C667C

RGB 156 102 124

HSL 335.56, 0.21%, 0.51%

LAB 49.53, 25.01, -3.27

 

CMYK 0 / 40 / 24 / 45

HEX #8B5469

RGB 139 84 105

HSL 337.09, 0.25%, 0.44%

LAB 42.54, 25.87, -2.33

 

CMYK 0 / 46 / 30 / 52

HEX #7A4256

RGB 122 66 86

HSL 338.57, 0.3%, 0.37%

LAB 35.41, 26.8, -1.2

 

CMYK 0 / 54 / 36 / 59

HEX #693043

RGB 105 48 67

HSL 340, 0.37%, 0.3%

LAB 28.17, 27.76, 0.22

 

CMYK 0 / 66 / 45 / 65

HEX #581E30

RGB 88 30 48

HSL 341.38, 0.49%, 0.23%

LAB 20.89, 28.61, 2.19

 

CMYK 0 / 35 / 21 / 39

HEX #9C667C

RGB 156 102 124

HSL 335.56, 0.21%, 0.51%

LAB 49.53, 25.01, -3.27

 

CMYK 0 / 34 / 26 / 39

HEX #9C6774

RGB 156 103 116

HSL 345.28, 0.21%, 0.51%

LAB 49.53, 23.19, 1.5

 

CMYK 0 / 34 / 31 / 39

HEX #9C676C

RGB 156 103 108

HSL 354.34, 0.21%, 0.51%

LAB 49.32, 22.02, 5.96

 

CMYK 0 / 31 / 34 / 39

HEX #9C6C67

RGB 156 108 103

HSL 5.66, 0.21%, 0.51%

LAB 50.42, 18.46, 10.49

 

CMYK 0 / 26 / 34 / 39

HEX #9C7467

RGB 156 116 103

HSL 14.72, 0.21%, 0.51%

LAB 52.44, 13.86, 13.31

 

CMYK 0 / 35 / 21 / 39

HEX #9C667C

RGB 156 102 124

HSL 335.56, 0.21%, 0.51%

LAB 49.53, 25.01, -3.27

 

CMYK 0 / 35 / 20 / 19

HEX #CF87A5

RGB 207 135 165

HSL 335, 0.43%, 0.67%

LAB 64.41, 31.77, -4.43

 

CMYK 0 / 33 / 33 / 99

HEX #030202

RGB 3 2 2

HSL 0, 0.2%, 0.01%

LAB 0.61, 0.26, 0.09

 

CMYK 0 / 35 / 20 / 79

HEX #36232B

RGB 54 35 43

HSL 334.74, 0.21%, 0.17%

LAB 16.31, 10.58, -1.65

 

CMYK 0 / 34 / 21 / 59

HEX #694553

RGB 105 69 83

HSL 336.67, 0.21%, 0.34%

LAB 33.74, 17.77, -2.02

 

CMYK 0 / 35 / 21 / 39

HEX #9C667C

RGB 156 102 124

HSL 335.56, 0.21%, 0.51%

LAB 49.53, 25.01, -3.27

 

CMYK 0 / 8 / 34 / 39

HEX #9C9067

RGB 156 144 103

HSL 46.42, 0.21%, 0.51%

LAB 59.88, -1.96, 23.44

 

CMYK 34 / 6 / 0 / 39

HEX #67929C

RGB 103 146 156

HSL 191.32, 0.21%, 0.51%

LAB 57.89, -12.07, -9.99

 

CMYK 0 / 35 / 21 / 39

HEX #9C667C

RGB 156 102 124

HSL 335.56, 0.21%, 0.51%

LAB 49.53, 25.01, -3.27

 

CMYK 20 / 0 / 34 / 39

HEX #7D9C67

RGB 125 156 103

HSL 95.09, 0.21%, 0.51%

LAB 60.88, -20.75, 24.34

 

CMYK 34 / 20 / 0 / 39

HEX #677D9C

RGB 103 125 156

HSL 215.09, 0.21%, 0.51%

LAB 51.78, -0.18, -19.23

 

CMYK 0 / 35 / 21 / 39

HEX #9C667C

RGB 156 102 124

HSL 335.56, 0.21%, 0.51%

LAB 49.53, 25.01, -3.27

 

CMYK 0 / 8 / 34 / 39

HEX #9C9067

RGB 156 144 103

HSL 46.42, 0.21%, 0.51%

LAB 59.88, -1.96, 23.44

 

CMYK 34 / 0 / 14 / 39

HEX #679C86

RGB 103 156 134

HSL 155.09, 0.21%, 0.51%

LAB 60.23, -22.59, 5.96

 

CMYK 34 / 26 / 0 / 39

HEX #67739C

RGB 103 115 156

HSL 226.42, 0.21%, 0.51%

LAB 48.94, 5.75, -23.59

 

CMYK 0 / 35 / 21 / 39

HEX #9C667C

RGB 156 102 124

HSL 335.56, 0.21%, 0.51%

LAB 49.53, 25.01, -3.27

 

CMYK 3 / 0 / 34 / 39

HEX #979C67

RGB 151 156 103

HSL 65.66, 0.21%, 0.51%

LAB 62.79, -10.53, 27.2

 

CMYK 34 / 0 / 14 / 39

HEX #679C86

RGB 103 156 134

HSL 155.09, 0.21%, 0.51%

LAB 60.23, -22.59, 5.96

 

CMYK 31 / 34 / 0 / 39

HEX #6C679C

RGB 108 103 156

HSL 245.66, 0.21%, 0.51%

LAB 46.03, 14.55, -28.08

 

Description

Color code: HEX #9C667C | qconv.com Color code: HEX #9C667C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 102 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 102 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 21 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 21% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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