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Color name
HEX #9C5068

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C5068 it is the complementary color #63AF97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C5068. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C5068 shade: #A15063, #B26276, #C37489, #D4869C and #E598AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C5068. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C5068 shade: #9C5068, #8B3E55, #7A2C42, #691A2F and #58081C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C5068 shade: #9B5067, #9B5053 and #9B5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C5068 shade: #9B5067, #9B507C, #9B5090, #91509B and #7D509B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C5068 shade matches the following richer shades: #9B5067, #AE3D60, #C12A59, #D41753 and #E7044C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C5068 shade: #9B5067, #88636E, #757675, #62897C and #4F9C83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C5068 shade: #9B5090, #9B507C, #9B5068, #9B5054 and #9B6050

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C5068 shade: #643443, #804255, #9B5067, #AF647C and #BD8093

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C5068 shade: #9C5068, #9B9250 and #50869B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C5068 shade: #9C5068, #689B50 and #50689B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C5068 shade: #9C5068, #9B9250, #509B83 and #50599B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C5068 shade: #9C5068, #8D9B50, #509B83 and #5E509B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 33 / 39

HEX #9C5068

RGB 156 80 104

HSL 341.05, 0.32%, 0.46%

LAB 43.95, 34.34, 0.63

 

Complementary color

CMYK 43 / 0 / 14 / 31

HEX #63AF97

RGB 99 175 151

HSL 161.05, 0.32%, 0.54%

LAB 66.17, -29.36, 4.98

 

CMYK 0 / 50 / 39 / 37

HEX #A15063

RGB 161 80 99

HSL 345.93, 0.34%, 0.47%

LAB 44.54, 35.55, 4.64

 

CMYK 0 / 45 / 34 / 30

HEX #B26276

RGB 178 98 118

HSL 345, 0.34%, 0.54%

LAB 51.28, 34.58, 3.19

 

CMYK 0 / 41 / 30 / 24

HEX #C37489

RGB 195 116 137

HSL 344.05, 0.4%, 0.61%

LAB 57.94, 33.65, 1.97

 

CMYK 0 / 37 / 26 / 17

HEX #D4869C

RGB 212 134 156

HSL 343.08, 0.48%, 0.68%

LAB 64.52, 32.78, 0.9

 

CMYK 0 / 34 / 24 / 10

HEX #E598AF

RGB 229 152 175

HSL 342.08, 0.6%, 0.75%

LAB 71.02, 31.97, -0.05

 

CMYK 0 / 49 / 33 / 39

HEX #9C5068

RGB 156 80 104

HSL 341.05, 0.32%, 0.46%

LAB 43.95, 34.34, 0.63

 

CMYK 0 / 55 / 39 / 45

HEX #8B3E55

RGB 139 62 85

HSL 342.08, 0.38%, 0.39%

LAB 37.1, 35.26, 2.2

 

CMYK 0 / 64 / 46 / 52

HEX #7A2C42

RGB 122 44 66

HSL 343.08, 0.47%, 0.33%

LAB 30.24, 36.04, 4.23

 

CMYK 0 / 75 / 55 / 59

HEX #691A2F

RGB 105 26 47

HSL 344.05, 0.6%, 0.26%

LAB 23.5, 36.39, 7.04

 

CMYK 0 / 91 / 68 / 65

HEX #58081C

RGB 88 8 28

HSL 345, 0.83%, 0.19%

LAB 17.14, 35.6, 11.19

 

CMYK 0 / 48 / 34 / 39

HEX #9B5067

RGB 155 80 103

HSL 341.6, 0.32%, 0.46%

LAB 43.78, 33.84, 0.98

 

CMYK 0 / 48 / 46 / 39

HEX #9B5053

RGB 155 80 83

HSL 357.6, 0.32%, 0.46%

LAB 43.26, 31.43, 12.5

 

CMYK 0 / 48 / 48 / 39

HEX #9B5050

RGB 155 80 80

HSL 0, 0.32%, 0.46%

LAB 43.19, 31.12, 14.25

 

CMYK 0 / 48 / 34 / 39

HEX #9B5067

RGB 155 80 103

HSL 341.6, 0.32%, 0.46%

LAB 43.78, 33.84, 0.98

 

CMYK 0 / 48 / 20 / 39

HEX #9B507C

RGB 155 80 124

HSL 324.8, 0.32%, 0.46%

LAB 44.46, 36.9, -10.84

 

CMYK 0 / 48 / 7 / 39

HEX #9B5090

RGB 155 80 144

HSL 308.8, 0.32%, 0.46%

LAB 45.25, 40.28, -21.73

 

CMYK 6 / 48 / 0 / 39

HEX #91509B

RGB 145 80 155

HSL 292, 0.32%, 0.46%

LAB 44.41, 39.28, -29.72

 

CMYK 19 / 48 / 0 / 39

HEX #7D509B

RGB 125 80 155

HSL 276, 0.32%, 0.46%

LAB 41.94, 33.29, -33.77

 

CMYK 0 / 48 / 34 / 39

HEX #9B5067

RGB 155 80 103

HSL 341.6, 0.32%, 0.46%

LAB 43.78, 33.84, 0.98

 

CMYK 0 / 65 / 45 / 32

HEX #AE3D60

RGB 174 61 96

HSL 341.42, 0.48%, 0.46%

LAB 43.03, 48.94, 4.6

 

CMYK 0 / 78 / 54 / 24

HEX #C12A59

RGB 193 42 89

HSL 341.32, 0.64%, 0.46%

LAB 43.82, 60.89, 10.56

 

CMYK 0 / 89 / 61 / 17

HEX #D41753

RGB 212 23 83

HSL 340.95, 0.8%, 0.46%

LAB 45.95, 69.64, 17.82

 

CMYK 0 / 98 / 67 / 9

HEX #E7044C

RGB 231 4 76

HSL 340.97, 0.97%, 0.46%

LAB 49, 75.8, 26.85

 

CMYK 0 / 48 / 34 / 39

HEX #9B5067

RGB 155 80 103

HSL 341.6, 0.32%, 0.46%

LAB 43.78, 33.84, 0.98

 

CMYK 0 / 27 / 19 / 47

HEX #88636E

RGB 136 99 110

HSL 342.16, 0.16%, 0.46%

LAB 46.02, 16.74, -0.3

 

CMYK 1 / 0 / 1 / 54

HEX #757675

RGB 117 118 117

HSL 120, 0%, 0.46%

LAB 49.52, -0.58, 0.41

 

CMYK 28 / 0 / 9 / 46

HEX #62897C

RGB 98 137 124

HSL 160, 0.17%, 0.46%

LAB 53.97, -16.48, 2.61

 

CMYK 49 / 0 / 16 / 39

HEX #4F9C83

RGB 79 156 131

HSL 160.52, 0.33%, 0.46%

LAB 59.05, -30.05, 5.81

 

CMYK 0 / 48 / 7 / 39

HEX #9B5090

RGB 155 80 144

HSL 308.8, 0.32%, 0.46%

LAB 45.25, 40.28, -21.73

 

CMYK 0 / 48 / 20 / 39

HEX #9B507C

RGB 155 80 124

HSL 324.8, 0.32%, 0.46%

LAB 44.46, 36.9, -10.84

 

CMYK 0 / 48 / 33 / 39

HEX #9B5068

RGB 155 80 104

HSL 340.8, 0.32%, 0.46%

LAB 43.81, 33.97, 0.41

 

CMYK 0 / 48 / 46 / 39

HEX #9B5054

RGB 155 80 84

HSL 356.8, 0.32%, 0.46%

LAB 43.28, 31.54, 11.92

 

CMYK 0 / 38 / 48 / 39

HEX #9B6050

RGB 155 96 80

HSL 12.8, 0.32%, 0.46%

LAB 46.86, 22.16, 19.21

 

CMYK 0 / 48 / 33 / 61

HEX #643443

RGB 100 52 67

HSL 341.25, 0.32%, 0.3%

LAB 28.3, 23.47, 0.32

 

CMYK 0 / 48 / 34 / 50

HEX #804255

RGB 128 66 85

HSL 341.61, 0.32%, 0.38%

LAB 36.26, 28.96, 0.77

 

CMYK 0 / 48 / 34 / 39

HEX #9B5067

RGB 155 80 103

HSL 341.6, 0.32%, 0.46%

LAB 43.78, 33.84, 0.98

 

CMYK 0 / 43 / 29 / 31

HEX #AF647C

RGB 175 100 124

HSL 340.8, 0.32%, 0.54%

LAB 51.48, 33.2, -0.13

 

CMYK 0 / 32 / 22 / 26

HEX #BD8093

RGB 189 128 147

HSL 341.31, 0.32%, 0.62%

LAB 60.22, 26.32, -0.57

 

CMYK 0 / 49 / 33 / 39

HEX #9C5068

RGB 156 80 104

HSL 341.05, 0.32%, 0.46%

LAB 43.95, 34.34, 0.63

 

CMYK 0 / 6 / 48 / 39

HEX #9B9250

RGB 155 146 80

HSL 52.8, 0.32%, 0.46%

LAB 59.98, -6.12, 35.97

 

CMYK 48 / 14 / 0 / 39

HEX #50869B

RGB 80 134 155

HSL 196.8, 0.32%, 0.46%

LAB 53.08, -11.98, -16.78

 

CMYK 0 / 49 / 33 / 39

HEX #9C5068

RGB 156 80 104

HSL 341.05, 0.32%, 0.46%

LAB 43.95, 34.34, 0.63

 

CMYK 33 / 0 / 48 / 39

HEX #689B50

RGB 104 155 80

HSL 100.8, 0.32%, 0.46%

LAB 58.94, -31.3, 33.86

 

CMYK 48 / 33 / 0 / 39

HEX #50689B

RGB 80 104 155

HSL 220.8, 0.32%, 0.46%

LAB 44.19, 5.7, -30.51

 

CMYK 0 / 49 / 33 / 39

HEX #9C5068

RGB 156 80 104

HSL 341.05, 0.32%, 0.46%

LAB 43.95, 34.34, 0.63

 

CMYK 0 / 6 / 48 / 39

HEX #9B9250

RGB 155 146 80

HSL 52.8, 0.32%, 0.46%

LAB 59.98, -6.12, 35.97

 

CMYK 48 / 0 / 15 / 39

HEX #509B83

RGB 80 155 131

HSL 160.8, 0.32%, 0.46%

LAB 58.78, -29.31, 5.43

 

CMYK 48 / 43 / 0 / 39

HEX #50599B

RGB 80 89 155

HSL 232.8, 0.32%, 0.46%

LAB 39.94, 15.13, -37.21

 

CMYK 0 / 49 / 33 / 39

HEX #9C5068

RGB 156 80 104

HSL 341.05, 0.32%, 0.46%

LAB 43.95, 34.34, 0.63

 

CMYK 9 / 0 / 48 / 39

HEX #8D9B50

RGB 141 155 80

HSL 71.2, 0.32%, 0.46%

LAB 61.38, -16.84, 37.4

 

CMYK 48 / 0 / 15 / 39

HEX #509B83

RGB 80 155 131

HSL 160.8, 0.32%, 0.46%

LAB 58.78, -29.31, 5.43

 

CMYK 39 / 48 / 0 / 39

HEX #5E509B

RGB 94 80 155

HSL 251.2, 0.32%, 0.46%

LAB 38.7, 24.48, -39.12

 

Description

Color code: HEX #9C5068 | qconv.com Color code: HEX #9C5068 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 80 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 80 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 33 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 33% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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