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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 43 / 0 / 14 / 31 it is the complementary color CMYK 0 / 49 / 33 / 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 43 / 0 / 14 / 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 43 / 0 / 14 / 31: CMYK 40 / 0 / 17 / 31, CMYK 37 / 0 / 15 / 24, CMYK 34 / 0 / 13 / 17, CMYK 32 / 0 / 12 / 10 and CMYK 30 / 0 / 10 / 3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 43 / 0 / 14 / 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 43 / 0 / 14 / 31: CMYK 43 / 0 / 14 / 31, CMYK 47 / 0 / 16 / 38, CMYK 53 / 0 / 19 / 45, CMYK 60 / 0 / 23 / 52 and CMYK 69 / 0 / 28 / 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 14 / 31

HEX #64B097

RGB 100 176 151

HSL 160.26, 0.32%, 0.54%

LAB 66.52, -29.58, 5.48

 

Complementary color

CMYK 0 / 49 / 33 / 39

HEX #9B4F68

RGB 155 79 104

HSL 340.26, 0.32%, 0.46%

LAB 43.6, 34.51, 0.1

 

CMYK 40 / 0 / 17 / 31

HEX #69B092

RGB 105 176 146

HSL 154.65, 0.31%, 0.55%

LAB 66.62, -29.31, 8.42

 

CMYK 37 / 0 / 15 / 24

HEX #7AC2A5

RGB 122 194 165

HSL 155.83, 0.37%, 0.62%

LAB 73.18, -29.08, 7.51

 

CMYK 34 / 0 / 13 / 17

HEX #8BD4B8

RGB 139 212 184

HSL 156.99, 0.46%, 0.69%

LAB 79.63, -28.85, 6.67

 

CMYK 32 / 0 / 12 / 10

HEX #9CE6CB

RGB 156 230 203

HSL 158.11, 0.6%, 0.76%

LAB 85.99, -28.64, 5.88

 

CMYK 30 / 0 / 10 / 3

HEX #ADF8DE

RGB 173 248 222

HSL 159.2, 0.84%, 0.83%

LAB 92.26, -28.43, 5.12

 

CMYK 43 / 0 / 14 / 31

HEX #64B097

RGB 100 176 151

HSL 160.26, 0.32%, 0.54%

LAB 66.52, -29.58, 5.48

 

CMYK 47 / 0 / 16 / 38

HEX #539E84

RGB 83 158 132

HSL 159.2, 0.31%, 0.47%

LAB 59.85, -29.75, 6.42

 

CMYK 53 / 0 / 19 / 45

HEX #428C71

RGB 66 140 113

HSL 158.11, 0.36%, 0.4%

LAB 53.07, -29.89, 7.46

 

CMYK 60 / 0 / 23 / 52

HEX #317A5E

RGB 49 122 94

HSL 156.99, 0.43%, 0.34%

LAB 46.15, -29.92, 8.63

 

CMYK 69 / 0 / 28 / 59

HEX #20684B

RGB 32 104 75

HSL 155.83, 0.53%, 0.27%

LAB 39.1, -29.76, 9.97

 

CMYK 43 / 0 / 14 / 31

HEX #64B097

RGB 100 176 151

HSL 160.26, 0.32%, 0.54%

LAB 66.52, -29.58, 5.48

 

CMYK 43 / 0 / 7 / 31

HEX #64AFA2

RGB 100 175 162

HSL 169.6, 0.32%, 0.54%

LAB 66.5, -26.5, -0.63

 

CMYK 43 / 0 / 0 / 31

HEX #64AFAF

RGB 100 175 175

HSL 180, 0.32%, 0.54%

LAB 66.87, -23.24, -7.3

 

CMYK 43 / 7 / 0 / 31

HEX #64A2AF

RGB 100 162 175

HSL 190.4, 0.32%, 0.54%

LAB 63.05, -16.51, -13.01

 

CMYK 43 / 14 / 0 / 31

HEX #6496AF

RGB 100 150 175

HSL 200, 0.32%, 0.54%

LAB 59.54, -10.02, -18.32

 

CMYK 43 / 0 / 14 / 31

HEX #64B097

RGB 100 176 151

HSL 160.26, 0.32%, 0.54%

LAB 66.52, -29.58, 5.48

 

CMYK 43 / 0 / 14 / 11

HEX #81E3C3

RGB 129 227 195

HSL 160.41, 0.64%, 0.7%

LAB 83.73, -36.24, 6.67

 

CMYK 43 / 0 / 13 / 91

HEX #0D1714

RGB 13 23 20

HSL 162, 0.28%, 0.07%

LAB 6.76, -4.63, 0.58

 

CMYK 43 / 0 / 15 / 71

HEX #2A4A3F

RGB 42 74 63

HSL 159.38, 0.28%, 0.23%

LAB 28.77, -14.8, 2.88

 

CMYK 43 / 0 / 14 / 51

HEX #477D6B

RGB 71 125 107

HSL 160, 0.28%, 0.38%

LAB 48.35, -22.5, 4.23

 

CMYK 43 / 0 / 14 / 31

HEX #64B097

RGB 100 176 151

HSL 160.26, 0.32%, 0.54%

LAB 66.52, -29.58, 5.48

 

CMYK 43 / 37 / 0 / 31

HEX #646EAF

RGB 100 110 175

HSL 232, 0.32%, 0.54%

LAB 48.2, 13.38, -35.87

 

CMYK 0 / 31 / 43 / 31

HEX #AF7864

RGB 175 120 100

HSL 16, 0.32%, 0.54%

LAB 55.55, 19.04, 19.66

 

CMYK 43 / 0 / 14 / 31

HEX #64B097

RGB 100 176 151

HSL 160.26, 0.32%, 0.54%

LAB 66.52, -29.58, 5.48

 

CMYK 14 / 43 / 0 / 31

HEX #9664AF

RGB 150 100 175

HSL 280, 0.32%, 0.54%

LAB 50.33, 33.92, -32.21

 

CMYK 0 / 14 / 43 / 31

HEX #AF9664

RGB 175 150 100

HSL 40, 0.32%, 0.54%

LAB 63.22, 2.3, 29.79

 

CMYK 43 / 0 / 14 / 31

HEX #64B097

RGB 100 176 151

HSL 160.26, 0.32%, 0.54%

LAB 66.52, -29.58, 5.48

 

CMYK 43 / 37 / 0 / 31

HEX #646EAF

RGB 100 110 175

HSL 232, 0.32%, 0.54%

LAB 48.2, 13.38, -35.87

 

CMYK 0 / 43 / 29 / 31

HEX #AF647D

RGB 175 100 125

HSL 340, 0.32%, 0.54%

LAB 51.51, 33.34, -0.68

 

CMYK 0 / 6 / 43 / 31

HEX #AFA564

RGB 175 165 100

HSL 52, 0.32%, 0.54%

LAB 67.24, -5.82, 34.92

 

CMYK 43 / 0 / 14 / 31

HEX #64B097

RGB 100 176 151

HSL 160.26, 0.32%, 0.54%

LAB 66.52, -29.58, 5.48

 

CMYK 36 / 43 / 0 / 31

HEX #7064AF

RGB 112 100 175

HSL 249.6, 0.32%, 0.54%

LAB 46.52, 22.76, -38.47

 

CMYK 0 / 43 / 29 / 31

HEX #AF647D

RGB 175 100 125

HSL 340, 0.32%, 0.54%

LAB 51.51, 33.34, -0.68

 

CMYK 7 / 0 / 43 / 31

HEX #A2AF64

RGB 162 175 100

HSL 70.4, 0.32%, 0.54%

LAB 68.94, -16.37, 36.85

 

Description

Color code: CMYK 43 / 0 / 14 / 31 | qconv.com Color code: CMYK 43 / 0 / 14 / 31 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 176 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 176 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 14 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 14% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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