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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C1D65 it is the complementary color #63E29A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C1D65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9C1D65: #A11D60, #B22F73, #C34186, #D45399 and #E565AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C1D65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9C1D65: #9C1D65, #8B0B52, #7A003F, #69002C and #580019

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 35 / 39

HEX #9C1D65

RGB 156 29 101

HSL 325.98, 0.69%, 0.36%

LAB 35.76, 55.79, -9.63

 

Complementary color

CMYK 56 / 0 / 32 / 11

HEX #63E29A

RGB 99 226 154

HSL 145.98, 0.69%, 0.64%

LAB 81.5, -51.35, 24.84

 

CMYK 0 / 82 / 40 / 37

HEX #A11D60

RGB 161 29 96

HSL 329.55, 0.69%, 0.37%

LAB 36.56, 56.54, -5.15

 

CMYK 0 / 74 / 35 / 30

HEX #B22F73

RGB 178 47 115

HSL 328.85, 0.58%, 0.44%

LAB 42.36, 57.61, -8.1

 

CMYK 0 / 67 / 31 / 24

HEX #C34186

RGB 195 65 134

HSL 328.15, 0.52%, 0.51%

LAB 48.39, 57.89, -10.37

 

CMYK 0 / 61 / 28 / 17

HEX #D45399

RGB 212 83 153

HSL 327.44, 0.6%, 0.58%

LAB 54.54, 57.71, -12.16

 

CMYK 0 / 56 / 25 / 10

HEX #E565AC

RGB 229 101 172

HSL 326.72, 0.71%, 0.65%

LAB 60.73, 57.25, -13.61

 

CMYK 0 / 81 / 35 / 39

HEX #9C1D65

RGB 156 29 101

HSL 325.98, 0.69%, 0.36%

LAB 35.76, 55.79, -9.63

 

CMYK 0 / 92 / 41 / 45

HEX #8B0B52

RGB 139 11 82

HSL 326.72, 0.85%, 0.29%

LAB 30.25, 53.49, -5.93

 

CMYK 0 / 100 / 48 / 52

HEX #7A003F

RGB 122 0 63

HSL 329.02, 1%, 0.24%

LAB 25.25, 49.45, -0.98

 

CMYK 0 / 100 / 58 / 59

HEX #69002C

RGB 105 0 44

HSL 334.86, 1%, 0.21%

LAB 20.77, 43.65, 5.32

 

CMYK 0 / 100 / 72 / 65

HEX #580019

RGB 88 0 25

HSL 342.95, 1%, 0.17%

LAB 16.23, 37.85, 12.17

 

CMYK 0 / 81 / 35 / 39

HEX #9C1D65

RGB 156 29 101

HSL 325.98, 0.69%, 0.36%

LAB 35.76, 55.79, -9.63

 

CMYK 0 / 82 / 48 / 39

HEX #9B1C51

RGB 155 28 81

HSL 334.96, 0.69%, 0.36%

LAB 34.79, 53.77, 1.78

 

CMYK 0 / 82 / 61 / 39

HEX #9B1C3C

RGB 155 28 60

HSL 344.88, 0.69%, 0.36%

LAB 34.24, 52.12, 14.69

 

CMYK 0 / 82 / 75 / 39

HEX #9B1C27

RGB 155 28 39

HSL 354.8, 0.69%, 0.36%

LAB 33.87, 50.97, 27.66

 

CMYK 0 / 75 / 82 / 39

HEX #9B271C

RGB 155 39 28

HSL 5.2, 0.69%, 0.36%

LAB 35.01, 47, 35.37

 

CMYK 0 / 81 / 35 / 39

HEX #9C1D65

RGB 156 29 101

HSL 325.98, 0.69%, 0.36%

LAB 35.76, 55.79, -9.63

 

CMYK 0 / 82 / 35 / 19

HEX #CF2686

RGB 207 38 134

HSL 325.92, 0.69%, 0.48%

LAB 47.46, 69.63, -11.56

 

CMYK 0 / 67 / 33 / 99

HEX #030102

RGB 3 1 2

HSL 330, 0.5%, 0.01%

LAB 0.41, 0.66, -0.19

 

CMYK 0 / 81 / 35 / 79

HEX #360A23

RGB 54 10 35

HSL 325.91, 0.69%, 0.13%

LAB 9.97, 24.53, -5.25

 

CMYK 0 / 81 / 35 / 59

HEX #691444

RGB 105 20 68

HSL 326.12, 0.68%, 0.25%

LAB 23.41, 40.9, -7.52

 

CMYK 0 / 81 / 35 / 39

HEX #9C1D65

RGB 156 29 101

HSL 325.98, 0.69%, 0.36%

LAB 35.76, 55.79, -9.63

 

CMYK 0 / 32 / 82 / 39

HEX #9B6A1C

RGB 155 106 28

HSL 36.85, 0.69%, 0.36%

LAB 48.71, 12.82, 48.26

 

CMYK 82 / 1 / 0 / 39

HEX #1C999B

RGB 28 153 155

HSL 180.94, 0.69%, 0.36%

LAB 57.46, -30.64, -10.32

 

CMYK 0 / 81 / 35 / 39

HEX #9C1D65

RGB 156 29 101

HSL 325.98, 0.69%, 0.36%

LAB 35.76, 55.79, -9.63

 

CMYK 34 / 0 / 82 / 39

HEX #669B1C

RGB 102 155 28

HSL 85.04, 0.69%, 0.36%

LAB 58.37, -36.59, 55.35

 

CMYK 82 / 34 / 0 / 39

HEX #1C669B

RGB 28 102 155

HSL 205.04, 0.69%, 0.36%

LAB 41.4, -2.67, -35.05

 

CMYK 0 / 81 / 35 / 39

HEX #9C1D65

RGB 156 29 101

HSL 325.98, 0.69%, 0.36%

LAB 35.76, 55.79, -9.63

 

CMYK 0 / 32 / 82 / 39

HEX #9B6A1C

RGB 155 106 28

HSL 36.85, 0.69%, 0.36%

LAB 48.71, 12.82, 48.26

 

CMYK 82 / 0 / 48 / 39

HEX #1C9B51

RGB 28 155 81

HSL 145.04, 0.69%, 0.36%

LAB 56.37, -49.88, 29.56

 

CMYK 82 / 50 / 0 / 39

HEX #1C4D9B

RGB 28 77 155

HSL 216.85, 0.69%, 0.36%

LAB 33.82, 13.58, -47.16

 

CMYK 0 / 81 / 35 / 39

HEX #9C1D65

RGB 156 29 101

HSL 325.98, 0.69%, 0.36%

LAB 35.76, 55.79, -9.63

 

CMYK 0 / 7 / 82 / 39

HEX #9B901C

RGB 155 144 28

HSL 54.8, 0.69%, 0.36%

LAB 58.97, -8.45, 57.36

 

CMYK 82 / 0 / 48 / 39

HEX #1C9B51

RGB 28 155 81

HSL 145.04, 0.69%, 0.36%

LAB 56.37, -49.88, 29.56

 

CMYK 82 / 75 / 0 / 39

HEX #1C279B

RGB 28 39 155

HSL 234.8, 0.69%, 0.36%

LAB 23.88, 38.87, -63.4

 

Description

Color code: HEX #9C1D65 | qconv.com Color code: HEX #9C1D65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 29 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 29 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 35 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 35% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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