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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C0E8F it is the complementary color #63F170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C0E8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9C0E8F: #A10E8A, #B2209D, #C332B0, #D444C3 and #E556D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C0E8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9C0E8F: #9C0E8F, #8B007C, #7A0069, #690056 and #580043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 8 / 39

HEX #9C0E8F

RGB 156 14 143

HSL 305.49, 0.84%, 0.33%

LAB 36.68, 64.39, -34.52

 

Complementary color

CMYK 59 / 0 / 54 / 5

HEX #63F170

RGB 99 241 112

HSL 125.49, 0.84%, 0.67%

LAB 85.37, -63.73, 50.49

 

CMYK 0 / 91 / 14 / 37

HEX #A10E8A

RGB 161 14 138

HSL 309.39, 0.84%, 0.34%

LAB 37.35, 64.66, -30.32

 

CMYK 0 / 82 / 12 / 30

HEX #B2209D

RGB 178 32 157

HSL 308.63, 0.7%, 0.41%

LAB 42.66, 67.35, -33.31

 

CMYK 0 / 74 / 10 / 24

HEX #C332B0

RGB 195 50 176

HSL 307.86, 0.59%, 0.48%

LAB 48.28, 68.87, -35.56

 

CMYK 0 / 68 / 8 / 17

HEX #D444C3

RGB 212 68 195

HSL 307.08, 0.63%, 0.55%

LAB 54.1, 69.6, -37.28

 

CMYK 0 / 62 / 7 / 10

HEX #E556D6

RGB 229 86 214

HSL 306.29, 0.73%, 0.62%

LAB 60.04, 69.8, -38.61

 

CMYK 0 / 91 / 8 / 39

HEX #9C0E8F

RGB 156 14 143

HSL 305.49, 0.84%, 0.33%

LAB 36.68, 64.39, -34.52

 

CMYK 0 / 100 / 11 / 45

HEX #8B007C

RGB 139 0 124

HSL 306.47, 1%, 0.27%

LAB 31.68, 60.33, -30.83

 

CMYK 0 / 100 / 14 / 52

HEX #7A0069

RGB 122 0 105

HSL 308.36, 1%, 0.24%

LAB 27.18, 54.37, -26.02

 

CMYK 0 / 100 / 18 / 59

HEX #690056

RGB 105 0 86

HSL 310.86, 1%, 0.21%

LAB 22.57, 48.27, -21.01

 

CMYK 0 / 100 / 24 / 65

HEX #580043

RGB 88 0 67

HSL 314.32, 1%, 0.17%

LAB 17.83, 42.01, -15.71

 

CMYK 0 / 91 / 8 / 39

HEX #9C0E8F

RGB 156 14 143

HSL 305.49, 0.84%, 0.33%

LAB 36.68, 64.39, -34.52

 

CMYK 0 / 92 / 23 / 40

HEX #9A0D77

RGB 154 13 119

HSL 314.89, 0.84%, 0.33%

LAB 34.98, 60.85, -22.28

 

CMYK 0 / 92 / 38 / 40

HEX #9A0D5F

RGB 154 13 95

HSL 325.11, 0.84%, 0.33%

LAB 33.95, 58.08, -8.55

 

CMYK 0 / 92 / 53 / 40

HEX #9A0D48

RGB 154 13 72

HSL 334.89, 0.84%, 0.33%

LAB 33.19, 55.99, 5.34

 

CMYK 0 / 92 / 69 / 40

HEX #9A0D30

RGB 154 13 48

HSL 345.11, 0.84%, 0.33%

LAB 32.64, 54.44, 20.38

 

CMYK 0 / 91 / 8 / 39

HEX #9C0E8F

RGB 156 14 143

HSL 305.49, 0.84%, 0.33%

LAB 36.68, 64.39, -34.52

 

CMYK 0 / 91 / 8 / 19

HEX #CF13BE

RGB 207 19 190

HSL 305.43, 0.83%, 0.44%

LAB 48.82, 79.87, -42.77

 

CMYK 0 / 100 / 0 / 99

HEX #030003

RGB 3 0 3

HSL 300, 1%, 0.01%

LAB 0.23, 1.2, -0.86

 

CMYK 0 / 91 / 7 / 79

HEX #360532

RGB 54 5 50

HSL 304.9, 0.83%, 0.12%

LAB 9.98, 29.46, -16.42

 

CMYK 0 / 91 / 9 / 59

HEX #690960

RGB 105 9 96

HSL 305.63, 0.84%, 0.22%

LAB 23.81, 47.83, -25.68

 

CMYK 0 / 91 / 8 / 39

HEX #9C0E8F

RGB 156 14 143

HSL 305.49, 0.84%, 0.33%

LAB 36.68, 64.39, -34.52

 

CMYK 0 / 66 / 92 / 40

HEX #9A350D

RGB 154 53 13

HSL 17.02, 0.84%, 0.33%

LAB 36.83, 40.51, 43.89

 

CMYK 92 / 0 / 29 / 40

HEX #0D9A6E

RGB 13 154 110

HSL 161.28, 0.84%, 0.33%

LAB 56.41, -44.72, 13.71

 

CMYK 0 / 91 / 8 / 39

HEX #9C0E8F

RGB 156 14 143

HSL 305.49, 0.84%, 0.33%

LAB 36.68, 64.39, -34.52

 

CMYK 7 / 0 / 92 / 40

HEX #8F9A0D

RGB 143 154 13

HSL 64.68, 0.84%, 0.33%

LAB 60.76, -19.5, 61.87

 

CMYK 92 / 7 / 0 / 40

HEX #0D8F9A

RGB 13 143 154

HSL 184.68, 0.84%, 0.33%

LAB 54.09, -27.09, -14.83

 

CMYK 0 / 91 / 8 / 39

HEX #9C0E8F

RGB 156 14 143

HSL 305.49, 0.84%, 0.33%

LAB 36.68, 64.39, -34.52

 

CMYK 0 / 66 / 92 / 40

HEX #9A350D

RGB 154 53 13

HSL 17.02, 0.84%, 0.33%

LAB 36.83, 40.51, 43.89

 

CMYK 92 / 0 / 84 / 40

HEX #0D9A19

RGB 13 154 25

HSL 125.11, 0.84%, 0.33%

LAB 55.35, -57.41, 52.44

 

CMYK 92 / 26 / 0 / 40

HEX #0D729A

RGB 13 114 154

HSL 197.02, 0.84%, 0.33%

LAB 44.88, -11.45, -29.01

 

CMYK 0 / 91 / 8 / 39

HEX #9C0E8F

RGB 156 14 143

HSL 305.49, 0.84%, 0.33%

LAB 36.68, 64.39, -34.52

 

CMYK 0 / 38 / 92 / 40

HEX #9A5F0D

RGB 154 95 13

HSL 34.89, 0.84%, 0.33%

LAB 45.75, 18.24, 50.62

 

CMYK 92 / 0 / 84 / 40

HEX #0D9A19

RGB 13 154 25

HSL 125.11, 0.84%, 0.33%

LAB 55.35, -57.41, 52.44

 

CMYK 92 / 53 / 0 / 40

HEX #0D489A

RGB 13 72 154

HSL 214.89, 0.84%, 0.33%

LAB 31.93, 15.38, -49.63

 

Description

Color code: HEX #9C0E8F | qconv.com Color code: HEX #9C0E8F | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 14 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 14 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 8 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 8% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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