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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BEDC7 it is the complementary color #641238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BEDC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9BEDC7: #A0EDC2, #B1FFD5, #C2FFE8, #D3FFFB and #E4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BEDC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9BEDC7: #9BEDC7, #8ADBB4, #79C9A1, #68B78E and #57A57B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 16 / 7

HEX #9BEDC7

RGB 155 237 199

HSL 152.2, 0.69%, 0.77%

LAB 87.8, -33.04, 10.56

 

Complementary color

CMYK 0 / 82 / 44 / 61

HEX #641238

RGB 100 18 56

HSL 332.2, 0.69%, 0.23%

LAB 21.68, 38.7, -1.94

 

CMYK 32 / 0 / 18 / 7

HEX #A0EDC2

RGB 160 237 194

HSL 146.49, 0.68%, 0.78%

LAB 87.94, -32.57, 13.39

 

CMYK 31 / 0 / 16 / 0

HEX #B1FFD5

RGB 177 255 213

HSL 147.69, 1%, 0.85%

LAB 94.17, -32.33, 12.53

 

CMYK 24 / 0 / 9 / 0

HEX #C2FFE8

RGB 194 255 232

HSL 157.38, 1%, 0.88%

LAB 95.5, -23.62, 4.79

 

CMYK 17 / 0 / 2 / 0

HEX #D3FFFB

RGB 211 255 251

HSL 174.55, 1%, 0.91%

LAB 96.96, -14.72, -2.76

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 35 / 0 / 16 / 7

HEX #9BEDC7

RGB 155 237 199

HSL 152.2, 0.69%, 0.77%

LAB 87.8, -33.04, 10.56

 

CMYK 37 / 0 / 18 / 14

HEX #8ADBB4

RGB 138 219 180

HSL 151.11, 0.53%, 0.7%

LAB 81.49, -33.28, 11.44

 

CMYK 40 / 0 / 20 / 21

HEX #79C9A1

RGB 121 201 161

HSL 150, 0.43%, 0.63%

LAB 75.08, -33.52, 12.37

 

CMYK 43 / 0 / 22 / 28

HEX #68B78E

RGB 104 183 142

HSL 148.86, 0.35%, 0.56%

LAB 68.58, -33.77, 13.38

 

CMYK 47 / 0 / 25 / 35

HEX #57A57B

RGB 87 165 123

HSL 147.69, 0.31%, 0.49%

LAB 61.97, -33.99, 14.47

 

CMYK 35 / 0 / 16 / 7

HEX #9BEDC7

RGB 155 237 199

HSL 152.2, 0.69%, 0.77%

LAB 87.8, -33.04, 10.56

 

CMYK 34 / 0 / 10 / 7

HEX #9BECD4

RGB 155 236 212

HSL 162.22, 0.68%, 0.77%

LAB 87.83, -29.89, 3.8

 

CMYK 34 / 0 / 4 / 7

HEX #9BECE2

RGB 155 236 226

HSL 172.59, 0.68%, 0.77%

LAB 88.18, -26.83, -3.01

 

CMYK 34 / 1 / 0 / 7

HEX #9BEAEC

RGB 155 234 236

HSL 181.48, 0.68%, 0.77%

LAB 87.91, -23.58, -8.67

 

CMYK 34 / 7 / 0 / 7

HEX #9BDCEC

RGB 155 220 236

HSL 191.85, 0.68%, 0.77%

LAB 84.08, -16.6, -14.38

 

CMYK 35 / 0 / 16 / 7

HEX #9BEDC7

RGB 155 237 199

HSL 152.2, 0.69%, 0.77%

LAB 87.8, -33.04, 10.56

 

CMYK 33 / 0 / 15 / 87

HEX #16211C

RGB 22 33 28

HSL 152.73, 0.2%, 0.11%

LAB 11.57, -6.26, 1.81

 

CMYK 35 / 0 / 15 / 67

HEX #375447

RGB 55 84 71

HSL 153.1, 0.21%, 0.27%

LAB 33.15, -14.08, 4.17

 

CMYK 35 / 0 / 16 / 47

HEX #588771

RGB 88 135 113

HSL 151.91, 0.21%, 0.44%

LAB 52.5, -21.11, 6.8

 

CMYK 34 / 0 / 16 / 27

HEX #7ABA9C

RGB 122 186 156

HSL 151.88, 0.32%, 0.6%

LAB 70.63, -27.09, 8.77

 

CMYK 35 / 0 / 16 / 7

HEX #9BEDC7

RGB 155 237 199

HSL 152.2, 0.69%, 0.77%

LAB 87.8, -33.04, 10.56

 

CMYK 34 / 25 / 0 / 7

HEX #9BB1EC

RGB 155 177 236

HSL 223.7, 0.68%, 0.77%

LAB 72.54, 6.26, -31.93

 

CMYK 0 / 30 / 34 / 7

HEX #ECA69B

RGB 236 166 155

HSL 8.15, 0.68%, 0.77%

LAB 74.49, 24.44, 16.05

 

CMYK 35 / 0 / 16 / 7

HEX #9BEDC7

RGB 155 237 199

HSL 152.2, 0.69%, 0.77%

LAB 87.8, -33.04, 10.56

 

CMYK 16 / 34 / 0 / 7

HEX #C79BEC

RGB 199 155 236

HSL 272.59, 0.68%, 0.77%

LAB 70.62, 31.37, -34.62

 

CMYK 0 / 16 / 34 / 7

HEX #ECC79B

RGB 236 199 155

HSL 32.59, 0.68%, 0.77%

LAB 82.4, 6.97, 26.92

 

CMYK 35 / 0 / 16 / 7

HEX #9BEDC7

RGB 155 237 199

HSL 152.2, 0.69%, 0.77%

LAB 87.8, -33.04, 10.56

 

CMYK 34 / 25 / 0 / 7

HEX #9BB1EC

RGB 155 177 236

HSL 223.7, 0.68%, 0.77%

LAB 72.54, 6.26, -31.93

 

CMYK 0 / 34 / 18 / 7

HEX #EC9BC1

RGB 236 155 193

HSL 331.85, 0.68%, 0.77%

LAB 72.97, 35.5, -7.04

 

CMYK 0 / 9 / 34 / 7

HEX #ECD79B

RGB 236 215 155

HSL 44.44, 0.68%, 0.77%

LAB 86.41, -1.32, 32.28

 

CMYK 35 / 0 / 16 / 7

HEX #9BEDC7

RGB 155 237 199

HSL 152.2, 0.69%, 0.77%

LAB 87.8, -33.04, 10.56

 

CMYK 33 / 34 / 0 / 7

HEX #9E9BEC

RGB 158 155 236

HSL 242.22, 0.68%, 0.77%

LAB 67.1, 19.47, -40.36

 

CMYK 0 / 34 / 18 / 7

HEX #EC9BC1

RGB 236 155 193

HSL 331.85, 0.68%, 0.77%

LAB 72.97, 35.5, -7.04

 

CMYK 1 / 0 / 34 / 7

HEX #EAEC9B

RGB 234 236 155

HSL 61.48, 0.68%, 0.77%

LAB 91.62, -12.67, 39.11

 

Description

Color code: HEX #9BEDC7 | qconv.com Color code: HEX #9BEDC7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 237 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 237 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 16 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 16% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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