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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BDF3E it is the complementary color #6420C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BDF3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BDF3E shade: #A0DF39, #B1F14C, #C2FF5F, #D3FF72 and #E4FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BDF3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BDF3E shade: #9BDF3E, #8ACD2B, #79BB18, #68A905 and #579700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BDF3E shade: #9BDF3E, #C6DF3E, #DFCC3E, #DFA13E and #DF753E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BDF3E shade: #9BDF3E, #6FDF3E, #44DF3E, #3EDF63 and #3EDF8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BDF3E shade matches the following richer shades: #9BDF3E and #9EF12B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BDF3E shade: #9BDF3E, #98CD50, #95BB62, #92A974 and #909686

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BDF3E shade: #DFCC3E, #C7DF3E, #9CDF3E, #71DF3E and #46DF3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BDF3E shade: #70AE1C, #87D222, #9BDF3E, #ADE561 and #BFEB84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BDF3E shade: #9BDF3E, #3EDFA1 and #DF3EDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BDF3E shade: #9BDF3E, #3E9CDF and #DF3E9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BDF3E shade: #9BDF3E, #3EDFA1, #813EDF and #DF3E7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BDF3E shade: #9BDF3E, #3EDFD2, #813EDF and #DF3E4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 72 / 13

HEX #9BDF3E

RGB 155 223 62

HSL 85.34, 0.72%, 0.56%

LAB 81.89, -44.83, 67.81

 

Complementary color

CMYK 48 / 83 / 0 / 24

HEX #6420C1

RGB 100 32 193

HSL 265.34, 0.72%, 0.44%

LAB 33.12, 60.85, -70.74

 

CMYK 28 / 0 / 74 / 13

HEX #A0DF39

RGB 160 223 57

HSL 82.77, 0.72%, 0.55%

LAB 82.13, -43.29, 69.8

 

CMYK 27 / 0 / 68 / 5

HEX #B1F14C

RGB 177 241 76

HSL 83.27, 0.85%, 0.62%

LAB 88.34, -43.74, 69.72

 

CMYK 24 / 0 / 63 / 0

HEX #C2FF5F

RGB 194 255 95

HSL 82.88, 1%, 0.69%

LAB 93.37, -42.33, 68.03

 

CMYK 17 / 0 / 55 / 0

HEX #D3FF72

RGB 211 255 114

HSL 78.72, 1%, 0.72%

LAB 94.56, -34.55, 61.69

 

CMYK 11 / 0 / 48 / 0

HEX #E4FF85

RGB 228 255 133

HSL 73.28, 1%, 0.76%

LAB 95.88, -26.45, 54.96

 

CMYK 30 / 0 / 72 / 13

HEX #9BDF3E

RGB 155 223 62

HSL 85.34, 0.72%, 0.56%

LAB 81.89, -44.83, 67.81

 

CMYK 33 / 0 / 79 / 20

HEX #8ACD2B

RGB 138 205 43

HSL 84.81, 0.65%, 0.49%

LAB 75.6, -44.3, 67.51

 

CMYK 35 / 0 / 87 / 27

HEX #79BB18

RGB 121 187 24

HSL 84.29, 0.77%, 0.41%

LAB 69.23, -43.57, 66.23

 

CMYK 38 / 0 / 97 / 34

HEX #68A905

RGB 104 169 5

HSL 83.78, 0.94%, 0.34%

LAB 62.79, -42.57, 63.55

 

CMYK 42 / 0 / 100 / 41

HEX #579700

RGB 87 151 0

HSL 85.43, 1%, 0.3%

LAB 56.25, -41.23, 58.79

 

CMYK 30 / 0 / 72 / 13

HEX #9BDF3E

RGB 155 223 62

HSL 85.34, 0.72%, 0.56%

LAB 81.89, -44.83, 67.81

 

CMYK 11 / 0 / 72 / 13

HEX #C6DF3E

RGB 198 223 62

HSL 69.32, 0.72%, 0.56%

LAB 84.55, -28.31, 71.31

 

CMYK 0 / 9 / 72 / 13

HEX #DFCC3E

RGB 223 204 62

HSL 52.92, 0.72%, 0.56%

LAB 81.41, -8.62, 68.97

 

CMYK 0 / 28 / 72 / 13

HEX #DFA13E

RGB 223 161 62

HSL 36.89, 0.72%, 0.56%

LAB 70.54, 13.9, 58.23

 

CMYK 0 / 48 / 72 / 13

HEX #DF753E

RGB 223 117 62

HSL 20.5, 0.72%, 0.56%

LAB 60.57, 37.21, 47.82

 

CMYK 30 / 0 / 72 / 13

HEX #9BDF3E

RGB 155 223 62

HSL 85.34, 0.72%, 0.56%

LAB 81.89, -44.83, 67.81

 

CMYK 50 / 0 / 72 / 13

HEX #6FDF3E

RGB 111 223 62

HSL 101.74, 0.72%, 0.56%

LAB 79.9, -59.07, 65.17

 

CMYK 70 / 0 / 72 / 13

HEX #44DF3E

RGB 68 223 62

HSL 117.76, 0.72%, 0.56%

LAB 78.67, -68.98, 63.52

 

CMYK 72 / 0 / 56 / 13

HEX #3EDF63

RGB 62 223 99

HSL 133.79, 0.72%, 0.56%

LAB 78.87, -66.13, 48.48

 

CMYK 72 / 0 / 36 / 13

HEX #3EDF8E

RGB 62 223 142

HSL 149.81, 0.72%, 0.56%

LAB 79.47, -59.19, 28.13

 

CMYK 30 / 0 / 72 / 13

HEX #9BDF3E

RGB 155 223 62

HSL 85.34, 0.72%, 0.56%

LAB 81.89, -44.83, 67.81

 

CMYK 34 / 0 / 82 / 5

HEX #9EF12B

RGB 158 241 43

HSL 85.15, 0.88%, 0.56%

LAB 87.17, -52.16, 78.3

 

CMYK 30 / 0 / 72 / 13

HEX #9BDF3E

RGB 155 223 62

HSL 85.34, 0.72%, 0.56%

LAB 81.89, -44.83, 67.81

 

CMYK 26 / 0 / 61 / 20

HEX #98CD50

RGB 152 205 80

HSL 85.44, 0.56%, 0.56%

LAB 76.63, -36.74, 55.26

 

CMYK 20 / 0 / 48 / 27

HEX #95BB62

RGB 149 187 98

HSL 85.62, 0.4%, 0.56%

LAB 71.43, -27.67, 40.74

 

CMYK 14 / 0 / 31 / 34

HEX #92A974

RGB 146 169 116

HSL 86.04, 0.24%, 0.56%

LAB 66.33, -17.5, 24.79

 

CMYK 4 / 0 / 11 / 41

HEX #909686

RGB 144 150 134

HSL 82.5, 0.07%, 0.56%

LAB 61.19, -5.2, 7.69

 

CMYK 0 / 9 / 72 / 13

HEX #DFCC3E

RGB 223 204 62

HSL 52.92, 0.72%, 0.56%

LAB 81.41, -8.62, 68.97

 

CMYK 11 / 0 / 72 / 13

HEX #C7DF3E

RGB 199 223 62

HSL 68.94, 0.72%, 0.56%

LAB 84.62, -27.91, 71.4

 

CMYK 30 / 0 / 72 / 13

HEX #9CDF3E

RGB 156 223 62

HSL 84.97, 0.72%, 0.56%

LAB 81.94, -44.47, 67.88

 

CMYK 49 / 0 / 72 / 13

HEX #71DF3E

RGB 113 223 62

HSL 100.99, 0.72%, 0.56%

LAB 79.97, -58.51, 65.27

 

CMYK 69 / 0 / 72 / 13

HEX #46DF3E

RGB 70 223 62

HSL 117.02, 0.72%, 0.56%

LAB 78.71, -68.62, 63.58

 

CMYK 36 / 0 / 84 / 32

HEX #70AE1C

RGB 112 174 28

HSL 85.48, 0.72%, 0.4%

LAB 64.8, -41.17, 61.31

 

CMYK 36 / 0 / 84 / 18

HEX #87D222

RGB 135 210 34

HSL 85.57, 0.72%, 0.48%

LAB 76.9, -47.84, 70.93

 

CMYK 30 / 0 / 72 / 13

HEX #9BDF3E

RGB 155 223 62

HSL 85.34, 0.72%, 0.56%

LAB 81.89, -44.83, 67.81

 

CMYK 24 / 0 / 58 / 10

HEX #ADE561

RGB 173 229 97

HSL 85.45, 0.72%, 0.64%

LAB 84.89, -38.32, 57.46

 

CMYK 19 / 0 / 44 / 8

HEX #BFEB84

RGB 191 235 132

HSL 85.63, 0.72%, 0.72%

LAB 88.05, -30.91, 45.26

 

CMYK 30 / 0 / 72 / 13

HEX #9BDF3E

RGB 155 223 62

HSL 85.34, 0.72%, 0.56%

LAB 81.89, -44.83, 67.81

 

CMYK 72 / 0 / 28 / 13

HEX #3EDFA1

RGB 62 223 161

HSL 156.89, 0.72%, 0.56%

LAB 79.83, -55.32, 18.75

 

CMYK 0 / 72 / 1 / 13

HEX #DF3EDC

RGB 223 62 220

HSL 301.12, 0.72%, 0.56%

LAB 56.39, 77.89, -47.83

 

CMYK 30 / 0 / 72 / 13

HEX #9BDF3E

RGB 155 223 62

HSL 85.34, 0.72%, 0.56%

LAB 81.89, -44.83, 67.81

 

CMYK 72 / 30 / 0 / 13

HEX #3E9CDF

RGB 62 156 223

HSL 204.97, 0.72%, 0.56%

LAB 61.77, -5.72, -41.92

 

CMYK 0 / 72 / 30 / 13

HEX #DF3E9C

RGB 223 62 156

HSL 324.97, 0.72%, 0.56%

LAB 53.53, 69.15, -15.27

 

CMYK 30 / 0 / 72 / 13

HEX #9BDF3E

RGB 155 223 62

HSL 85.34, 0.72%, 0.56%

LAB 81.89, -44.83, 67.81

 

CMYK 72 / 0 / 28 / 13

HEX #3EDFA1

RGB 62 223 161

HSL 156.89, 0.72%, 0.56%

LAB 79.83, -55.32, 18.75

 

CMYK 42 / 72 / 0 / 13

HEX #813EDF

RGB 129 62 223

HSL 264.97, 0.72%, 0.56%

LAB 43.42, 60.33, -71.1

 

CMYK 0 / 72 / 45 / 13

HEX #DF3E7B

RGB 223 62 123

HSL 337.27, 0.72%, 0.56%

LAB 52.47, 65.73, 2.82

 

CMYK 30 / 0 / 72 / 13

HEX #9BDF3E

RGB 155 223 62

HSL 85.34, 0.72%, 0.56%

LAB 81.89, -44.83, 67.81

 

CMYK 72 / 0 / 6 / 13

HEX #3EDFD2

RGB 62 223 210

HSL 175.16, 0.72%, 0.56%

LAB 80.99, -43.34, -5.51

 

CMYK 42 / 72 / 0 / 13

HEX #813EDF

RGB 129 62 223

HSL 264.97, 0.72%, 0.56%

LAB 43.42, 60.33, -71.1

 

CMYK 0 / 72 / 66 / 13

HEX #DF3E4B

RGB 223 62 75

HSL 355.16, 0.72%, 0.56%

LAB 51.43, 62.28, 30.16

 

Description

Color code: HEX #9BDF3E | qconv.com Color code: HEX #9BDF3E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 223 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 223 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 72 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 72% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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