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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFCC3E it is the complementary color #2033C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFCC3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFCC3E shade: #E4CC39, #F5DE4C, #FFF05F, #FFFF72 and #FFFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFCC3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFCC3E shade: #DFCC3E, #CEBA2B, #BDA818, #AC9605 and #9B8400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFCC3E shade: #DFCC3E, #DFA03E, #DF753E, #DF493E and #DF3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFCC3E shade: #DFCC3E, #C7DF3E, #9BDF3E, #6FDF3E and #44DF3E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFCC3E shade matches the following richer shades: #DFCC3E and #F1DA2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFCC3E shade: #DFCC3E, #CDBE50, #BBB062, #A9A274 and #969586

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFCC3E shade: #DF733E, #DF9E3E, #DFCA3E, #CADF3E and #9EDF3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFCC3E shade: #AE9D1C, #D2BD22, #DFCC3E, #E5D561 and #EBDF84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFCC3E shade: #DFCC3E, #3EDF48 and #893EDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFCC3E shade: #DFCC3E, #3EDFCA and #CA3EDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFCC3E shade: #DFCC3E, #3EDF48, #3E53DF and #DF3ED4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFCC3E shade: #DFCC3E, #3EDF79, #3E53DF and #DF3EA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 72 / 13

HEX #DFCC3E

RGB 223 204 62

HSL 52.92, 0.72%, 0.56%

LAB 81.41, -8.62, 68.97

 

Complementary color

CMYK 83 / 74 / 0 / 24

HEX #2033C1

RGB 32 51 193

HSL 232.92, 0.72%, 0.44%

LAB 30.7, 45.32, -74.92

 

CMYK 0 / 11 / 75 / 11

HEX #E4CC39

RGB 228 204 57

HSL 51.58, 0.76%, 0.56%

LAB 81.82, -6.71, 71.24

 

CMYK 0 / 9 / 69 / 4

HEX #F5DE4C

RGB 245 222 76

HSL 51.83, 0.89%, 0.63%

LAB 88.05, -7.81, 71

 

CMYK 0 / 6 / 63 / 0

HEX #FFF05F

RGB 255 240 95

HSL 54.38, 1%, 0.69%

LAB 93.63, -11.59, 69.57

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 0 / 9 / 72 / 13

HEX #DFCC3E

RGB 223 204 62

HSL 52.92, 0.72%, 0.56%

LAB 81.41, -8.62, 68.97

 

CMYK 0 / 10 / 79 / 19

HEX #CEBA2B

RGB 206 186 43

HSL 52.64, 0.65%, 0.49%

LAB 75.09, -7.44, 68.84

 

CMYK 0 / 11 / 87 / 26

HEX #BDA818

RGB 189 168 24

HSL 52.36, 0.77%, 0.42%

LAB 68.67, -6.06, 67.75

 

CMYK 0 / 13 / 97 / 33

HEX #AC9605

RGB 172 150 5

HSL 52.1, 0.94%, 0.35%

LAB 62.16, -4.43, 65.23

 

CMYK 0 / 15 / 100 / 39

HEX #9B8400

RGB 155 132 0

HSL 51.1, 1%, 0.3%

LAB 55.55, -2.51, 60.49

 

CMYK 0 / 9 / 72 / 13

HEX #DFCC3E

RGB 223 204 62

HSL 52.92, 0.72%, 0.56%

LAB 81.41, -8.62, 68.97

 

CMYK 0 / 28 / 72 / 13

HEX #DFA03E

RGB 223 160 62

HSL 36.52, 0.72%, 0.56%

LAB 70.3, 14.43, 57.98

 

CMYK 0 / 48 / 72 / 13

HEX #DF753E

RGB 223 117 62

HSL 20.5, 0.72%, 0.56%

LAB 60.57, 37.21, 47.82

 

CMYK 0 / 67 / 72 / 13

HEX #DF493E

RGB 223 73 62

HSL 4.1, 0.72%, 0.56%

LAB 52.73, 57.58, 39.16

 

CMYK 0 / 72 / 72 / 13

HEX #DF3E3E

RGB 223 62 62

HSL 0, 0.72%, 0.56%

LAB 51.25, 61.65, 37.47

 

CMYK 0 / 9 / 72 / 13

HEX #DFCC3E

RGB 223 204 62

HSL 52.92, 0.72%, 0.56%

LAB 81.41, -8.62, 68.97

 

CMYK 11 / 0 / 72 / 13

HEX #C7DF3E

RGB 199 223 62

HSL 68.94, 0.72%, 0.56%

LAB 84.62, -27.91, 71.4

 

CMYK 30 / 0 / 72 / 13

HEX #9BDF3E

RGB 155 223 62

HSL 85.34, 0.72%, 0.56%

LAB 81.89, -44.83, 67.81

 

CMYK 50 / 0 / 72 / 13

HEX #6FDF3E

RGB 111 223 62

HSL 101.74, 0.72%, 0.56%

LAB 79.9, -59.07, 65.17

 

CMYK 70 / 0 / 72 / 13

HEX #44DF3E

RGB 68 223 62

HSL 117.76, 0.72%, 0.56%

LAB 78.67, -68.98, 63.52

 

CMYK 0 / 9 / 72 / 13

HEX #DFCC3E

RGB 223 204 62

HSL 52.92, 0.72%, 0.56%

LAB 81.41, -8.62, 68.97

 

CMYK 0 / 10 / 82 / 5

HEX #F1DA2B

RGB 241 218 43

HSL 53.03, 0.88%, 0.56%

LAB 86.51, -8.74, 79.93

 

CMYK 0 / 9 / 72 / 13

HEX #DFCC3E

RGB 223 204 62

HSL 52.92, 0.72%, 0.56%

LAB 81.41, -8.62, 68.97

 

CMYK 0 / 7 / 61 / 20

HEX #CDBE50

RGB 205 190 80

HSL 52.8, 0.56%, 0.56%

LAB 76.31, -8.06, 55.99

 

CMYK 0 / 6 / 48 / 27

HEX #BBB062

RGB 187 176 98

HSL 52.58, 0.4%, 0.56%

LAB 71.21, -6.85, 41.12

 

CMYK 0 / 4 / 31 / 34

HEX #A9A274

RGB 169 162 116

HSL 52.08, 0.24%, 0.56%

LAB 66.16, -4.75, 24.89

 

CMYK 0 / 1 / 11 / 41

HEX #969586

RGB 150 149 134

HSL 56.25, 0.07%, 0.56%

LAB 61.39, -2.38, 8.05

 

CMYK 0 / 48 / 72 / 13

HEX #DF733E

RGB 223 115 62

HSL 19.75, 0.72%, 0.56%

LAB 60.16, 38.24, 47.38

 

CMYK 0 / 29 / 72 / 13

HEX #DF9E3E

RGB 223 158 62

HSL 35.78, 0.72%, 0.56%

LAB 69.82, 15.5, 57.49

 

CMYK 0 / 9 / 72 / 13

HEX #DFCA3E

RGB 223 202 62

HSL 52.17, 0.72%, 0.56%

LAB 80.89, -7.6, 68.47

 

CMYK 9 / 0 / 72 / 13

HEX #CADF3E

RGB 202 223 62

HSL 67.83, 0.72%, 0.56%

LAB 84.83, -26.7, 71.68

 

CMYK 29 / 0 / 72 / 13

HEX #9EDF3E

RGB 158 223 62

HSL 84.22, 0.72%, 0.56%

LAB 82.05, -43.75, 68.03

 

CMYK 0 / 10 / 84 / 32

HEX #AE9D1C

RGB 174 157 28

HSL 53.01, 0.72%, 0.4%

LAB 64.32, -6.83, 62.63

 

CMYK 0 / 10 / 84 / 18

HEX #D2BD22

RGB 210 189 34

HSL 52.84, 0.72%, 0.48%

LAB 76.2, -7.53, 72.39

 

CMYK 0 / 9 / 72 / 13

HEX #DFCC3E

RGB 223 204 62

HSL 52.92, 0.72%, 0.56%

LAB 81.41, -8.62, 68.97

 

CMYK 0 / 7 / 58 / 10

HEX #E5D561

RGB 229 213 97

HSL 52.73, 0.72%, 0.64%

LAB 84.54, -8.62, 58.15

 

CMYK 0 / 5 / 44 / 8

HEX #EBDF84

RGB 235 223 132

HSL 53.01, 0.72%, 0.72%

LAB 88.02, -8.26, 45.91

 

CMYK 0 / 9 / 72 / 13

HEX #DFCC3E

RGB 223 204 62

HSL 52.92, 0.72%, 0.56%

LAB 81.41, -8.62, 68.97

 

CMYK 72 / 0 / 68 / 13

HEX #3EDF48

RGB 62 223 72

HSL 123.73, 0.72%, 0.56%

LAB 78.62, -69.13, 59.73

 

CMYK 39 / 72 / 0 / 13

HEX #893EDF

RGB 137 62 223

HSL 267.95, 0.72%, 0.56%

LAB 44.36, 61.69, -69.52

 

CMYK 0 / 9 / 72 / 13

HEX #DFCC3E

RGB 223 204 62

HSL 52.92, 0.72%, 0.56%

LAB 81.41, -8.62, 68.97

 

CMYK 72 / 0 / 9 / 13

HEX #3EDFCA

RGB 62 223 202

HSL 172.17, 0.72%, 0.56%

LAB 80.77, -45.47, -1.57

 

CMYK 9 / 72 / 0 / 13

HEX #CA3EDF

RGB 202 62 223

HSL 292.17, 0.72%, 0.56%

LAB 53.31, 74.07, -54.63

 

CMYK 0 / 9 / 72 / 13

HEX #DFCC3E

RGB 223 204 62

HSL 52.92, 0.72%, 0.56%

LAB 81.41, -8.62, 68.97

 

CMYK 72 / 0 / 68 / 13

HEX #3EDF48

RGB 62 223 72

HSL 123.73, 0.72%, 0.56%

LAB 78.62, -69.13, 59.73

 

CMYK 72 / 63 / 0 / 13

HEX #3E53DF

RGB 62 83 223

HSL 232.17, 0.72%, 0.56%

LAB 42.06, 38.98, -73.54

 

CMYK 0 / 72 / 5 / 13

HEX #DF3ED4

RGB 223 62 212

HSL 304.1, 0.72%, 0.56%

LAB 55.97, 76.67, -43.94

 

CMYK 0 / 9 / 72 / 13

HEX #DFCC3E

RGB 223 204 62

HSL 52.92, 0.72%, 0.56%

LAB 81.41, -8.62, 68.97

 

CMYK 72 / 0 / 46 / 13

HEX #3EDF79

RGB 62 223 121

HSL 141.99, 0.72%, 0.56%

LAB 79.14, -62.91, 38.3

 

CMYK 72 / 63 / 0 / 13

HEX #3E53DF

RGB 62 83 223

HSL 232.17, 0.72%, 0.56%

LAB 42.06, 38.98, -73.54

 

CMYK 0 / 72 / 26 / 13

HEX #DF3EA4

RGB 223 62 164

HSL 321.99, 0.72%, 0.56%

LAB 53.83, 70.1, -19.53

 

Description

Color code: HEX #DFCC3E | qconv.com Color code: HEX #DFCC3E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 204 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 204 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 72 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 72% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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