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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BCB84 it is the complementary color #64347B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BCB84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9BCB84: #A0CB7F, #B1DD92, #C2EFA5, #D3FFB8 and #E4FFCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BCB84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9BCB84: #9BCB84, #8AB971, #79A75E, #68954B and #578338

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 35 / 20

HEX #9BCB84

RGB 155 203 132

HSL 100.56, 0.41%, 0.66%

LAB 76.89, -28.71, 30.47

 

Complementary color

CMYK 19 / 58 / 0 / 52

HEX #64347B

RGB 100 52 123

HSL 280.56, 0.41%, 0.34%

LAB 30.87, 34.49, -31.89

 

CMYK 21 / 0 / 37 / 20

HEX #A0CB7F

RGB 160 203 127

HSL 93.95, 0.42%, 0.65%

LAB 77.11, -27.64, 33.4

 

CMYK 20 / 0 / 34 / 13

HEX #B1DD92

RGB 177 221 146

HSL 95.2, 0.52%, 0.72%

LAB 83.51, -27.54, 32.28

 

CMYK 19 / 0 / 31 / 6

HEX #C2EFA5

RGB 194 239 165

HSL 96.49, 0.7%, 0.79%

LAB 89.82, -27.43, 31.2

 

CMYK 17 / 0 / 28 / 0

HEX #D3FFB8

RGB 211 255 184

HSL 97.18, 1%, 0.86%

LAB 95.51, -26.38, 29.45

 

CMYK 11 / 0 / 20 / 0

HEX #E4FFCB

RGB 228 255 203

HSL 91.15, 1%, 0.9%

LAB 96.95, -17.68, 21.98

 

CMYK 24 / 0 / 35 / 20

HEX #9BCB84

RGB 155 203 132

HSL 100.56, 0.41%, 0.66%

LAB 76.89, -28.71, 30.47

 

CMYK 25 / 0 / 39 / 27

HEX #8AB971

RGB 138 185 113

HSL 99.17, 0.34%, 0.58%

LAB 70.38, -28.86, 31.63

 

CMYK 28 / 0 / 44 / 35

HEX #79A75E

RGB 121 167 94

HSL 97.81, 0.29%, 0.51%

LAB 63.76, -28.99, 32.84

 

CMYK 30 / 0 / 50 / 42

HEX #68954B

RGB 104 149 75

HSL 96.49, 0.33%, 0.44%

LAB 57.02, -29.08, 34.08

 

CMYK 34 / 0 / 57 / 49

HEX #578338

RGB 87 131 56

HSL 95.2, 0.4%, 0.37%

LAB 50.15, -29.1, 35.3

 

CMYK 24 / 0 / 35 / 20

HEX #9BCB84

RGB 155 203 132

HSL 100.56, 0.41%, 0.66%

LAB 76.89, -28.71, 30.47

 

CMYK 29 / 0 / 35 / 20

HEX #90CB84

RGB 144 203 132

HSL 109.86, 0.41%, 0.66%

LAB 76.26, -32.5, 29.52

 

CMYK 35 / 0 / 35 / 20

HEX #84CB84

RGB 132 203 132

HSL 120, 0.41%, 0.66%

LAB 75.63, -36.44, 28.57

 

CMYK 35 / 0 / 29 / 20

HEX #84CB90

RGB 132 203 144

HSL 130.14, 0.41%, 0.66%

LAB 75.84, -34.42, 22.57

 

CMYK 35 / 0 / 23 / 20

HEX #84CB9C

RGB 132 203 156

HSL 140.28, 0.41%, 0.66%

LAB 76.08, -32.23, 16.52

 

CMYK 24 / 0 / 35 / 20

HEX #9BCB84

RGB 155 203 132

HSL 100.56, 0.41%, 0.66%

LAB 76.89, -28.71, 30.47

 

CMYK 24 / 0 / 35 / 0

HEX #C2FEA5

RGB 194 254 165

HSL 100.45, 0.98%, 0.82%

LAB 93.91, -34.42, 36.64

 

CMYK 24 / 0 / 34 / 80

HEX #263221

RGB 38 50 33

HSL 102.35, 0.2%, 0.16%

LAB 19.24, -9.08, 9.22

 

CMYK 24 / 0 / 35 / 60

HEX #4D6542

RGB 77 101 66

HSL 101.14, 0.21%, 0.33%

LAB 40.05, -16.26, 17

 

CMYK 24 / 0 / 35 / 40

HEX #749863

RGB 116 152 99

HSL 100.75, 0.21%, 0.49%

LAB 59.04, -22.7, 23.97

 

CMYK 24 / 0 / 35 / 20

HEX #9BCB84

RGB 155 203 132

HSL 100.56, 0.41%, 0.66%

LAB 76.89, -28.71, 30.47

 

CMYK 35 / 0 / 4 / 20

HEX #84CBC2

RGB 132 203 194

HSL 172.39, 0.41%, 0.66%

LAB 76.99, -24.22, -2.58

 

CMYK 0 / 35 / 9 / 20

HEX #CB84B8

RGB 203 132 184

HSL 316.06, 0.41%, 0.66%

LAB 63.88, 35.09, -16.01

 

CMYK 24 / 0 / 35 / 20

HEX #9BCB84

RGB 155 203 132

HSL 100.56, 0.41%, 0.66%

LAB 76.89, -28.71, 30.47

 

CMYK 35 / 23 / 0 / 20

HEX #849CCB

RGB 132 156 203

HSL 219.72, 0.41%, 0.66%

LAB 64.16, 3, -26.83

 

CMYK 0 / 35 / 23 / 20

HEX #CB849C

RGB 203 132 156

HSL 339.72, 0.41%, 0.66%

LAB 63.01, 30.6, -1.43

 

CMYK 24 / 0 / 35 / 20

HEX #9BCB84

RGB 155 203 132

HSL 100.56, 0.41%, 0.66%

LAB 76.89, -28.71, 30.47

 

CMYK 35 / 0 / 4 / 20

HEX #84CBC2

RGB 132 203 194

HSL 172.39, 0.41%, 0.66%

LAB 76.99, -24.22, -2.58

 

CMYK 11 / 35 / 0 / 20

HEX #B484CB

RGB 180 132 203

HSL 280.56, 0.41%, 0.66%

LAB 62.1, 31.24, -29.68

 

CMYK 0 / 35 / 30 / 20

HEX #CB848E

RGB 203 132 142

HSL 351.55, 0.41%, 0.66%

LAB 62.64, 28.63, 6

 

CMYK 24 / 0 / 35 / 20

HEX #9BCB84

RGB 155 203 132

HSL 100.56, 0.41%, 0.66%

LAB 76.89, -28.71, 30.47

 

CMYK 35 / 6 / 0 / 20

HEX #84BFCB

RGB 132 191 203

HSL 190.14, 0.41%, 0.66%

LAB 73.86, -16, -12.1

 

CMYK 11 / 35 / 0 / 20

HEX #B484CB

RGB 180 132 203

HSL 280.56, 0.41%, 0.66%

LAB 62.1, 31.24, -29.68

 

CMYK 0 / 29 / 35 / 20

HEX #CB9084

RGB 203 144 132

HSL 10.14, 0.41%, 0.66%

LAB 65.21, 20.77, 15.29

 

Description

Color code: HEX #9BCB84 | qconv.com Color code: HEX #9BCB84 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 203 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 203 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 35 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 35% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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