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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BC5E1 it is the complementary color #643A1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BC5E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9BC5E1: #A0C5DC, #B1D7EF, #C2E9FF, #D3FBFF and #E4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BC5E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9BC5E1: #9BC5E1, #8AB3CE, #79A1BB, #688FA8 and #577D95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 12 / 0 / 12

HEX #9BC5E1

RGB 155 197 225

HSL 204, 0.54%, 0.75%

LAB 77.48, -7.34, -18.43

 

Complementary color

CMYK 0 / 42 / 70 / 61

HEX #643A1E

RGB 100 58 30

HSL 24, 0.54%, 0.25%

LAB 28.98, 15.74, 24.92

 

CMYK 27 / 10 / 0 / 14

HEX #A0C5DC

RGB 160 197 220

HSL 203, 0.46%, 0.75%

LAB 77.62, -7.09, -15.49

 

CMYK 26 / 10 / 0 / 6

HEX #B1D7EF

RGB 177 215 239

HSL 203.23, 0.66%, 0.82%

LAB 84.06, -7.16, -15.87

 

CMYK 24 / 9 / 0 / 0

HEX #C2E9FF

RGB 194 233 255

HSL 201.64, 1%, 0.88%

LAB 90.31, -7.9, -14.81

 

CMYK 17 / 2 / 0 / 0

HEX #D3FBFF

RGB 211 251 255

HSL 185.45, 1%, 0.91%

LAB 96.02, -11.93, -6.2

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 31 / 12 / 0 / 12

HEX #9BC5E1

RGB 155 197 225

HSL 204, 0.54%, 0.75%

LAB 77.48, -7.34, -18.43

 

CMYK 33 / 13 / 0 / 19

HEX #8AB3CE

RGB 138 179 206

HSL 203.82, 0.41%, 0.67%

LAB 70.94, -7.23, -18.1

 

CMYK 35 / 14 / 0 / 27

HEX #79A1BB

RGB 121 161 187

HSL 203.64, 0.33%, 0.6%

LAB 64.28, -7.11, -17.77

 

CMYK 38 / 15 / 0 / 34

HEX #688FA8

RGB 104 143 168

HSL 203.44, 0.27%, 0.53%

LAB 57.48, -6.96, -17.46

 

CMYK 42 / 16 / 0 / 42

HEX #577D95

RGB 87 125 149

HSL 203.23, 0.26%, 0.46%

LAB 50.53, -6.77, -17.15

 

CMYK 31 / 12 / 0 / 12

HEX #9BC5E1

RGB 155 197 225

HSL 204, 0.54%, 0.75%

LAB 77.48, -7.34, -18.43

 

CMYK 31 / 17 / 0 / 12

HEX #9CBAE1

RGB 156 186 225

HSL 213.91, 0.53%, 0.75%

LAB 74.59, -1.16, -22.82

 

CMYK 31 / 22 / 0 / 12

HEX #9CAFE1

RGB 156 175 225

HSL 223.48, 0.53%, 0.75%

LAB 71.67, 4.86, -27.28

 

CMYK 31 / 28 / 0 / 12

HEX #9CA3E1

RGB 156 163 225

HSL 233.91, 0.53%, 0.75%

LAB 68.53, 11.57, -32.11

 

CMYK 28 / 31 / 0 / 12

HEX #A19CE1

RGB 161 156 225

HSL 244.35, 0.53%, 0.75%

LAB 67.12, 16.97, -34.27

 

CMYK 31 / 12 / 0 / 12

HEX #9BC5E1

RGB 155 197 225

HSL 204, 0.54%, 0.75%

LAB 77.48, -7.34, -18.43

 

CMYK 33 / 14 / 0 / 92

HEX #0E1215

RGB 14 18 21

HSL 205.71, 0.2%, 0.07%

LAB 5.24, -0.76, -2.31

 

CMYK 31 / 13 / 0 / 72

HEX #323F48

RGB 50 63 72

HSL 204.55, 0.18%, 0.24%

LAB 25.87, -2.81, -7.22

 

CMYK 31 / 12 / 0 / 52

HEX #556C7B

RGB 85 108 123

HSL 203.68, 0.18%, 0.41%

LAB 44.36, -4.65, -11.1

 

CMYK 31 / 13 / 0 / 32

HEX #7898AE

RGB 120 152 174

HSL 204.44, 0.25%, 0.58%

LAB 61.23, -5.76, -15.09

 

CMYK 31 / 12 / 0 / 12

HEX #9BC5E1

RGB 155 197 225

HSL 204, 0.54%, 0.75%

LAB 77.48, -7.34, -18.43

 

CMYK 12 / 31 / 0 / 12

HEX #C69CE1

RGB 198 156 225

HSL 276.52, 0.53%, 0.75%

LAB 70.33, 28.18, -29.05

 

CMYK 0 / 0 / 31 / 12

HEX #E1E19C

RGB 225 225 156

HSL 60, 0.53%, 0.75%

LAB 88.09, -10.48, 33.85

 

CMYK 31 / 12 / 0 / 12

HEX #9BC5E1

RGB 155 197 225

HSL 204, 0.54%, 0.75%

LAB 77.48, -7.34, -18.43

 

CMYK 0 / 31 / 12 / 12

HEX #E19CC6

RGB 225 156 198

HSL 323.48, 0.53%, 0.75%

LAB 72.14, 31.99, -11.18

 

CMYK 12 / 0 / 31 / 12

HEX #C6E19C

RGB 198 225 156

HSL 83.48, 0.53%, 0.75%

LAB 86.13, -20.53, 30.89

 

CMYK 31 / 12 / 0 / 12

HEX #9BC5E1

RGB 155 197 225

HSL 204, 0.54%, 0.75%

LAB 77.48, -7.34, -18.43

 

CMYK 12 / 31 / 0 / 12

HEX #C69CE1

RGB 198 156 225

HSL 276.52, 0.53%, 0.75%

LAB 70.33, 28.18, -29.05

 

CMYK 0 / 18 / 31 / 12

HEX #E1B89C

RGB 225 184 156

HSL 24.35, 0.53%, 0.75%

LAB 77.69, 10.77, 19.78

 

CMYK 18 / 0 / 31 / 12

HEX #B8E19C

RGB 184 225 156

HSL 95.65, 0.53%, 0.75%

LAB 85.22, -25.55, 29.51

 

CMYK 31 / 12 / 0 / 12

HEX #9BC5E1

RGB 155 197 225

HSL 204, 0.54%, 0.75%

LAB 77.48, -7.34, -18.43

 

CMYK 3 / 31 / 0 / 12

HEX #DA9CE1

RGB 218 156 225

HSL 293.91, 0.53%, 0.75%

LAB 72.31, 34.48, -25.84

 

CMYK 0 / 18 / 31 / 12

HEX #E1B89C

RGB 225 184 156

HSL 24.35, 0.53%, 0.75%

LAB 77.69, 10.77, 19.78

 

CMYK 28 / 0 / 31 / 12

HEX #A3E19C

RGB 163 225 156

HSL 113.91, 0.53%, 0.75%

LAB 83.99, -32.71, 27.63

 

Description

Color code: HEX #9BC5E1 | qconv.com Color code: HEX #9BC5E1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 197 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 197 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 12 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 12% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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