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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BBF58 it is the complementary color #6440A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BBF58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9BBF58: #A0BF53, #B1D166, #C2E379, #D3F58C and #E4FF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BBF58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9BBF58: #9BBF58, #8AAD45, #799B32, #68891F and #57770C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 54 / 25

HEX #9BBF58

RGB 155 191 88

HSL 80.97, 0.45%, 0.55%

LAB 72.85, -28.35, 47.39

 

Complementary color

CMYK 40 / 62 / 0 / 35

HEX #6440A7

RGB 100 64 167

HSL 260.97, 0.45%, 0.45%

LAB 36.3, 39.02, -50.12

 

CMYK 16 / 0 / 57 / 25

HEX #A0BF53

RGB 160 191 83

HSL 77.22, 0.46%, 0.54%

LAB 73.13, -26.85, 50.12

 

CMYK 15 / 0 / 51 / 18

HEX #B1D166

RGB 177 209 102

HSL 77.94, 0.54%, 0.61%

LAB 79.56, -27.08, 49.06

 

CMYK 15 / 0 / 47 / 11

HEX #C2E379

RGB 194 227 121

HSL 78.68, 0.65%, 0.68%

LAB 85.9, -27.25, 47.95

 

CMYK 14 / 0 / 43 / 4

HEX #D3F58C

RGB 211 245 140

HSL 79.43, 0.84%, 0.75%

LAB 92.15, -27.36, 46.82

 

CMYK 11 / 0 / 38 / 0

HEX #E4FF9F

RGB 228 255 159

HSL 76.88, 1%, 0.81%

LAB 96.21, -23.67, 42.99

 

CMYK 19 / 0 / 54 / 25

HEX #9BBF58

RGB 155 191 88

HSL 80.97, 0.45%, 0.55%

LAB 72.85, -28.35, 47.39

 

CMYK 20 / 0 / 60 / 32

HEX #8AAD45

RGB 138 173 69

HSL 80.19, 0.43%, 0.47%

LAB 66.31, -28.13, 48.4

 

CMYK 22 / 0 / 68 / 39

HEX #799B32

RGB 121 155 50

HSL 79.43, 0.51%, 0.4%

LAB 59.65, -27.79, 49.16

 

CMYK 24 / 0 / 77 / 46

HEX #68891F

RGB 104 137 31

HSL 78.68, 0.63%, 0.33%

LAB 52.88, -27.27, 49.34

 

CMYK 27 / 0 / 90 / 53

HEX #57770C

RGB 87 119 12

HSL 77.94, 0.82%, 0.26%

LAB 45.97, -26.49, 48.29

 

CMYK 19 / 0 / 54 / 25

HEX #9BBF58

RGB 155 191 88

HSL 80.97, 0.45%, 0.55%

LAB 72.85, -28.35, 47.39

 

CMYK 27 / 0 / 54 / 25

HEX #8CBF58

RGB 140 191 88

HSL 89.71, 0.45%, 0.55%

LAB 71.92, -34.03, 46.07

 

CMYK 36 / 0 / 54 / 25

HEX #7BBF58

RGB 123 191 88

HSL 99.61, 0.45%, 0.55%

LAB 70.99, -40.07, 44.74

 

CMYK 45 / 0 / 54 / 25

HEX #69BF58

RGB 105 191 88

HSL 110.1, 0.45%, 0.55%

LAB 70.15, -45.88, 43.54

 

CMYK 54 / 0 / 54 / 25

HEX #58BF58

RGB 88 191 88

HSL 120, 0.45%, 0.55%

LAB 69.5, -50.68, 42.59

 

CMYK 19 / 0 / 54 / 25

HEX #9BBF58

RGB 155 191 88

HSL 80.97, 0.45%, 0.55%

LAB 72.85, -28.35, 47.39

 

CMYK 19 / 0 / 54 / 5

HEX #C4F26F

RGB 196 242 111

HSL 81.07, 0.83%, 0.69%

LAB 90.04, -34.47, 57.55

 

CMYK 18 / 0 / 53 / 85

HEX #1F2612

RGB 31 38 18

HSL 81, 0.36%, 0.11%

LAB 13.95, -7.49, 12.15

 

CMYK 19 / 0 / 54 / 65

HEX #485929

RGB 72 89 41

HSL 81.25, 0.37%, 0.25%

LAB 35.37, -15.42, 25.44

 

CMYK 19 / 0 / 54 / 45

HEX #728C41

RGB 114 140 65

HSL 80.8, 0.37%, 0.4%

LAB 54.78, -21.87, 36.64

 

CMYK 19 / 0 / 54 / 25

HEX #9BBF58

RGB 155 191 88

HSL 80.97, 0.45%, 0.55%

LAB 72.85, -28.35, 47.39

 

CMYK 54 / 0 / 25 / 25

HEX #58BF8F

RGB 88 191 143

HSL 152.04, 0.45%, 0.55%

LAB 70.4, -41.26, 15.29

 

CMYK 3 / 54 / 0 / 25

HEX #B958BF

RGB 185 88 191

HSL 296.5, 0.45%, 0.55%

LAB 53.01, 53.61, -36.97

 

CMYK 19 / 0 / 54 / 25

HEX #9BBF58

RGB 155 191 88

HSL 80.97, 0.45%, 0.55%

LAB 72.85, -28.35, 47.39

 

CMYK 54 / 18 / 0 / 25

HEX #589DBF

RGB 88 157 191

HSL 199.81, 0.45%, 0.55%

LAB 61.61, -12.11, -24.23

 

CMYK 0 / 54 / 18 / 25

HEX #BF589D

RGB 191 88 157

HSL 319.81, 0.45%, 0.55%

LAB 52.39, 49.63, -18.06

 

CMYK 19 / 0 / 54 / 25

HEX #9BBF58

RGB 155 191 88

HSL 80.97, 0.45%, 0.55%

LAB 72.85, -28.35, 47.39

 

CMYK 54 / 0 / 25 / 25

HEX #58BF8F

RGB 88 191 143

HSL 152.04, 0.45%, 0.55%

LAB 70.4, -41.26, 15.29

 

CMYK 36 / 54 / 0 / 25

HEX #7B58BF

RGB 123 88 191

HSL 260.39, 0.45%, 0.55%

LAB 45.57, 37.19, -49.24

 

CMYK 0 / 54 / 29 / 25

HEX #BF5888

RGB 191 88 136

HSL 332.04, 0.45%, 0.55%

LAB 51.65, 46.63, -6.76

 

CMYK 19 / 0 / 54 / 25

HEX #9BBF58

RGB 155 191 88

HSL 80.97, 0.45%, 0.55%

LAB 72.85, -28.35, 47.39

 

CMYK 54 / 0 / 9 / 25

HEX #58BFAE

RGB 88 191 174

HSL 170.1, 0.45%, 0.55%

LAB 71.14, -34.06, -0.51

 

CMYK 36 / 54 / 0 / 25

HEX #7B58BF

RGB 123 88 191

HSL 260.39, 0.45%, 0.55%

LAB 45.57, 37.19, -49.24

 

CMYK 0 / 54 / 45 / 25

HEX #BF5869

RGB 191 88 105

HSL 350.1, 0.45%, 0.55%

LAB 50.78, 42.98, 10.49

 

Description

Color code: HEX #9BBF58 | qconv.com Color code: HEX #9BBF58 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 191 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 191 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 54 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 54% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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