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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B6FCB it is the complementary color #649034. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B6FCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B6FCB shade: #A06FC6, #B181D9, #C293EC, #D3A5FF and #E4B7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B6FCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B6FCB shade: #9B6FCB, #8A5DB8, #794BA5, #683992 and #57277F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B6FCB shade: #9C71CC, #B571CC, #CC71CA, #CC71B1 and #CC7199

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B6FCB shade: #9C71CC, #8471CC and #7171CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B6FCB shade matches the following richer shades: #9C71CC, #9B61DB, #9B51EB and #9A42FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B6FCB shade: #9C71CC, #9D80BC, #9D90AC, #9EA09D and #9FAF8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B6FCB shade: #7177CC, #8371CC, #9B71CC, #B371CC and #CC71CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B6FCB shade: #723EAC, #8752C1, #9C71CC, #B18FD7 and #C6ADE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B6FCB shade: #9B6FCB, #CC718F and #71CC77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B6FCB shade: #9B6FCB, #CC9B71 and #71CC9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B6FCB shade: #9B6FCB, #CC718F, #A1CC71 and #71CCAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B6FCB shade: #9B6FCB, #CC7174, #A1CC71 and #71CCC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 45 / 0 / 20

HEX #9B6FCB

RGB 155 111 203

HSL 268.7, 0.47%, 0.62%

LAB 54.71, 35.58, -41.41

 

Complementary color

CMYK 31 / 0 / 64 / 44

HEX #649034

RGB 100 144 52

HSL 88.7, 0.47%, 0.38%

LAB 54.97, -30.71, 42.88

 

CMYK 19 / 44 / 0 / 22

HEX #A06FC6

RGB 160 111 198

HSL 273.79, 0.43%, 0.61%

LAB 54.99, 35.85, -38.08

 

CMYK 18 / 41 / 0 / 15

HEX #B181D9

RGB 177 129 217

HSL 272.73, 0.54%, 0.68%

LAB 61.7, 35.04, -38.16

 

CMYK 18 / 38 / 0 / 7

HEX #C293EC

RGB 194 147 236

HSL 271.69, 0.7%, 0.75%

LAB 68.31, 34.28, -38.25

 

CMYK 17 / 35 / 0 / 0

HEX #D3A5FF

RGB 211 165 255

HSL 270.67, 1%, 0.82%

LAB 74.81, 33.57, -38.35

 

CMYK 11 / 28 / 0 / 0

HEX #E4B7FF

RGB 228 183 255

HSL 277.5, 1%, 0.86%

LAB 80.51, 28.97, -29.43

 

CMYK 24 / 45 / 0 / 20

HEX #9B6FCB

RGB 155 111 203

HSL 268.7, 0.47%, 0.62%

LAB 54.71, 35.58, -41.41

 

CMYK 25 / 49 / 0 / 28

HEX #8A5DB8

RGB 138 93 184

HSL 269.67, 0.39%, 0.54%

LAB 47.87, 36.49, -41.41

 

CMYK 27 / 55 / 0 / 35

HEX #794BA5

RGB 121 75 165

HSL 270.67, 0.38%, 0.47%

LAB 40.92, 37.44, -41.39

 

CMYK 29 / 61 / 0 / 43

HEX #683992

RGB 104 57 146

HSL 271.69, 0.44%, 0.4%

LAB 33.87, 38.37, -41.32

 

CMYK 31 / 69 / 0 / 50

HEX #57277F

RGB 87 39 127

HSL 272.73, 0.53%, 0.33%

LAB 26.76, 39.16, -41.08

 

CMYK 24 / 45 / 0 / 20

HEX #9C71CC

RGB 156 113 204

HSL 268.35, 0.47%, 0.62%

LAB 55.32, 34.97, -41.01

 

CMYK 11 / 45 / 0 / 20

HEX #B571CC

RGB 181 113 204

HSL 284.84, 0.47%, 0.62%

LAB 58.03, 42.2, -36.56

 

CMYK 0 / 45 / 1 / 20

HEX #CC71CA

RGB 204 113 202

HSL 301.32, 0.47%, 0.62%

LAB 60.7, 48.6, -31.05

 

CMYK 0 / 45 / 13 / 20

HEX #CC71B1

RGB 204 113 177

HSL 317.8, 0.47%, 0.62%

LAB 59.73, 44.32, -18.33

 

CMYK 0 / 45 / 25 / 20

HEX #CC7199

RGB 204 113 153

HSL 333.63, 0.47%, 0.62%

LAB 58.93, 40.66, -5.72

 

CMYK 24 / 45 / 0 / 20

HEX #9C71CC

RGB 156 113 204

HSL 268.35, 0.47%, 0.62%

LAB 55.32, 34.97, -41.01

 

CMYK 35 / 45 / 0 / 20

HEX #8471CC

RGB 132 113 204

HSL 252.53, 0.47%, 0.62%

LAB 53.03, 28.35, -44.77

 

CMYK 45 / 45 / 0 / 20

HEX #7171CC

RGB 113 113 204

HSL 240, 0.47%, 0.62%

LAB 51.47, 23.49, -47.34

 

CMYK 24 / 45 / 0 / 20

HEX #9C71CC

RGB 156 113 204

HSL 268.35, 0.47%, 0.62%

LAB 55.32, 34.97, -41.01

 

CMYK 29 / 56 / 0 / 14

HEX #9B61DB

RGB 155 97 219

HSL 268.52, 0.63%, 0.62%

LAB 52.54, 47.15, -53.93

 

CMYK 34 / 66 / 0 / 8

HEX #9B51EB

RGB 155 81 235

HSL 268.83, 0.79%, 0.62%

LAB 50.51, 59.16, -66.23

 

CMYK 39 / 74 / 0 / 2

HEX #9A42FB

RGB 154 66 251

HSL 268.54, 0.96%, 0.62%

LAB 49.17, 69.41, -77.38

 

CMYK 24 / 45 / 0 / 20

HEX #9C71CC

RGB 156 113 204

HSL 268.35, 0.47%, 0.62%

LAB 55.32, 34.97, -41.01

 

CMYK 16 / 32 / 0 / 26

HEX #9D80BC

RGB 157 128 188

HSL 269, 0.31%, 0.62%

LAB 58.26, 22.97, -27.31

 

CMYK 9 / 16 / 0 / 33

HEX #9D90AC

RGB 157 144 172

HSL 267.86, 0.14%, 0.62%

LAB 61.73, 10.31, -12.92

 

CMYK 1 / 0 / 2 / 37

HEX #9EA09D

RGB 158 160 157

HSL 100, 0.02%, 0.62%

LAB 65.63, -1.29, 1.3

 

CMYK 9 / 0 / 19 / 31

HEX #9FAF8D

RGB 159 175 141

HSL 88.24, 0.18%, 0.62%

LAB 69.44, -11.82, 15.6

 

CMYK 45 / 42 / 0 / 20

HEX #7177CC

RGB 113 119 204

HSL 236.04, 0.47%, 0.62%

LAB 53.02, 19.87, -44.89

 

CMYK 36 / 45 / 0 / 20

HEX #8371CC

RGB 131 113 204

HSL 251.87, 0.47%, 0.62%

LAB 52.94, 28.08, -44.92

 

CMYK 24 / 45 / 0 / 20

HEX #9B71CC

RGB 155 113 204

HSL 267.69, 0.47%, 0.62%

LAB 55.21, 34.69, -41.18

 

CMYK 12 / 45 / 0 / 20

HEX #B371CC

RGB 179 113 204

HSL 283.52, 0.47%, 0.62%

LAB 57.8, 41.61, -36.93

 

CMYK 0 / 45 / 0 / 20

HEX #CC71CC

RGB 204 113 204

HSL 300, 0.47%, 0.62%

LAB 60.79, 48.96, -32.05

 

CMYK 34 / 64 / 0 / 33

HEX #723EAC

RGB 114 62 172

HSL 268.36, 0.47%, 0.46%

LAB 37.84, 44.61, -50.54

 

CMYK 30 / 58 / 0 / 24

HEX #8752C1

RGB 135 82 193

HSL 268.65, 0.47%, 0.54%

LAB 45.68, 44.04, -50.14

 

CMYK 24 / 45 / 0 / 20

HEX #9C71CC

RGB 156 113 204

HSL 268.35, 0.47%, 0.62%

LAB 55.32, 34.97, -41.01

 

CMYK 18 / 33 / 0 / 16

HEX #B18FD7

RGB 177 143 215

HSL 268.33, 0.47%, 0.7%

LAB 64.88, 26.75, -32.1

 

CMYK 12 / 23 / 0 / 11

HEX #C6ADE2

RGB 198 173 226

HSL 268.3, 0.48%, 0.78%

LAB 74.43, 19.03, -23.31

 

CMYK 24 / 45 / 0 / 20

HEX #9B6FCB

RGB 155 111 203

HSL 268.7, 0.47%, 0.62%

LAB 54.71, 35.58, -41.41

 

CMYK 0 / 45 / 30 / 20

HEX #CC718F

RGB 204 113 143

HSL 340.22, 0.47%, 0.62%

LAB 58.63, 39.29, -0.36

 

CMYK 45 / 0 / 42 / 20

HEX #71CC77

RGB 113 204 119

HSL 123.96, 0.47%, 0.62%

LAB 74.84, -44.7, 34.07

 

CMYK 24 / 45 / 0 / 20

HEX #9B6FCB

RGB 155 111 203

HSL 268.7, 0.47%, 0.62%

LAB 54.71, 35.58, -41.41

 

CMYK 0 / 24 / 45 / 20

HEX #CC9B71

RGB 204 155 113

HSL 27.69, 0.47%, 0.62%

LAB 67.63, 12.98, 29.06

 

CMYK 45 / 0 / 24 / 20

HEX #71CC9B

RGB 113 204 155

HSL 147.69, 0.47%, 0.62%

LAB 75.49, -38.31, 16.11

 

CMYK 24 / 45 / 0 / 20

HEX #9B6FCB

RGB 155 111 203

HSL 268.7, 0.47%, 0.62%

LAB 54.71, 35.58, -41.41

 

CMYK 0 / 45 / 30 / 20

HEX #CC718F

RGB 204 113 143

HSL 340.22, 0.47%, 0.62%

LAB 58.63, 39.29, -0.36

 

CMYK 21 / 0 / 45 / 20

HEX #A1CC71

RGB 161 204 113

HSL 88.35, 0.47%, 0.62%

LAB 77.25, -29.55, 40.68

 

CMYK 45 / 0 / 15 / 20

HEX #71CCAD

RGB 113 204 173

HSL 159.56, 0.47%, 0.62%

LAB 75.89, -34.51, 7.03

 

CMYK 24 / 45 / 0 / 20

HEX #9B6FCB

RGB 155 111 203

HSL 268.7, 0.47%, 0.62%

LAB 54.71, 35.58, -41.41

 

CMYK 0 / 45 / 43 / 20

HEX #CC7174

RGB 204 113 116

HSL 358.02, 0.47%, 0.62%

LAB 57.95, 36.04, 14.32

 

CMYK 21 / 0 / 45 / 20

HEX #A1CC71

RGB 161 204 113

HSL 88.35, 0.47%, 0.62%

LAB 77.25, -29.55, 40.68

 

CMYK 45 / 0 / 1 / 20

HEX #71CCC9

RGB 113 204 201

HSL 178.02, 0.47%, 0.62%

LAB 76.63, -27.88, -6.99

 

Description

Color code: HEX #9B6FCB | qconv.com Color code: HEX #9B6FCB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 111 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 111 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 45 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 45% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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