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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B71CC it is the complementary color #648E33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B71CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B71CC shade: #A071C7, #B183DA, #C295ED, #D3A7FF and #E4B9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B71CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B71CC shade: #9B71CC, #8A5FB9, #794DA6, #683B93 and #572980

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B71CC shade: #9B71CC, #B371CC, #CC71CC, #CC71B3 and #CC719A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B71CC shade: #9B71CC, #8271CC and #7171CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B71CC shade matches the following richer shades: #9B71CC, #9961DB, #9851EB and #9742FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B71CC shade: #9B71CC, #9C80BC, #9D90AC, #9EA09D and #9FAF8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B71CC shade: #7178CC, #8171CC, #9A71CC, #B271CC and #CA71CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B71CC shade: #713EAC, #8552C1, #9B71CC, #B08FD7 and #C5ADE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B71CC shade: #9B71CC, #CC7190 and #71CC75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B71CC shade: #9B71CC, #CC9A71 and #71CC9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B71CC shade: #9B71CC, #CC7190, #A3CC71 and #71CCAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B71CC shade: #9B71CC, #CC7175, #A3CC71 and #71CCC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 45 / 0 / 20

HEX #9B71CC

RGB 155 113 204

HSL 267.69, 0.47%, 0.62%

LAB 55.21, 34.69, -41.18

 

Complementary color

CMYK 30 / 0 / 64 / 44

HEX #648E33

RGB 100 142 51

HSL 87.69, 0.47%, 0.38%

LAB 54.34, -29.86, 42.64

 

CMYK 20 / 43 / 0 / 22

HEX #A071C7

RGB 160 113 199

HSL 272.79, 0.43%, 0.61%

LAB 55.49, 34.96, -37.87

 

CMYK 19 / 40 / 0 / 15

HEX #B183DA

RGB 177 131 218

HSL 271.72, 0.54%, 0.68%

LAB 62.2, 34.15, -37.94

 

CMYK 18 / 37 / 0 / 7

HEX #C295ED

RGB 194 149 237

HSL 270.68, 0.71%, 0.76%

LAB 68.81, 33.4, -38.02

 

CMYK 17 / 35 / 0 / 0

HEX #D3A7FF

RGB 211 167 255

HSL 270, 1%, 0.83%

LAB 75.27, 32.48, -37.64

 

CMYK 11 / 27 / 0 / 0

HEX #E4B9FF

RGB 228 185 255

HSL 276.86, 1%, 0.86%

LAB 80.97, 27.9, -28.72

 

CMYK 24 / 45 / 0 / 20

HEX #9B71CC

RGB 155 113 204

HSL 267.69, 0.47%, 0.62%

LAB 55.21, 34.69, -41.18

 

CMYK 25 / 49 / 0 / 27

HEX #8A5FB9

RGB 138 95 185

HSL 268.67, 0.39%, 0.55%

LAB 48.37, 35.59, -41.19

 

CMYK 27 / 54 / 0 / 35

HEX #794DA6

RGB 121 77 166

HSL 269.66, 0.37%, 0.48%

LAB 41.42, 36.54, -41.2

 

CMYK 29 / 60 / 0 / 42

HEX #683B93

RGB 104 59 147

HSL 270.68, 0.43%, 0.4%

LAB 34.35, 37.51, -41.16

 

CMYK 32 / 68 / 0 / 50

HEX #572980

RGB 87 41 128

HSL 271.72, 0.51%, 0.33%

LAB 27.22, 38.37, -40.98

 

CMYK 24 / 45 / 0 / 20

HEX #9B71CC

RGB 155 113 204

HSL 267.69, 0.47%, 0.62%

LAB 55.21, 34.69, -41.18

 

CMYK 12 / 45 / 0 / 20

HEX #B371CC

RGB 179 113 204

HSL 283.52, 0.47%, 0.62%

LAB 57.8, 41.61, -36.93

 

CMYK 0 / 45 / 0 / 20

HEX #CC71CC

RGB 204 113 204

HSL 300, 0.47%, 0.62%

LAB 60.79, 48.96, -32.05

 

CMYK 0 / 45 / 12 / 20

HEX #CC71B3

RGB 204 113 179

HSL 316.48, 0.47%, 0.62%

LAB 59.8, 44.64, -19.36

 

CMYK 0 / 45 / 25 / 20

HEX #CC719A

RGB 204 113 154

HSL 332.97, 0.47%, 0.62%

LAB 58.96, 40.81, -6.25

 

CMYK 24 / 45 / 0 / 20

HEX #9B71CC

RGB 155 113 204

HSL 267.69, 0.47%, 0.62%

LAB 55.21, 34.69, -41.18

 

CMYK 36 / 45 / 0 / 20

HEX #8271CC

RGB 130 113 204

HSL 251.21, 0.47%, 0.62%

LAB 52.86, 27.82, -45.06

 

CMYK 45 / 45 / 0 / 20

HEX #7171CC

RGB 113 113 204

HSL 240, 0.47%, 0.62%

LAB 51.47, 23.49, -47.34

 

CMYK 24 / 45 / 0 / 20

HEX #9B71CC

RGB 155 113 204

HSL 267.69, 0.47%, 0.62%

LAB 55.21, 34.69, -41.18

 

CMYK 30 / 56 / 0 / 14

HEX #9961DB

RGB 153 97 219

HSL 267.54, 0.63%, 0.62%

LAB 52.33, 46.67, -54.29

 

CMYK 35 / 66 / 0 / 8

HEX #9851EB

RGB 152 81 235

HSL 267.66, 0.79%, 0.62%

LAB 50.17, 58.55, -66.8

 

CMYK 40 / 74 / 0 / 2

HEX #9742FB

RGB 151 66 251

HSL 267.57, 0.96%, 0.62%

LAB 48.81, 68.93, -77.98

 

CMYK 24 / 45 / 0 / 20

HEX #9B71CC

RGB 155 113 204

HSL 267.69, 0.47%, 0.62%

LAB 55.21, 34.69, -41.18

 

CMYK 17 / 32 / 0 / 26

HEX #9C80BC

RGB 156 128 188

HSL 268, 0.31%, 0.62%

LAB 58.17, 22.65, -27.46

 

CMYK 9 / 16 / 0 / 33

HEX #9D90AC

RGB 157 144 172

HSL 267.86, 0.14%, 0.62%

LAB 61.73, 10.31, -12.92

 

CMYK 1 / 0 / 2 / 37

HEX #9EA09D

RGB 158 160 157

HSL 100, 0.02%, 0.62%

LAB 65.63, -1.29, 1.3

 

CMYK 9 / 0 / 19 / 31

HEX #9FAF8D

RGB 159 175 141

HSL 88.24, 0.18%, 0.62%

LAB 69.44, -11.82, 15.6

 

CMYK 45 / 41 / 0 / 20

HEX #7178CC

RGB 113 120 204

HSL 235.38, 0.47%, 0.62%

LAB 53.28, 19.27, -44.48

 

CMYK 37 / 45 / 0 / 20

HEX #8171CC

RGB 129 113 204

HSL 250.55, 0.47%, 0.62%

LAB 52.77, 27.56, -45.2

 

CMYK 25 / 45 / 0 / 20

HEX #9A71CC

RGB 154 113 204

HSL 267.03, 0.47%, 0.62%

LAB 55.11, 34.4, -41.35

 

CMYK 13 / 45 / 0 / 20

HEX #B271CC

RGB 178 113 204

HSL 282.86, 0.47%, 0.62%

LAB 57.69, 41.32, -37.12

 

CMYK 1 / 45 / 0 / 20

HEX #CA71CC

RGB 202 113 204

HSL 298.68, 0.47%, 0.62%

LAB 60.54, 48.37, -32.46

 

CMYK 34 / 64 / 0 / 33

HEX #713EAC

RGB 113 62 172

HSL 267.82, 0.47%, 0.46%

LAB 37.72, 44.39, -50.74

 

CMYK 31 / 58 / 0 / 24

HEX #8552C1

RGB 133 82 193

HSL 267.57, 0.47%, 0.54%

LAB 45.46, 43.55, -50.52

 

CMYK 24 / 45 / 0 / 20

HEX #9B71CC

RGB 155 113 204

HSL 267.69, 0.47%, 0.62%

LAB 55.21, 34.69, -41.18

 

CMYK 18 / 33 / 0 / 16

HEX #B08FD7

RGB 176 143 215

HSL 267.5, 0.47%, 0.7%

LAB 64.79, 26.44, -32.25

 

CMYK 13 / 23 / 0 / 11

HEX #C5ADE2

RGB 197 173 226

HSL 267.17, 0.48%, 0.78%

LAB 74.35, 18.71, -23.45

 

CMYK 24 / 45 / 0 / 20

HEX #9B71CC

RGB 155 113 204

HSL 267.69, 0.47%, 0.62%

LAB 55.21, 34.69, -41.18

 

CMYK 0 / 45 / 29 / 20

HEX #CC7190

RGB 204 113 144

HSL 339.56, 0.47%, 0.62%

LAB 58.66, 39.42, -0.9

 

CMYK 45 / 0 / 43 / 20

HEX #71CC75

RGB 113 204 117

HSL 122.64, 0.47%, 0.62%

LAB 74.81, -45, 35.05

 

CMYK 24 / 45 / 0 / 20

HEX #9B71CC

RGB 155 113 204

HSL 267.69, 0.47%, 0.62%

LAB 55.21, 34.69, -41.18

 

CMYK 0 / 25 / 45 / 20

HEX #CC9A71

RGB 204 154 113

HSL 27.03, 0.47%, 0.62%

LAB 67.38, 13.52, 28.74

 

CMYK 45 / 0 / 25 / 20

HEX #71CC9A

RGB 113 204 154

HSL 147.03, 0.47%, 0.62%

LAB 75.47, -38.51, 16.61

 

CMYK 24 / 45 / 0 / 20

HEX #9B71CC

RGB 155 113 204

HSL 267.69, 0.47%, 0.62%

LAB 55.21, 34.69, -41.18

 

CMYK 0 / 45 / 29 / 20

HEX #CC7190

RGB 204 113 144

HSL 339.56, 0.47%, 0.62%

LAB 58.66, 39.42, -0.9

 

CMYK 20 / 0 / 45 / 20

HEX #A3CC71

RGB 163 204 113

HSL 87.03, 0.47%, 0.62%

LAB 77.38, -28.81, 40.86

 

CMYK 45 / 0 / 16 / 20

HEX #71CCAC

RGB 113 204 172

HSL 158.9, 0.47%, 0.62%

LAB 75.87, -34.73, 7.54

 

CMYK 24 / 45 / 0 / 20

HEX #9B71CC

RGB 155 113 204

HSL 267.69, 0.47%, 0.62%

LAB 55.21, 34.69, -41.18

 

CMYK 0 / 45 / 43 / 20

HEX #CC7175

RGB 204 113 117

HSL 357.36, 0.47%, 0.62%

LAB 57.97, 36.15, 13.77

 

CMYK 20 / 0 / 45 / 20

HEX #A3CC71

RGB 163 204 113

HSL 87.03, 0.47%, 0.62%

LAB 77.38, -28.81, 40.86

 

CMYK 45 / 0 / 2 / 20

HEX #71CCC7

RGB 113 204 199

HSL 176.7, 0.47%, 0.62%

LAB 76.57, -28.38, -5.99

 

Description

Color code: HEX #9B71CC | qconv.com Color code: HEX #9B71CC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 113 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 113 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 45 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 45% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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