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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B63E8 it is the complementary color #649C17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B63E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B63E8 shade: #A063E3, #B175F6, #C287FF, #D399FF and #E4ABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B63E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B63E8 shade: #9B63E8, #8A51D5, #793FC2, #682DAF and #571B9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B63E8 shade: #9B64E8, #BF64E8, #E364E8, #E864C9 and #E864A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B63E8 shade: #9B64E8, #7864E8 and #6464E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B63E8 shade matches the following richer shades: #9B64E8 and #9955F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B63E8 shade: #9B64E8, #9E72D9, #A081CB, #A28FBC and #A49DAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B63E8 shade: #6473E8, #7864E8, #9B64E8, #BE64E8 and #E164E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B63E8 shade: #6E20D9, #8440E2, #9B64E8, #B288ED and #C9ABF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B63E8 shade: #9B63E8, #E86496 and #64E866

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B63E8 shade: #9B63E8, #E89B64 and #64E89B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B63E8 shade: #9B63E8, #E86496, #B1E864 and #64E8B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B63E8 shade: #9B63E8, #E8646F, #B1E864 and #64E8DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 57 / 0 / 9

HEX #9B63E8

RGB 155 99 232

HSL 265.26, 0.74%, 0.65%

LAB 53.73, 49.25, -59.36

 

Complementary color

CMYK 36 / 0 / 85 / 39

HEX #649C17

RGB 100 156 23

HSL 85.26, 0.74%, 0.35%

LAB 58.55, -38, 56.81

 

CMYK 30 / 56 / 0 / 11

HEX #A063E3

RGB 160 99 227

HSL 268.59, 0.7%, 0.64%

LAB 53.97, 49.22, -56.14

 

CMYK 28 / 52 / 0 / 4

HEX #B175F6

RGB 177 117 246

HSL 267.91, 0.88%, 0.71%

LAB 60.54, 48.28, -56.13

 

CMYK 24 / 47 / 0 / 0

HEX #C287FF

RGB 194 135 255

HSL 269.5, 1%, 0.76%

LAB 66.53, 45.07, -51.44

 

CMYK 17 / 40 / 0 / 0

HEX #D399FF

RGB 211 153 255

HSL 274.12, 1%, 0.8%

LAB 72.13, 40.06, -42.53

 

CMYK 11 / 33 / 0 / 0

HEX #E4ABFF

RGB 228 171 255

HSL 280.71, 1%, 0.84%

LAB 77.78, 35.4, -33.62

 

CMYK 33 / 57 / 0 / 9

HEX #9B63E8

RGB 155 99 232

HSL 265.26, 0.74%, 0.65%

LAB 53.73, 49.25, -59.36

 

CMYK 35 / 62 / 0 / 16

HEX #8A51D5

RGB 138 81 213

HSL 265.91, 0.61%, 0.58%

LAB 47.1, 50.24, -59.37

 

CMYK 38 / 68 / 0 / 24

HEX #793FC2

RGB 121 63 194

HSL 266.56, 0.52%, 0.5%

LAB 40.43, 51.14, -59.27

 

CMYK 41 / 74 / 0 / 31

HEX #682DAF

RGB 104 45 175

HSL 267.23, 0.59%, 0.43%

LAB 33.81, 51.78, -58.94

 

CMYK 44 / 83 / 0 / 39

HEX #571B9C

RGB 87 27 156

HSL 267.91, 0.7%, 0.36%

LAB 27.33, 51.81, -58.15

 

CMYK 33 / 57 / 0 / 9

HEX #9B64E8

RGB 155 100 232

HSL 265, 0.74%, 0.65%

LAB 53.93, 48.72, -59.03

 

CMYK 18 / 57 / 0 / 9

HEX #BF64E8

RGB 191 100 232

HSL 281.36, 0.74%, 0.65%

LAB 58.05, 57.39, -52.21

 

CMYK 2 / 57 / 0 / 9

HEX #E364E8

RGB 227 100 232

HSL 297.73, 0.74%, 0.65%

LAB 62.74, 66.39, -44.49

 

CMYK 0 / 57 / 13 / 9

HEX #E864C9

RGB 232 100 201

HSL 314.09, 0.74%, 0.65%

LAB 62.07, 62.7, -28.07

 

CMYK 0 / 57 / 28 / 9

HEX #E864A6

RGB 232 100 166

HSL 330, 0.74%, 0.65%

LAB 60.8, 57.84, -10.01

 

CMYK 33 / 57 / 0 / 9

HEX #9B64E8

RGB 155 100 232

HSL 265, 0.74%, 0.65%

LAB 53.93, 48.72, -59.03

 

CMYK 48 / 57 / 0 / 9

HEX #7864E8

RGB 120 100 232

HSL 249.09, 0.74%, 0.65%

LAB 50.61, 41.04, -64.55

 

CMYK 57 / 57 / 0 / 9

HEX #6464E8

RGB 100 100 232

HSL 240, 0.74%, 0.65%

LAB 49.07, 37.21, -67.12

 

CMYK 33 / 57 / 0 / 9

HEX #9B64E8

RGB 155 100 232

HSL 265, 0.74%, 0.65%

LAB 53.93, 48.72, -59.03

 

CMYK 38 / 65 / 0 / 4

HEX #9955F6

RGB 153 85 246

HSL 265.34, 0.9%, 0.65%

LAB 51.75, 59.47, -70.39

 

CMYK 33 / 57 / 0 / 9

HEX #9B64E8

RGB 155 100 232

HSL 265, 0.74%, 0.65%

LAB 53.93, 48.72, -59.03

 

CMYK 27 / 47 / 0 / 15

HEX #9E72D9

RGB 158 114 217

HSL 265.63, 0.58%, 0.65%

LAB 56.4, 38.08, -46.64

 

CMYK 21 / 36 / 0 / 20

HEX #A081CB

RGB 160 129 203

HSL 265.14, 0.42%, 0.65%

LAB 59.42, 26.78, -33.99

 

CMYK 14 / 24 / 0 / 26

HEX #A28FBC

RGB 162 143 188

HSL 265.33, 0.25%, 0.65%

LAB 62.47, 16, -20.81

 

CMYK 6 / 10 / 0 / 32

HEX #A49DAE

RGB 164 157 174

HSL 264.71, 0.09%, 0.65%

LAB 65.8, 5.83, -7.91

 

CMYK 57 / 50 / 0 / 9

HEX #6473E8

RGB 100 115 232

HSL 233.18, 0.74%, 0.65%

LAB 52.73, 28.14, -61.21

 

CMYK 48 / 57 / 0 / 9

HEX #7864E8

RGB 120 100 232

HSL 249.09, 0.74%, 0.65%

LAB 50.61, 41.04, -64.55

 

CMYK 33 / 57 / 0 / 9

HEX #9B64E8

RGB 155 100 232

HSL 265, 0.74%, 0.65%

LAB 53.93, 48.72, -59.03

 

CMYK 18 / 57 / 0 / 9

HEX #BE64E8

RGB 190 100 232

HSL 280.91, 0.74%, 0.65%

LAB 57.93, 57.14, -52.41

 

CMYK 3 / 57 / 0 / 9

HEX #E164E8

RGB 225 100 232

HSL 296.82, 0.74%, 0.65%

LAB 62.46, 65.89, -44.94

 

CMYK 49 / 85 / 0 / 15

HEX #6E20D9

RGB 110 32 217

HSL 265.3, 0.74%, 0.49%

LAB 36.66, 67.75, -78.82

 

CMYK 42 / 72 / 0 / 11

HEX #8440E2

RGB 132 64 226

HSL 265.19, 0.74%, 0.57%

LAB 44.32, 60.67, -71.31

 

CMYK 33 / 57 / 0 / 9

HEX #9B64E8

RGB 155 100 232

HSL 265, 0.74%, 0.65%

LAB 53.93, 48.72, -59.03

 

CMYK 25 / 43 / 0 / 7

HEX #B288ED

RGB 178 136 237

HSL 264.95, 0.74%, 0.73%

LAB 64.31, 36.02, -45.17

 

CMYK 17 / 30 / 0 / 5

HEX #C9ABF3

RGB 201 171 243

HSL 265, 0.75%, 0.81%

LAB 74.83, 24.7, -31.9

 

CMYK 33 / 57 / 0 / 9

HEX #9B63E8

RGB 155 99 232

HSL 265.26, 0.74%, 0.65%

LAB 53.73, 49.25, -59.36

 

CMYK 0 / 57 / 35 / 9

HEX #E86496

RGB 232 100 150

HSL 337.27, 0.74%, 0.65%

LAB 60.31, 55.91, -1.49

 

CMYK 57 / 0 / 56 / 9

HEX #64E866

RGB 100 232 102

HSL 120.91, 0.74%, 0.65%

LAB 82.58, -61.46, 51.74

 

CMYK 33 / 57 / 0 / 9

HEX #9B63E8

RGB 155 99 232

HSL 265.26, 0.74%, 0.65%

LAB 53.73, 49.25, -59.36

 

CMYK 0 / 33 / 57 / 9

HEX #E89B64

RGB 232 155 100

HSL 25, 0.74%, 0.65%

LAB 70.54, 23.22, 40.3

 

CMYK 57 / 0 / 33 / 9

HEX #64E89B

RGB 100 232 155

HSL 145, 0.74%, 0.65%

LAB 83.33, -53.37, 26.81

 

CMYK 33 / 57 / 0 / 9

HEX #9B63E8

RGB 155 99 232

HSL 265.26, 0.74%, 0.65%

LAB 53.73, 49.25, -59.36

 

CMYK 0 / 57 / 35 / 9

HEX #E86496

RGB 232 100 150

HSL 337.27, 0.74%, 0.65%

LAB 60.31, 55.91, -1.49

 

CMYK 24 / 0 / 57 / 9

HEX #B1E864

RGB 177 232 100

HSL 85, 0.74%, 0.65%

LAB 86, -37.94, 57.47

 

CMYK 57 / 0 / 22 / 9

HEX #64E8B5

RGB 100 232 181

HSL 156.82, 0.74%, 0.65%

LAB 83.84, -48.14, 14.04

 

CMYK 33 / 57 / 0 / 9

HEX #9B63E8

RGB 155 99 232

HSL 265.26, 0.74%, 0.65%

LAB 53.73, 49.25, -59.36

 

CMYK 0 / 57 / 52 / 9

HEX #E8646F

RGB 232 100 111

HSL 355, 0.74%, 0.65%

LAB 59.36, 52.06, 19.79

 

CMYK 24 / 0 / 57 / 9

HEX #B1E864

RGB 177 232 100

HSL 85, 0.74%, 0.65%

LAB 86, -37.94, 57.47

 

CMYK 57 / 0 / 5 / 9

HEX #64E8DD

RGB 100 232 221

HSL 175, 0.74%, 0.65%

LAB 84.81, -38.7, -5.59

 

Description

Color code: HEX #9B63E8 | qconv.com Color code: HEX #9B63E8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 99 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 99 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 57 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 57% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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