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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B47DA it is the complementary color #64B825. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B47DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9B47DA: #A047D5, #B159E8, #C26BFB, #D37DFF and #E48FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B47DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9B47DA: #9B47DA, #8A35C7, #7923B4, #6811A1 and #57008E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 67 / 0 / 15

HEX #9B47DA

RGB 155 71 218

HSL 274.29, 0.67%, 0.57%

LAB 47.67, 59.93, -61.2

 

Complementary color

CMYK 46 / 0 / 80 / 28

HEX #64B825

RGB 100 184 37

HSL 94.29, 0.67%, 0.43%

LAB 67.37, -49, 60.97

 

CMYK 25 / 67 / 0 / 16

HEX #A047D5

RGB 160 71 213

HSL 277.61, 0.63%, 0.56%

LAB 47.99, 59.87, -57.8

 

CMYK 24 / 62 / 0 / 9

HEX #B159E8

RGB 177 89 232

HSL 276.92, 0.76%, 0.63%

LAB 54.36, 59.38, -58.2

 

CMYK 23 / 57 / 0 / 2

HEX #C26BFB

RGB 194 107 251

HSL 276.25, 0.95%, 0.7%

LAB 60.74, 58.7, -58.46

 

CMYK 17 / 51 / 0 / 0

HEX #D37DFF

RGB 211 125 255

HSL 279.69, 1%, 0.75%

LAB 66.32, 54.77, -51.67

 

CMYK 11 / 44 / 0 / 0

HEX #E48FFF

RGB 228 143 255

HSL 285.54, 1%, 0.78%

LAB 71.8, 50.16, -42.91

 

CMYK 29 / 67 / 0 / 15

HEX #9B47DA

RGB 155 71 218

HSL 274.29, 0.67%, 0.57%

LAB 47.67, 59.93, -61.2

 

CMYK 31 / 73 / 0 / 22

HEX #8A35C7

RGB 138 53 199

HSL 274.93, 0.58%, 0.49%

LAB 41.33, 60.17, -60.63

 

CMYK 33 / 81 / 0 / 29

HEX #7923B4

RGB 121 35 180

HSL 275.59, 0.67%, 0.42%

LAB 35.13, 59.81, -59.66

 

CMYK 35 / 89 / 0 / 37

HEX #6811A1

RGB 104 17 161

HSL 276.25, 0.81%, 0.35%

LAB 29.2, 58.36, -58.03

 

CMYK 39 / 100 / 0 / 44

HEX #57008E

RGB 87 0 142

HSL 276.76, 1%, 0.28%

LAB 23.6, 55.61, -55.63

 

CMYK 29 / 67 / 0 / 15

HEX #9B47DA

RGB 155 71 218

HSL 274.29, 0.67%, 0.57%

LAB 47.67, 59.93, -61.2

 

CMYK 18 / 67 / 0 / 15

HEX #B347DA

RGB 179 71 218

HSL 284.08, 0.67%, 0.57%

LAB 50.86, 64.97, -55.89

 

CMYK 6 / 67 / 0 / 15

HEX #CC47DA

RGB 204 71 218

HSL 294.29, 0.67%, 0.57%

LAB 54.45, 70.41, -49.94

 

CMYK 0 / 67 / 4 / 15

HEX #DA47D1

RGB 218 71 209

HSL 303.67, 0.67%, 0.57%

LAB 56.1, 72.08, -42.08

 

CMYK 0 / 67 / 16 / 15

HEX #DA47B8

RGB 218 71 184

HSL 313.88, 0.67%, 0.57%

LAB 54.94, 68.35, -29.55

 

CMYK 29 / 67 / 0 / 15

HEX #9B47DA

RGB 155 71 218

HSL 274.29, 0.67%, 0.57%

LAB 47.67, 59.93, -61.2

 

CMYK 29 / 64 / 0 / 95

HEX #0A050E

RGB 10 5 14

HSL 273.33, 0.47%, 0.04%

LAB 1.85, 2.62, -3.12

 

CMYK 29 / 68 / 0 / 75

HEX #2E1541

RGB 46 21 65

HSL 274.09, 0.51%, 0.17%

LAB 12.6, 22.36, -23.09

 

CMYK 29 / 67 / 0 / 55

HEX #522674

RGB 82 38 116

HSL 273.85, 0.51%, 0.3%

LAB 25.08, 35.72, -36.86

 

CMYK 29 / 68 / 0 / 35

HEX #7736A7

RGB 119 54 167

HSL 274.51, 0.51%, 0.43%

LAB 36.65, 48.57, -49.45

 

CMYK 29 / 67 / 0 / 15

HEX #9B47DA

RGB 155 71 218

HSL 274.29, 0.67%, 0.57%

LAB 47.67, 59.93, -61.2

 

CMYK 0 / 67 / 51 / 15

HEX #DA476A

RGB 218 71 106

HSL 345.71, 0.67%, 0.57%

LAB 52.35, 59.54, 12.73

 

CMYK 67 / 0 / 56 / 15

HEX #47DA60

RGB 71 218 96

HSL 130.2, 0.67%, 0.57%

LAB 77.48, -63.31, 48.25

 

CMYK 29 / 67 / 0 / 15

HEX #9B47DA

RGB 155 71 218

HSL 274.29, 0.67%, 0.57%

LAB 47.67, 59.93, -61.2

 

CMYK 0 / 29 / 67 / 15

HEX #DA9B47

RGB 218 155 71

HSL 34.29, 0.67%, 0.57%

LAB 68.61, 15.46, 52.03

 

CMYK 67 / 0 / 29 / 15

HEX #47DA9B

RGB 71 218 155

HSL 154.29, 0.67%, 0.57%

LAB 78.37, -53.29, 19.91

 

CMYK 29 / 67 / 0 / 15

HEX #9B47DA

RGB 155 71 218

HSL 274.29, 0.67%, 0.57%

LAB 47.67, 59.93, -61.2

 

CMYK 0 / 67 / 51 / 15

HEX #DA476A

RGB 218 71 106

HSL 345.71, 0.67%, 0.57%

LAB 52.35, 59.54, 12.73

 

CMYK 38 / 0 / 67 / 15

HEX #87DA47

RGB 135 218 71

HSL 93.88, 0.67%, 0.57%

LAB 79.47, -49.08, 61.74

 

CMYK 67 / 0 / 16 / 15

HEX #47DAB8

RGB 71 218 184

HSL 166.12, 0.67%, 0.57%

LAB 79.01, -46.68, 5.46

 

CMYK 29 / 67 / 0 / 15

HEX #9B47DA

RGB 155 71 218

HSL 274.29, 0.67%, 0.57%

LAB 47.67, 59.93, -61.2

 

CMYK 0 / 63 / 67 / 15

HEX #DA5147

RGB 218 81 71

HSL 4.08, 0.67%, 0.57%

LAB 53.22, 53.05, 34.46

 

CMYK 38 / 0 / 67 / 15

HEX #87DA47

RGB 135 218 71

HSL 93.88, 0.67%, 0.57%

LAB 79.47, -49.08, 61.74

 

CMYK 67 / 4 / 0 / 15

HEX #47D1DA

RGB 71 209 218

HSL 183.67, 0.67%, 0.57%

LAB 77.28, -33.56, -15.3

 

Description

Color code: HEX #9B47DA | qconv.com Color code: HEX #9B47DA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 71 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 71 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 67 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 67% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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