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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AEB3D it is the complementary color #6514C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AEB3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9AEB3D: #9FEB38, #B0FD4B, #C1FF5E, #D2FF71 and #E3FF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AEB3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9AEB3D: #9AEB3D, #89D92A, #78C717, #67B504 and #56A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 74 / 8

HEX #9AEB3D

RGB 154 235 61

HSL 87.93, 0.81%, 0.58%

LAB 85.31, -50.27, 71.47

 

Complementary color

CMYK 48 / 90 / 0 / 24

HEX #6514C2

RGB 101 20 194

HSL 267.93, 0.81%, 0.42%

LAB 32.17, 64.67, -72.88

 

CMYK 32 / 0 / 76 / 8

HEX #9FEB38

RGB 159 235 56

HSL 85.47, 0.82%, 0.57%

LAB 85.54, -48.79, 73.34

 

CMYK 30 / 0 / 70 / 1

HEX #B0FD4B

RGB 176 253 75

HSL 85.96, 0.98%, 0.64%

LAB 91.68, -49.26, 73.44

 

CMYK 24 / 0 / 63 / 0

HEX #C1FF5E

RGB 193 255 94

HSL 83.11, 1%, 0.68%

LAB 93.31, -42.77, 68.34

 

CMYK 18 / 0 / 56 / 0

HEX #D2FF71

RGB 210 255 113

HSL 79.01, 1%, 0.72%

LAB 94.49, -35.01, 62.03

 

CMYK 11 / 0 / 48 / 0

HEX #E3FF84

RGB 227 255 132

HSL 73.66, 1%, 0.76%

LAB 95.8, -26.92, 55.31

 

CMYK 34 / 0 / 74 / 8

HEX #9AEB3D

RGB 154 235 61

HSL 87.93, 0.81%, 0.58%

LAB 85.31, -50.27, 71.47

 

CMYK 37 / 0 / 81 / 15

HEX #89D92A

RGB 137 217 42

HSL 87.43, 0.7%, 0.51%

LAB 79.11, -49.7, 70.96

 

CMYK 40 / 0 / 88 / 22

HEX #78C717

RGB 120 199 23

HSL 86.93, 0.79%, 0.44%

LAB 72.83, -48.91, 69.44

 

CMYK 43 / 0 / 98 / 29

HEX #67B504

RGB 103 181 4

HSL 86.44, 0.96%, 0.36%

LAB 66.47, -47.85, 66.58

 

CMYK 47 / 0 / 100 / 36

HEX #56A300

RGB 86 163 0

HSL 88.34, 1%, 0.32%

LAB 60.04, -46.43, 61.73

 

CMYK 34 / 0 / 74 / 8

HEX #9AEB3D

RGB 154 235 61

HSL 87.93, 0.81%, 0.58%

LAB 85.31, -50.27, 71.47

 

CMYK 46 / 0 / 74 / 8

HEX #7FEA3D

RGB 127 234 61

HSL 97.11, 0.8%, 0.58%

LAB 83.81, -58.6, 69.59

 

CMYK 58 / 0 / 74 / 8

HEX #62EA3D

RGB 98 234 61

HSL 107.17, 0.8%, 0.58%

LAB 82.8, -66.43, 68.25

 

CMYK 71 / 0 / 74 / 8

HEX #45EA3D

RGB 69 234 61

HSL 117.23, 0.8%, 0.58%

LAB 82.08, -72.34, 67.31

 

CMYK 74 / 0 / 65 / 8

HEX #3DEA51

RGB 61 234 81

HSL 126.94, 0.8%, 0.58%

LAB 82.07, -71.9, 59.9

 

CMYK 34 / 0 / 74 / 8

HEX #9AEB3D

RGB 154 235 61

HSL 87.93, 0.81%, 0.58%

LAB 85.31, -50.27, 71.47

 

CMYK 35 / 0 / 74 / 88

HEX #141F08

RGB 20 31 8

HSL 88.7, 0.59%, 0.08%

LAB 10.15, -10.08, 11.68

 

CMYK 34 / 0 / 74 / 68

HEX #365215

RGB 54 82 21

HSL 87.54, 0.59%, 0.2%

LAB 31.52, -21.63, 31.07

 

CMYK 35 / 0 / 74 / 48

HEX #578523

RGB 87 133 35

HSL 88.16, 0.58%, 0.33%

LAB 50.6, -31.96, 45.28

 

CMYK 34 / 0 / 74 / 28

HEX #79B830

RGB 121 184 48

HSL 87.79, 0.59%, 0.45%

LAB 68.43, -41.2, 58.8

 

CMYK 34 / 0 / 74 / 8

HEX #9AEB3D

RGB 154 235 61

HSL 87.93, 0.81%, 0.58%

LAB 85.31, -50.27, 71.47

 

CMYK 74 / 0 / 26 / 8

HEX #3DEAAD

RGB 61 234 173

HSL 158.84, 0.8%, 0.58%

LAB 83.37, -57.11, 17.41

 

CMYK 0 / 74 / 4 / 8

HEX #EA3DE1

RGB 234 61 225

HSL 303.12, 0.8%, 0.58%

LAB 58.29, 81.23, -47.53

 

CMYK 34 / 0 / 74 / 8

HEX #9AEB3D

RGB 154 235 61

HSL 87.93, 0.81%, 0.58%

LAB 85.31, -50.27, 71.47

 

CMYK 74 / 33 / 0 / 8

HEX #3D9CEA

RGB 61 156 234

HSL 207.05, 0.8%, 0.58%

LAB 62.26, -2.03, -47.22

 

CMYK 0 / 74 / 33 / 8

HEX #EA3D9C

RGB 234 61 156

HSL 327.05, 0.8%, 0.58%

LAB 55.31, 72.26, -12.4

 

CMYK 34 / 0 / 74 / 8

HEX #9AEB3D

RGB 154 235 61

HSL 87.93, 0.81%, 0.58%

LAB 85.31, -50.27, 71.47

 

CMYK 74 / 0 / 26 / 8

HEX #3DEAAD

RGB 61 234 173

HSL 158.84, 0.8%, 0.58%

LAB 83.37, -57.11, 17.41

 

CMYK 41 / 74 / 0 / 8

HEX #8B3DEA

RGB 139 61 234

HSL 267.05, 0.8%, 0.58%

LAB 45.31, 65.08, -74.2

 

CMYK 0 / 74 / 48 / 8

HEX #EA3D79

RGB 234 61 121

HSL 339.19, 0.8%, 0.58%

LAB 54.25, 68.91, 6.83

 

CMYK 34 / 0 / 74 / 8

HEX #9AEB3D

RGB 154 235 61

HSL 87.93, 0.81%, 0.58%

LAB 85.31, -50.27, 71.47

 

CMYK 74 / 0 / 4 / 8

HEX #3DEAE1

RGB 61 234 225

HSL 176.88, 0.8%, 0.58%

LAB 84.62, -44.21, -8.07

 

CMYK 41 / 74 / 0 / 8

HEX #8B3DEA

RGB 139 61 234

HSL 267.05, 0.8%, 0.58%

LAB 45.31, 65.08, -74.2

 

CMYK 0 / 74 / 71 / 8

HEX #EA3D45

RGB 234 61 69

HSL 357.23, 0.8%, 0.58%

LAB 53.23, 65.59, 36.3

 

Description

Color code: HEX #9AEB3D | qconv.com Color code: HEX #9AEB3D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 235 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 235 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 74 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 74% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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