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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9ADD41 it is the complementary color #6522BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9ADD41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9ADD41 shade: #9FDD3C, #B0EF4F, #C1FF62, #D2FF75 and #E3FF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9ADD41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9ADD41 shade: #9ADD41, #89CB2E, #78B91B, #67A708 and #569500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9ADD41 shade: #9ADD40, #C4DD40, #DDCC40, #DDA240 and #DD7740

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9ADD41 shade: #9ADD40, #70DD40, #45DD40, #40DD66 and #40DD90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9ADD41 shade matches the following richer shades: #9ADD40 and #9CEF2E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9ADD41 shade: #9ADD40, #97CB52, #95B965, #92A777 and #909589

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9ADD41 shade: #DDCB40, #C6DD40, #9CDD40, #72DD40 and #48DD40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9ADD41 shade: #70AD1E, #86D025, #9ADD40, #ACE463 and #BFEA86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9ADD41 shade: #9ADD41, #40DDA1 and #DD40DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9ADD41 shade: #9ADD41, #409CDD and #DD409C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9ADD41 shade: #9ADD41, #40DDA1, #8240DD and #DD407C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9ADD41 shade: #9ADD41, #40DDD0, #8240DD and #DD404D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 71 / 13

HEX #9ADD41

RGB 154 221 65

HSL 85.77, 0.7%, 0.56%

LAB 81.27, -44.15, 66.13

 

Complementary color

CMYK 47 / 82 / 0 / 25

HEX #6522BE

RGB 101 34 190

HSL 265.77, 0.7%, 0.44%

LAB 33.2, 59.54, -68.84

 

CMYK 28 / 0 / 73 / 13

HEX #9FDD3C

RGB 159 221 60

HSL 83.11, 0.7%, 0.55%

LAB 81.52, -42.63, 68.2

 

CMYK 26 / 0 / 67 / 6

HEX #B0EF4F

RGB 176 239 79

HSL 83.63, 0.83%, 0.62%

LAB 87.74, -43.04, 67.97

 

CMYK 24 / 0 / 62 / 0

HEX #C1FF62

RGB 193 255 98

HSL 83.69, 1%, 0.69%

LAB 93.34, -42.47, 66.77

 

CMYK 18 / 0 / 54 / 0

HEX #D2FF75

RGB 210 255 117

HSL 79.57, 1%, 0.73%

LAB 94.53, -34.66, 60.32

 

CMYK 11 / 0 / 47 / 0

HEX #E3FF88

RGB 227 255 136

HSL 74.12, 1%, 0.77%

LAB 95.84, -26.53, 53.51

 

CMYK 30 / 0 / 71 / 13

HEX #9ADD41

RGB 154 221 65

HSL 85.77, 0.7%, 0.56%

LAB 81.27, -44.15, 66.13

 

CMYK 33 / 0 / 77 / 20

HEX #89CB2E

RGB 137 203 46

HSL 85.22, 0.63%, 0.49%

LAB 74.97, -43.67, 66.01

 

CMYK 35 / 0 / 85 / 27

HEX #78B91B

RGB 120 185 27

HSL 84.68, 0.75%, 0.42%

LAB 68.58, -42.98, 65.01

 

CMYK 38 / 0 / 95 / 35

HEX #67A708

RGB 103 167 8

HSL 84.15, 0.91%, 0.34%

LAB 62.12, -42.03, 62.59

 

CMYK 42 / 0 / 100 / 42

HEX #569500

RGB 86 149 0

HSL 85.37, 1%, 0.29%

LAB 55.56, -40.75, 58.23

 

CMYK 30 / 0 / 71 / 13

HEX #9ADD40

RGB 154 221 64

HSL 85.61, 0.7%, 0.56%

LAB 81.27, -44.22, 66.48

 

CMYK 11 / 0 / 71 / 13

HEX #C4DD40

RGB 196 221 64

HSL 69.55, 0.7%, 0.56%

LAB 83.87, -28.08, 69.92

 

CMYK 0 / 8 / 71 / 13

HEX #DDCC40

RGB 221 204 64

HSL 53.5, 0.7%, 0.56%

LAB 81.25, -9.37, 68.03

 

CMYK 0 / 27 / 71 / 13

HEX #DDA240

RGB 221 162 64

HSL 37.45, 0.7%, 0.56%

LAB 70.58, 12.6, 57.35

 

CMYK 0 / 46 / 71 / 13

HEX #DD7740

RGB 221 119 64

HSL 21.02, 0.7%, 0.56%

LAB 60.73, 35.49, 46.92

 

CMYK 30 / 0 / 71 / 13

HEX #9ADD40

RGB 154 221 64

HSL 85.61, 0.7%, 0.56%

LAB 81.27, -44.22, 66.48

 

CMYK 49 / 0 / 71 / 13

HEX #70DD40

RGB 112 221 64

HSL 101.66, 0.7%, 0.56%

LAB 79.34, -57.91, 63.91

 

CMYK 69 / 0 / 71 / 13

HEX #45DD40

RGB 69 221 64

HSL 118.09, 0.7%, 0.56%

LAB 78.08, -68, 62.22

 

CMYK 71 / 0 / 54 / 13

HEX #40DD66

RGB 64 221 102

HSL 134.52, 0.7%, 0.56%

LAB 78.32, -64.74, 46.44

 

CMYK 71 / 0 / 35 / 13

HEX #40DD90

RGB 64 221 144

HSL 150.57, 0.7%, 0.56%

LAB 78.94, -57.77, 26.38

 

CMYK 30 / 0 / 71 / 13

HEX #9ADD40

RGB 154 221 64

HSL 85.61, 0.7%, 0.56%

LAB 81.27, -44.22, 66.48

 

CMYK 35 / 0 / 81 / 6

HEX #9CEF2E

RGB 156 239 46

HSL 85.8, 0.86%, 0.56%

LAB 86.5, -51.92, 76.93

 

CMYK 30 / 0 / 71 / 13

HEX #9ADD40

RGB 154 221 64

HSL 85.61, 0.7%, 0.56%

LAB 81.27, -44.22, 66.48

 

CMYK 26 / 0 / 60 / 20

HEX #97CB52

RGB 151 203 82

HSL 85.79, 0.54%, 0.56%

LAB 76.01, -36.03, 53.68

 

CMYK 19 / 0 / 45 / 27

HEX #95B965

RGB 149 185 101

HSL 85.71, 0.38%, 0.56%

LAB 70.89, -26.35, 38.57

 

CMYK 13 / 0 / 29 / 35

HEX #92A777

RGB 146 167 119

HSL 86.25, 0.21%, 0.56%

LAB 65.81, -16.02, 22.47

 

CMYK 3 / 0 / 8 / 42

HEX #909589

RGB 144 149 137

HSL 85, 0.05%, 0.56%

LAB 60.98, -4.1, 5.7

 

CMYK 0 / 8 / 71 / 13

HEX #DDCB40

RGB 221 203 64

HSL 53.12, 0.7%, 0.56%

LAB 80.99, -8.86, 67.77

 

CMYK 10 / 0 / 71 / 13

HEX #C6DD40

RGB 198 221 64

HSL 68.79, 0.7%, 0.56%

LAB 84.01, -27.27, 70.11

 

CMYK 29 / 0 / 71 / 13

HEX #9CDD40

RGB 156 221 64

HSL 84.84, 0.7%, 0.56%

LAB 81.37, -43.49, 66.62

 

CMYK 48 / 0 / 71 / 13

HEX #72DD40

RGB 114 221 64

HSL 100.89, 0.7%, 0.56%

LAB 79.42, -57.33, 64.01

 

CMYK 67 / 0 / 71 / 13

HEX #48DD40

RGB 72 221 64

HSL 116.94, 0.7%, 0.56%

LAB 78.15, -67.45, 62.3

 

CMYK 35 / 0 / 83 / 32

HEX #70AD1E

RGB 112 173 30

HSL 85.59, 0.7%, 0.4%

LAB 64.5, -40.66, 60.52

 

CMYK 36 / 0 / 82 / 18

HEX #86D025

RGB 134 208 37

HSL 85.96, 0.7%, 0.48%

LAB 76.26, -47.25, 69.63

 

CMYK 30 / 0 / 71 / 13

HEX #9ADD40

RGB 154 221 64

HSL 85.61, 0.7%, 0.56%

LAB 81.27, -44.22, 66.48

 

CMYK 25 / 0 / 57 / 11

HEX #ACE463

RGB 172 228 99

HSL 86.05, 0.7%, 0.64%

LAB 84.57, -38.06, 56.2

 

CMYK 18 / 0 / 43 / 8

HEX #BFEA86

RGB 191 234 134

HSL 85.8, 0.7%, 0.72%

LAB 87.8, -30.21, 43.98

 

CMYK 30 / 0 / 71 / 13

HEX #9ADD41

RGB 154 221 65

HSL 85.77, 0.7%, 0.56%

LAB 81.27, -44.15, 66.13

 

CMYK 71 / 0 / 27 / 13

HEX #40DDA1

RGB 64 221 161

HSL 157.07, 0.7%, 0.56%

LAB 79.26, -54.26, 17.97

 

CMYK 0 / 71 / 1 / 13

HEX #DD40DB

RGB 221 64 219

HSL 300.76, 0.7%, 0.56%

LAB 56.24, 76.69, -47.51

 

CMYK 30 / 0 / 71 / 13

HEX #9ADD41

RGB 154 221 65

HSL 85.77, 0.7%, 0.56%

LAB 81.27, -44.15, 66.13

 

CMYK 71 / 29 / 0 / 13

HEX #409CDD

RGB 64 156 221

HSL 204.84, 0.7%, 0.56%

LAB 61.73, -6.14, -40.86

 

CMYK 0 / 71 / 29 / 13

HEX #DD409C

RGB 221 64 156

HSL 324.84, 0.7%, 0.56%

LAB 53.43, 67.96, -15.46

 

CMYK 30 / 0 / 71 / 13

HEX #9ADD41

RGB 154 221 65

HSL 85.77, 0.7%, 0.56%

LAB 81.27, -44.15, 66.13

 

CMYK 71 / 0 / 27 / 13

HEX #40DDA1

RGB 64 221 161

HSL 157.07, 0.7%, 0.56%

LAB 79.26, -54.26, 17.97

 

CMYK 41 / 71 / 0 / 13

HEX #8240DD

RGB 130 64 221

HSL 265.22, 0.7%, 0.56%

LAB 43.7, 59.09, -69.49

 

CMYK 0 / 71 / 44 / 13

HEX #DD407C

RGB 221 64 124

HSL 337.07, 0.7%, 0.56%

LAB 52.39, 64.58, 2.06

 

CMYK 30 / 0 / 71 / 13

HEX #9ADD41

RGB 154 221 65

HSL 85.77, 0.7%, 0.56%

LAB 81.27, -44.15, 66.13

 

CMYK 71 / 0 / 6 / 13

HEX #40DDD0

RGB 64 221 208

HSL 175.03, 0.7%, 0.56%

LAB 80.38, -42.76, -5.34

 

CMYK 41 / 71 / 0 / 13

HEX #8240DD

RGB 130 64 221

HSL 265.22, 0.7%, 0.56%

LAB 43.7, 59.09, -69.49

 

CMYK 0 / 71 / 65 / 13

HEX #DD404D

RGB 221 64 77

HSL 355.03, 0.7%, 0.56%

LAB 51.35, 61.08, 28.81

 

Description

Color code: HEX #9ADD41 | qconv.com Color code: HEX #9ADD41 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 221 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 221 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 71 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 71% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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