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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72DD40 it is the complementary color #8D22BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72DD40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72DD40 shade: #77DD3B, #88EF4E, #99FF61, #AAFF74 and #BBFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72DD40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72DD40 shade: #72DD40, #61CB2D, #50B91A, #3FA707 and #2E9500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72DD40 shade: #72DD40, #9DDD40, #C7DD40, #DDC940 and #DD9F40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72DD40 shade: #72DD40, #48DD40, #40DD63, #40DD8D and #40DDB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72DD40 shade matches the following richer shades: #72DD40 and #6CEF2E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72DD40 shade: #72DD40, #79CB52, #7FB965, #86A777 and #8D9589

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72DD40 shade: #C8DD40, #9FDD40, #75DD40, #4BDD40 and #40DD60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72DD40 shade: #4CAD1E, #5BD025, #72DD40, #8CE463 and #A6EA86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72DD40 shade: #72DD40, #40DDC8 and #DD40B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72DD40 shade: #72DD40, #4075DD and #DD4075

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72DD40 shade: #72DD40, #40DDC8, #A940DD and #DD4055

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72DD40 shade: #72DD40, #40C3DD, #A940DD and #DD5A40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 71 / 13

HEX #72DD40

RGB 114 221 64

HSL 100.89, 0.7%, 0.56%

LAB 79.42, -57.33, 64.01

 

Complementary color

CMYK 26 / 82 / 0 / 25

HEX #8D22BF

RGB 141 34 191

HSL 280.89, 0.7%, 0.44%

LAB 38.84, 65.69, -59.97

 

CMYK 46 / 0 / 73 / 13

HEX #77DD3B

RGB 119 221 59

HSL 97.78, 0.7%, 0.55%

LAB 79.59, -56.19, 65.99

 

CMYK 43 / 0 / 67 / 6

HEX #88EF4E

RGB 136 239 78

HSL 98.39, 0.83%, 0.62%

LAB 85.76, -56.61, 65.68

 

CMYK 40 / 0 / 62 / 0

HEX #99FF61

RGB 153 255 97

HSL 98.73, 1%, 0.69%

LAB 91.3, -56.07, 64.37

 

CMYK 33 / 0 / 55 / 0

HEX #AAFF74

RGB 170 255 116

HSL 96.69, 1%, 0.73%

LAB 92.28, -48.82, 57.57

 

CMYK 27 / 0 / 47 / 0

HEX #BBFF87

RGB 187 255 135

HSL 94, 1%, 0.76%

LAB 93.38, -41.05, 50.41

 

CMYK 48 / 0 / 71 / 13

HEX #72DD40

RGB 114 221 64

HSL 100.89, 0.7%, 0.56%

LAB 79.42, -57.33, 64.01

 

CMYK 52 / 0 / 78 / 20

HEX #61CB2D

RGB 97 203 45

HSL 100.25, 0.64%, 0.49%

LAB 73.18, -56.7, 64

 

CMYK 57 / 0 / 86 / 27

HEX #50B91A

RGB 80 185 26

HSL 99.62, 0.75%, 0.41%

LAB 66.88, -55.74, 63.09

 

CMYK 62 / 0 / 96 / 35

HEX #3FA707

RGB 63 167 7

HSL 99, 0.92%, 0.34%

LAB 60.52, -54.31, 60.78

 

CMYK 69 / 0 / 100 / 42

HEX #2E9500

RGB 46 149 0

HSL 101.48, 1%, 0.29%

LAB 54.11, -52.23, 56.47

 

CMYK 48 / 0 / 71 / 13

HEX #72DD40

RGB 114 221 64

HSL 100.89, 0.7%, 0.56%

LAB 79.42, -57.33, 64.01

 

CMYK 29 / 0 / 71 / 13

HEX #9DDD40

RGB 157 221 64

HSL 84.46, 0.7%, 0.56%

LAB 81.43, -43.13, 66.69

 

CMYK 10 / 0 / 71 / 13

HEX #C7DD40

RGB 199 221 64

HSL 68.41, 0.7%, 0.56%

LAB 84.08, -26.86, 70.2

 

CMYK 0 / 9 / 71 / 13

HEX #DDC940

RGB 221 201 64

HSL 52.36, 0.7%, 0.56%

LAB 80.47, -7.84, 67.26

 

CMYK 0 / 28 / 71 / 13

HEX #DD9F40

RGB 221 159 64

HSL 36.31, 0.7%, 0.56%

LAB 69.85, 14.21, 56.59

 

CMYK 48 / 0 / 71 / 13

HEX #72DD40

RGB 114 221 64

HSL 100.89, 0.7%, 0.56%

LAB 79.42, -57.33, 64.01

 

CMYK 67 / 0 / 71 / 13

HEX #48DD40

RGB 72 221 64

HSL 116.94, 0.7%, 0.56%

LAB 78.15, -67.45, 62.3

 

CMYK 71 / 0 / 55 / 13

HEX #40DD63

RGB 64 221 99

HSL 133.38, 0.7%, 0.56%

LAB 78.29, -65.14, 47.79

 

CMYK 71 / 0 / 36 / 13

HEX #40DD8D

RGB 64 221 141

HSL 149.43, 0.7%, 0.56%

LAB 78.88, -58.35, 27.86

 

CMYK 71 / 0 / 17 / 13

HEX #40DDB8

RGB 64 221 184

HSL 165.86, 0.7%, 0.56%

LAB 79.76, -48.94, 6.53

 

CMYK 48 / 0 / 71 / 13

HEX #72DD40

RGB 114 221 64

HSL 100.89, 0.7%, 0.56%

LAB 79.42, -57.33, 64.01

 

CMYK 55 / 0 / 81 / 6

HEX #6CEF2E

RGB 108 239 46

HSL 100.73, 0.86%, 0.56%

LAB 84.54, -66.52, 74.43

 

CMYK 48 / 0 / 71 / 13

HEX #72DD40

RGB 114 221 64

HSL 100.89, 0.7%, 0.56%

LAB 79.42, -57.33, 64.01

 

CMYK 40 / 0 / 60 / 20

HEX #79CB52

RGB 121 203 82

HSL 100.66, 0.54%, 0.56%

LAB 74.44, -46.51, 51.48

 

CMYK 31 / 0 / 45 / 27

HEX #7FB965

RGB 127 185 101

HSL 101.43, 0.38%, 0.56%

LAB 69.58, -34.39, 36.65

 

CMYK 20 / 0 / 29 / 35

HEX #86A777

RGB 134 167 119

HSL 101.25, 0.21%, 0.56%

LAB 64.99, -20.5, 21.22

 

CMYK 5 / 0 / 8 / 42

HEX #8D9589

RGB 141 149 137

HSL 100, 0.05%, 0.56%

LAB 60.75, -5.22, 5.33

 

CMYK 10 / 0 / 71 / 13

HEX #C8DD40

RGB 200 221 64

HSL 68.03, 0.7%, 0.56%

LAB 84.15, -26.46, 70.3

 

CMYK 28 / 0 / 71 / 13

HEX #9FDD40

RGB 159 221 64

HSL 83.69, 0.7%, 0.56%

LAB 81.54, -42.4, 66.84

 

CMYK 47 / 0 / 71 / 13

HEX #75DD40

RGB 117 221 64

HSL 99.75, 0.7%, 0.56%

LAB 79.54, -56.45, 64.17

 

CMYK 66 / 0 / 71 / 13

HEX #4BDD40

RGB 75 221 64

HSL 115.8, 0.7%, 0.56%

LAB 78.22, -66.87, 62.4

 

CMYK 71 / 0 / 57 / 13

HEX #40DD60

RGB 64 221 96

HSL 132.23, 0.7%, 0.56%

LAB 78.26, -65.53, 49.13

 

CMYK 56 / 0 / 83 / 32

HEX #4CAD1E

RGB 76 173 30

HSL 100.7, 0.7%, 0.4%

LAB 62.94, -52.3, 58.53

 

CMYK 56 / 0 / 82 / 18

HEX #5BD025

RGB 91 208 37

HSL 101.05, 0.7%, 0.48%

LAB 74.49, -60.53, 67.38

 

CMYK 48 / 0 / 71 / 13

HEX #72DD40

RGB 114 221 64

HSL 100.89, 0.7%, 0.56%

LAB 79.42, -57.33, 64.01

 

CMYK 39 / 0 / 57 / 11

HEX #8CE463

RGB 140 228 99

HSL 100.93, 0.7%, 0.64%

LAB 82.89, -49.06, 53.84

 

CMYK 29 / 0 / 43 / 8

HEX #A6EA86

RGB 166 234 134

HSL 100.8, 0.7%, 0.72%

LAB 86.34, -38.98, 41.83

 

CMYK 48 / 0 / 71 / 13

HEX #72DD40

RGB 114 221 64

HSL 100.89, 0.7%, 0.56%

LAB 79.42, -57.33, 64.01

 

CMYK 71 / 0 / 10 / 13

HEX #40DDC8

RGB 64 221 200

HSL 171.97, 0.7%, 0.56%

LAB 80.16, -44.88, -1.4

 

CMYK 0 / 71 / 19 / 13

HEX #DD40B3

RGB 221 64 179

HSL 316.05, 0.7%, 0.56%

LAB 54.34, 70.86, -27.54

 

CMYK 48 / 0 / 71 / 13

HEX #72DD40

RGB 114 221 64

HSL 100.89, 0.7%, 0.56%

LAB 79.42, -57.33, 64.01

 

CMYK 71 / 47 / 0 / 13

HEX #4075DD

RGB 64 117 221

HSL 219.75, 0.7%, 0.56%

LAB 50.73, 17.17, -58.34

 

CMYK 0 / 71 / 47 / 13

HEX #DD4075

RGB 221 64 117

HSL 339.75, 0.7%, 0.56%

LAB 52.2, 63.95, 5.99

 

CMYK 48 / 0 / 71 / 13

HEX #72DD40

RGB 114 221 64

HSL 100.89, 0.7%, 0.56%

LAB 79.42, -57.33, 64.01

 

CMYK 71 / 0 / 10 / 13

HEX #40DDC8

RGB 64 221 200

HSL 171.97, 0.7%, 0.56%

LAB 80.16, -44.88, -1.4

 

CMYK 24 / 71 / 0 / 13

HEX #A940DD

RGB 169 64 221

HSL 280.13, 0.7%, 0.56%

LAB 48.66, 66.36, -61.21

 

CMYK 0 / 71 / 62 / 13

HEX #DD4055

RGB 221 64 85

HSL 351.97, 0.7%, 0.56%

LAB 51.49, 61.55, 24.24

 

CMYK 48 / 0 / 71 / 13

HEX #72DD40

RGB 114 221 64

HSL 100.89, 0.7%, 0.56%

LAB 79.42, -57.33, 64.01

 

CMYK 71 / 12 / 0 / 13

HEX #40C3DD

RGB 64 195 221

HSL 189.94, 0.7%, 0.56%

LAB 73.12, -26.83, -23.24

 

CMYK 24 / 71 / 0 / 13

HEX #A940DD

RGB 169 64 221

HSL 280.13, 0.7%, 0.56%

LAB 48.66, 66.36, -61.21

 

CMYK 0 / 59 / 71 / 13

HEX #DD5A40

RGB 221 90 64

HSL 9.94, 0.7%, 0.56%

LAB 55.13, 49.74, 40.7

 

Description

Color code: HEX #72DD40 | qconv.com Color code: HEX #72DD40 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 221 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 221 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 71 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 71% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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