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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AC68E it is the complementary color #653971. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AC68E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9AC68E: #9FC689, #B0D89C, #C1EAAF, #D2FCC2 and #E3FFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AC68E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9AC68E: #9AC68E, #89B47B, #78A268, #679055 and #567E42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 28 / 22

HEX #9AC68E

RGB 154 198 142

HSL 107.14, 0.33%, 0.67%

LAB 75.58, -25.11, 23.47

 

Complementary color

CMYK 11 / 50 / 0 / 56

HEX #653971

RGB 101 57 113

HSL 287.14, 0.33%, 0.33%

LAB 31.54, 29.61, -24.51

 

CMYK 20 / 0 / 31 / 22

HEX #9FC689

RGB 159 198 137

HSL 98.36, 0.35%, 0.66%

LAB 75.8, -24.13, 26.46

 

CMYK 19 / 0 / 28 / 15

HEX #B0D89C

RGB 176 216 156

HSL 100, 0.43%, 0.73%

LAB 82.24, -24, 25.4

 

CMYK 18 / 0 / 25 / 8

HEX #C1EAAF

RGB 193 234 175

HSL 101.69, 0.58%, 0.8%

LAB 88.58, -23.89, 24.4

 

CMYK 17 / 0 / 23 / 1

HEX #D2FCC2

RGB 210 252 194

HSL 103.45, 0.91%, 0.87%

LAB 94.83, -23.78, 23.44

 

CMYK 11 / 0 / 16 / 0

HEX #E3FFD5

RGB 227 255 213

HSL 100, 1%, 0.92%

LAB 97.09, -16.45, 17.06

 

CMYK 22 / 0 / 28 / 22

HEX #9AC68E

RGB 154 198 142

HSL 107.14, 0.33%, 0.67%

LAB 75.58, -25.11, 23.47

 

CMYK 24 / 0 / 32 / 29

HEX #89B47B

RGB 137 180 123

HSL 105.26, 0.28%, 0.59%

LAB 69.03, -25.29, 24.55

 

CMYK 26 / 0 / 36 / 36

HEX #78A268

RGB 120 162 104

HSL 103.45, 0.24%, 0.52%

LAB 62.37, -25.47, 25.7

 

CMYK 28 / 0 / 41 / 44

HEX #679055

RGB 103 144 85

HSL 101.69, 0.26%, 0.45%

LAB 55.57, -25.64, 26.92

 

CMYK 32 / 0 / 48 / 51

HEX #567E42

RGB 86 126 66

HSL 100, 0.31%, 0.38%

LAB 48.63, -25.79, 28.2

 

CMYK 22 / 0 / 28 / 22

HEX #9AC68E

RGB 154 198 142

HSL 107.14, 0.33%, 0.67%

LAB 75.58, -25.11, 23.47

 

CMYK 27 / 0 / 28 / 22

HEX #91C68F

RGB 145 198 143

HSL 117.82, 0.33%, 0.67%

LAB 75.07, -28.03, 22.15

 

CMYK 28 / 0 / 25 / 22

HEX #8FC695

RGB 143 198 149

HSL 126.55, 0.33%, 0.67%

LAB 75.08, -27.66, 18.95

 

CMYK 28 / 0 / 20 / 22

HEX #8FC69E

RGB 143 198 158

HSL 136.36, 0.33%, 0.67%

LAB 75.26, -26.02, 14.4

 

CMYK 28 / 0 / 15 / 22

HEX #8FC6A8

RGB 143 198 168

HSL 147.27, 0.33%, 0.67%

LAB 75.49, -24.1, 9.33

 

CMYK 22 / 0 / 28 / 22

HEX #9AC68E

RGB 154 198 142

HSL 107.14, 0.33%, 0.67%

LAB 75.58, -25.11, 23.47

 

CMYK 22 / 0 / 28 / 2

HEX #C2F9B3

RGB 194 249 179

HSL 107.14, 0.85%, 0.84%

LAB 92.78, -30.06, 28.1

 

CMYK 22 / 0 / 29 / 82

HEX #232D20

RGB 35 45 32

HSL 106.15, 0.17%, 0.15%

LAB 17.17, -7.47, 7.03

 

CMYK 22 / 0 / 28 / 62

HEX #4B6045

RGB 75 96 69

HSL 106.67, 0.16%, 0.32%

LAB 38.36, -13.75, 12.9

 

CMYK 22 / 0 / 29 / 42

HEX #729369

RGB 114 147 105

HSL 107.14, 0.17%, 0.49%

LAB 57.53, -19.91, 18.59

 

CMYK 22 / 0 / 28 / 22

HEX #9AC68E

RGB 154 198 142

HSL 107.14, 0.33%, 0.67%

LAB 75.58, -25.11, 23.47

 

CMYK 28 / 0 / 1 / 22

HEX #8FC6C5

RGB 143 198 197

HSL 178.91, 0.33%, 0.67%

LAB 76.23, -17.91, -5.26

 

CMYK 0 / 28 / 11 / 22

HEX #C68FB1

RGB 198 143 177

HSL 322.91, 0.33%, 0.67%

LAB 65.61, 26.16, -9.53

 

CMYK 22 / 0 / 28 / 22

HEX #9AC68E

RGB 154 198 142

HSL 107.14, 0.33%, 0.67%

LAB 75.58, -25.11, 23.47

 

CMYK 28 / 22 / 0 / 22

HEX #8F9BC6

RGB 143 155 198

HSL 226.91, 0.33%, 0.67%

LAB 64.45, 5.51, -23.52

 

CMYK 0 / 28 / 22 / 22

HEX #C68F9B

RGB 198 143 155

HSL 346.91, 0.33%, 0.67%

LAB 64.98, 22.6, 1.94

 

CMYK 22 / 0 / 28 / 22

HEX #9AC68E

RGB 154 198 142

HSL 107.14, 0.33%, 0.67%

LAB 75.58, -25.11, 23.47

 

CMYK 28 / 0 / 1 / 22

HEX #8FC6C5

RGB 143 198 197

HSL 178.91, 0.33%, 0.67%

LAB 76.23, -17.91, -5.26

 

CMYK 6 / 28 / 0 / 22

HEX #BA8FC6

RGB 186 143 198

HSL 286.91, 0.33%, 0.67%

LAB 65.09, 25.99, -22.22

 

CMYK 0 / 28 / 27 / 22

HEX #C68F90

RGB 198 143 144

HSL 358.91, 0.33%, 0.67%

LAB 64.7, 20.99, 7.74

 

CMYK 22 / 0 / 28 / 22

HEX #9AC68E

RGB 154 198 142

HSL 107.14, 0.33%, 0.67%

LAB 75.58, -25.11, 23.47

 

CMYK 28 / 8 / 0 / 22

HEX #8FB6C6

RGB 143 182 198

HSL 197.45, 0.33%, 0.67%

LAB 71.81, -9.34, -12.38

 

CMYK 6 / 28 / 0 / 22

HEX #BA8FC6

RGB 186 143 198

HSL 286.91, 0.33%, 0.67%

LAB 65.09, 25.99, -22.22

 

CMYK 0 / 20 / 28 / 22

HEX #C69E8F

RGB 198 158 143

HSL 16.36, 0.33%, 0.67%

LAB 68.35, 12.61, 13.47

 

Description

Color code: HEX #9AC68E | qconv.com Color code: HEX #9AC68E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 198 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 198 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 28 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 28% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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