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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A77BF it is the complementary color #658840. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A77BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9A77BF: #9F77BA, #B089CD, #C19BE0, #D2ADF3 and #E3BFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A77BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9A77BF: #9A77BF, #8965AC, #785399, #674186 and #562F73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 38 / 0 / 25

HEX #9A77BF

RGB 154 119 191

HSL 269.17, 0.36%, 0.61%

LAB 55.91, 27.9, -32.69

 

Complementary color

CMYK 26 / 0 / 53 / 47

HEX #658840

RGB 101 136 64

HSL 89.17, 0.36%, 0.39%

LAB 52.67, -25.21, 34.42

 

CMYK 15 / 36 / 0 / 27

HEX #9F77BA

RGB 159 119 186

HSL 275.82, 0.33%, 0.6%

LAB 56.2, 28.32, -29.35

 

CMYK 14 / 33 / 0 / 20

HEX #B089CD

RGB 176 137 205

HSL 274.41, 0.4%, 0.67%

LAB 62.95, 27.61, -29.51

 

CMYK 14 / 31 / 0 / 12

HEX #C19BE0

RGB 193 155 224

HSL 273.04, 0.53%, 0.74%

LAB 69.58, 26.96, -29.69

 

CMYK 14 / 29 / 0 / 5

HEX #D2ADF3

RGB 210 173 243

HSL 271.71, 0.74%, 0.82%

LAB 76.11, 26.36, -29.87

 

CMYK 11 / 25 / 0 / 0

HEX #E3BFFF

RGB 227 191 255

HSL 273.75, 1%, 0.87%

LAB 82.28, 24.37, -26.72

 

CMYK 19 / 38 / 0 / 25

HEX #9A77BF

RGB 154 119 191

HSL 269.17, 0.36%, 0.61%

LAB 55.91, 27.9, -32.69

 

CMYK 20 / 41 / 0 / 33

HEX #8965AC

RGB 137 101 172

HSL 270.42, 0.3%, 0.54%

LAB 49.01, 28.69, -32.62

 

CMYK 22 / 46 / 0 / 40

HEX #785399

RGB 120 83 153

HSL 271.71, 0.3%, 0.46%

LAB 41.97, 29.56, -32.57

 

CMYK 23 / 51 / 0 / 47

HEX #674186

RGB 103 65 134

HSL 273.04, 0.35%, 0.39%

LAB 34.77, 30.49, -32.52

 

CMYK 25 / 59 / 0 / 55

HEX #562F73

RGB 86 47 115

HSL 274.41, 0.42%, 0.32%

LAB 27.43, 31.44, -32.41

 

CMYK 19 / 38 / 0 / 25

HEX #9A77BF

RGB 154 119 191

HSL 269.17, 0.36%, 0.61%

LAB 55.91, 27.9, -32.69

 

CMYK 13 / 38 / 0 / 25

HEX #A677BF

RGB 166 119 191

HSL 279.17, 0.36%, 0.61%

LAB 57.14, 31.6, -30.69

 

CMYK 7 / 38 / 0 / 25

HEX #B277BF

RGB 178 119 191

HSL 289.17, 0.36%, 0.61%

LAB 58.43, 35.35, -28.57

 

CMYK 1 / 38 / 0 / 25

HEX #BE77BF

RGB 190 119 191

HSL 299.17, 0.36%, 0.61%

LAB 59.8, 39.13, -26.35

 

CMYK 0 / 38 / 6 / 25

HEX #BF77B4

RGB 191 119 180

HSL 309.17, 0.36%, 0.61%

LAB 59.49, 37.43, -20.54

 

CMYK 19 / 38 / 0 / 25

HEX #9A77BF

RGB 154 119 191

HSL 269.17, 0.36%, 0.61%

LAB 55.91, 27.9, -32.69

 

CMYK 19 / 38 / 0 / 5

HEX #C397F2

RGB 195 151 242

HSL 269.01, 0.78%, 0.77%

LAB 69.57, 33.69, -39.56

 

CMYK 18 / 37 / 0 / 85

HEX #1F1826

RGB 31 24 38

HSL 270, 0.23%, 0.12%

LAB 9.68, 7.08, -8.3

 

CMYK 19 / 38 / 0 / 65

HEX #483759

RGB 72 55 89

HSL 270, 0.24%, 0.28%

LAB 26.25, 15.21, -17.62

 

CMYK 19 / 38 / 0 / 45

HEX #71578C

RGB 113 87 140

HSL 269.43, 0.23%, 0.45%

LAB 41.56, 21.79, -25.43

 

CMYK 19 / 38 / 0 / 25

HEX #9A77BF

RGB 154 119 191

HSL 269.17, 0.36%, 0.61%

LAB 55.91, 27.9, -32.69

 

CMYK 0 / 38 / 26 / 25

HEX #BF778E

RGB 191 119 142

HSL 340.83, 0.36%, 0.61%

LAB 58.25, 31.26, -0.54

 

CMYK 38 / 0 / 35 / 25

HEX #77BF7D

RGB 119 191 125

HSL 125, 0.36%, 0.61%

LAB 71.33, -36.2, 26.39

 

CMYK 19 / 38 / 0 / 25

HEX #9A77BF

RGB 154 119 191

HSL 269.17, 0.36%, 0.61%

LAB 55.91, 27.9, -32.69

 

CMYK 0 / 19 / 38 / 25

HEX #BF9A77

RGB 191 154 119

HSL 29.17, 0.36%, 0.61%

LAB 66.15, 8.9, 23.59

 

CMYK 38 / 0 / 19 / 25

HEX #77BF9A

RGB 119 191 154

HSL 149.17, 0.36%, 0.61%

LAB 71.9, -30.8, 11.64

 

CMYK 19 / 38 / 0 / 25

HEX #9A77BF

RGB 154 119 191

HSL 269.17, 0.36%, 0.61%

LAB 55.91, 27.9, -32.69

 

CMYK 0 / 38 / 26 / 25

HEX #BF778E

RGB 191 119 142

HSL 340.83, 0.36%, 0.61%

LAB 58.25, 31.26, -0.54

 

CMYK 18 / 0 / 38 / 25

HEX #9CBF77

RGB 156 191 119

HSL 89.17, 0.36%, 0.61%

LAB 73.33, -24.37, 32.55

 

CMYK 38 / 0 / 12 / 25

HEX #77BFA8

RGB 119 191 168

HSL 160.83, 0.36%, 0.61%

LAB 72.24, -27.82, 4.51

 

CMYK 19 / 38 / 0 / 25

HEX #9A77BF

RGB 154 119 191

HSL 269.17, 0.36%, 0.61%

LAB 55.91, 27.9, -32.69

 

CMYK 0 / 38 / 37 / 25

HEX #BF7778

RGB 191 119 120

HSL 359.17, 0.36%, 0.61%

LAB 57.68, 28.33, 11.38

 

CMYK 18 / 0 / 38 / 25

HEX #9CBF77

RGB 156 191 119

HSL 89.17, 0.36%, 0.61%

LAB 73.33, -24.37, 32.55

 

CMYK 38 / 0 / 1 / 25

HEX #77BFBE

RGB 119 191 190

HSL 179.17, 0.36%, 0.61%

LAB 72.83, -22.68, -6.62

 

Description

Color code: HEX #9A77BF | qconv.com Color code: HEX #9A77BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 119 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 119 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 38 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 38% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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