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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A7465 it is the complementary color #658B9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A7465. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9A7465: #9F7460, #B08673, #C19886, #D2AA99 and #E3BCAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A7465. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9A7465: #9A7465, #896252, #78503F, #673E2C and #562C19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 34 / 40

HEX #9A7465

RGB 154 116 101

HSL 16.98, 0.21%, 0.5%

LAB 52.18, 12.77, 14.08

 

Complementary color

CMYK 34 / 10 / 0 / 40

HEX #658B9A

RGB 101 139 154

HSL 196.98, 0.21%, 0.5%

LAB 55.65, -9.31, -12.21

 

CMYK 0 / 27 / 40 / 38

HEX #9F7460

RGB 159 116 96

HSL 19.05, 0.25%, 0.5%

LAB 52.63, 14.21, 17.69

 

CMYK 0 / 24 / 35 / 31

HEX #B08673

RGB 176 134 115

HSL 18.69, 0.28%, 0.57%

LAB 59.45, 13.4, 16.45

 

CMYK 0 / 21 / 31 / 24

HEX #C19886

RGB 193 152 134

HSL 18.31, 0.32%, 0.64%

LAB 66.15, 12.71, 15.32

 

CMYK 0 / 19 / 27 / 18

HEX #D2AA99

RGB 210 170 153

HSL 17.89, 0.39%, 0.71%

LAB 72.73, 12.11, 14.28

 

CMYK 0 / 17 / 24 / 11

HEX #E3BCAC

RGB 227 188 172

HSL 17.45, 0.5%, 0.78%

LAB 79.2, 11.57, 13.32

 

CMYK 0 / 25 / 34 / 40

HEX #9A7465

RGB 154 116 101

HSL 16.98, 0.21%, 0.5%

LAB 52.18, 12.77, 14.08

 

CMYK 0 / 28 / 40 / 46

HEX #896252

RGB 137 98 82

HSL 17.45, 0.25%, 0.43%

LAB 45.17, 13.6, 15.35

 

CMYK 0 / 33 / 48 / 53

HEX #78503F

RGB 120 80 63

HSL 17.89, 0.31%, 0.36%

LAB 38, 14.61, 16.82

 

CMYK 0 / 40 / 57 / 60

HEX #673E2C

RGB 103 62 44

HSL 18.31, 0.4%, 0.29%

LAB 30.67, 15.86, 18.55

 

CMYK 0 / 49 / 71 / 66

HEX #562C19

RGB 86 44 25

HSL 18.69, 0.55%, 0.22%

LAB 23.17, 17.43, 20.64

 

CMYK 0 / 25 / 34 / 40

HEX #9A7465

RGB 154 116 101

HSL 16.98, 0.21%, 0.5%

LAB 52.18, 12.77, 14.08

 

CMYK 0 / 20 / 35 / 40

HEX #9A7B64

RGB 154 123 100

HSL 25.56, 0.21%, 0.5%

LAB 53.98, 8.62, 17.14

 

CMYK 0 / 14 / 35 / 40

HEX #9A8464

RGB 154 132 100

HSL 35.56, 0.21%, 0.5%

LAB 56.38, 3.51, 20.39

 

CMYK 0 / 8 / 35 / 40

HEX #9A8D64

RGB 154 141 100

HSL 45.56, 0.21%, 0.5%

LAB 58.83, -1.52, 23.66

 

CMYK 0 / 3 / 35 / 40

HEX #9A9664

RGB 154 150 100

HSL 55.56, 0.21%, 0.5%

LAB 61.31, -6.45, 26.94

 

CMYK 0 / 25 / 34 / 40

HEX #9A7465

RGB 154 116 101

HSL 16.98, 0.21%, 0.5%

LAB 52.18, 12.77, 14.08

 

CMYK 0 / 25 / 35 / 20

HEX #CD9A86

RGB 205 154 134

HSL 16.9, 0.42%, 0.66%

LAB 67.88, 16.34, 17.91

 

CMYK 0 / 0 / 0 / 100

HEX #010101

RGB 1 1 1

HSL 0, 0%, 0%

LAB 0.27, 0, -0

 

CMYK 0 / 25 / 35 / 80

HEX #342722

RGB 52 39 34

HSL 16.67, 0.21%, 0.17%

LAB 16.97, 5.18, 5.63

 

CMYK 0 / 24 / 34 / 60

HEX #674E44

RGB 103 78 68

HSL 17.14, 0.2%, 0.34%

LAB 35.5, 8.93, 9.97

 

CMYK 0 / 25 / 34 / 40

HEX #9A7465

RGB 154 116 101

HSL 16.98, 0.21%, 0.5%

LAB 52.18, 12.77, 14.08

 

CMYK 16 / 0 / 35 / 40

HEX #819A64

RGB 129 154 100

HSL 87.78, 0.21%, 0.5%

LAB 60.51, -18.64, 25.53

 

CMYK 35 / 31 / 0 / 40

HEX #646B9A

RGB 100 107 154

HSL 232.22, 0.21%, 0.5%

LAB 46.39, 9.14, -26.39

 

CMYK 0 / 25 / 34 / 40

HEX #9A7465

RGB 154 116 101

HSL 16.98, 0.21%, 0.5%

LAB 52.18, 12.77, 14.08

 

CMYK 35 / 0 / 25 / 40

HEX #649A73

RGB 100 154 115

HSL 136.67, 0.21%, 0.5%

LAB 59.03, -26.47, 14.93

 

CMYK 25 / 35 / 0 / 40

HEX #73649A

RGB 115 100 154

HSL 256.67, 0.21%, 0.5%

LAB 45.76, 18.02, -27.27

 

CMYK 0 / 25 / 34 / 40

HEX #9A7465

RGB 154 116 101

HSL 16.98, 0.21%, 0.5%

LAB 52.18, 12.77, 14.08

 

CMYK 16 / 0 / 35 / 40

HEX #819A64

RGB 129 154 100

HSL 87.78, 0.21%, 0.5%

LAB 60.51, -18.64, 25.53

 

CMYK 35 / 10 / 0 / 40

HEX #648B9A

RGB 100 139 154

HSL 196.67, 0.21%, 0.5%

LAB 55.59, -9.61, -12.3

 

CMYK 19 / 35 / 0 / 40

HEX #7D649A

RGB 125 100 154

HSL 267.78, 0.21%, 0.5%

LAB 46.72, 21.22, -25.7

 

CMYK 0 / 25 / 34 / 40

HEX #9A7465

RGB 154 116 101

HSL 16.98, 0.21%, 0.5%

LAB 52.18, 12.77, 14.08

 

CMYK 27 / 0 / 35 / 40

HEX #719A64

RGB 113 154 100

HSL 105.56, 0.21%, 0.5%

LAB 59.47, -24.65, 23.97

 

CMYK 35 / 10 / 0 / 40

HEX #648B9A

RGB 100 139 154

HSL 196.67, 0.21%, 0.5%

LAB 55.59, -9.61, -12.3

 

CMYK 8 / 35 / 0 / 40

HEX #8D649A

RGB 141 100 154

HSL 285.56, 0.21%, 0.5%

LAB 48.4, 26.48, -22.97

 

Description

Color code: HEX #9A7465 | qconv.com Color code: HEX #9A7465 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 116 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 116 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 34 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 34% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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