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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A55C0 it is the complementary color #65AA3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A55C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9A55C0: #9F55BB, #B067CE, #C179E1, #D28BF4 and #E39DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A55C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9A55C0: #9A55C0, #8943AD, #78319A, #671F87 and #560D74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 56 / 0 / 25

HEX #9A55C0

RGB 154 85 192

HSL 278.69, 0.46%, 0.54%

LAB 48.48, 47.03, -44.97

 

Complementary color

CMYK 41 / 0 / 63 / 33

HEX #65AA3F

RGB 101 170 63

HSL 98.69, 0.46%, 0.46%

LAB 63.24, -41.02, 47.09

 

CMYK 15 / 55 / 0 / 27

HEX #9F55BB

RGB 159 85 187

HSL 283.53, 0.43%, 0.53%

LAB 48.83, 47.27, -41.47

 

CMYK 15 / 50 / 0 / 19

HEX #B067CE

RGB 176 103 206

HSL 282.52, 0.51%, 0.61%

LAB 55.47, 46.52, -41.76

 

CMYK 14 / 46 / 0 / 12

HEX #C179E1

RGB 193 121 225

HSL 281.54, 0.63%, 0.68%

LAB 62.04, 45.73, -41.98

 

CMYK 14 / 43 / 0 / 4

HEX #D28BF4

RGB 210 139 244

HSL 280.57, 0.83%, 0.75%

LAB 68.53, 44.94, -42.17

 

CMYK 11 / 38 / 0 / 0

HEX #E39DFF

RGB 227 157 255

HSL 282.86, 1%, 0.81%

LAB 74.61, 42.56, -38.53

 

CMYK 20 / 56 / 0 / 25

HEX #9A55C0

RGB 154 85 192

HSL 278.69, 0.46%, 0.54%

LAB 48.48, 47.03, -44.97

 

CMYK 21 / 61 / 0 / 32

HEX #8943AD

RGB 137 67 173

HSL 279.62, 0.44%, 0.47%

LAB 41.77, 47.74, -44.68

 

CMYK 22 / 68 / 0 / 40

HEX #78319A

RGB 120 49 154

HSL 280.57, 0.52%, 0.4%

LAB 35.05, 48.21, -44.18

 

CMYK 24 / 77 / 0 / 47

HEX #671F87

RGB 103 31 135

HSL 281.54, 0.63%, 0.33%

LAB 28.41, 48.14, -43.31

 

CMYK 26 / 89 / 0 / 55

HEX #560D74

RGB 86 13 116

HSL 282.52, 0.8%, 0.25%

LAB 22.04, 46.94, -41.74

 

CMYK 20 / 56 / 0 / 25

HEX #9A55C0

RGB 154 85 192

HSL 278.69, 0.46%, 0.54%

LAB 48.48, 47.03, -44.97

 

CMYK 11 / 57 / 0 / 25

HEX #AA53BF

RGB 170 83 191

HSL 288.33, 0.46%, 0.54%

LAB 50.09, 52.03, -41.71

 

CMYK 2 / 57 / 0 / 25

HEX #BC53BF

RGB 188 83 191

HSL 298.33, 0.46%, 0.54%

LAB 52.55, 56.77, -37.66

 

CMYK 0 / 57 / 7 / 25

HEX #BF53B1

RGB 191 83 177

HSL 307.78, 0.46%, 0.54%

LAB 52.33, 55.17, -29.86

 

CMYK 0 / 57 / 17 / 25

HEX #BF539F

RGB 191 83 159

HSL 317.78, 0.46%, 0.54%

LAB 51.57, 52.31, -20.49

 

CMYK 20 / 56 / 0 / 25

HEX #9A55C0

RGB 154 85 192

HSL 278.69, 0.46%, 0.54%

LAB 48.48, 47.03, -44.97

 

CMYK 20 / 56 / 0 / 5

HEX #C36CF3

RGB 195 108 243

HSL 278.67, 0.85%, 0.69%

LAB 60.6, 56.74, -54.24

 

CMYK 21 / 56 / 0 / 85

HEX #1F1127

RGB 31 17 39

HSL 278.18, 0.39%, 0.11%

LAB 7.58, 12.56, -12.31

 

CMYK 20 / 56 / 0 / 65

HEX #48285A

RGB 72 40 90

HSL 278.4, 0.38%, 0.25%

LAB 22.42, 25.14, -24.28

 

CMYK 20 / 56 / 0 / 45

HEX #713E8D

RGB 113 62 141

HSL 278.73, 0.39%, 0.4%

LAB 35.75, 36.78, -35.19

 

CMYK 20 / 56 / 0 / 25

HEX #9A55C0

RGB 154 85 192

HSL 278.69, 0.46%, 0.54%

LAB 48.48, 47.03, -44.97

 

CMYK 0 / 57 / 47 / 25

HEX #BF5365

RGB 191 83 101

HSL 350, 0.46%, 0.54%

LAB 49.74, 45.03, 11.43

 

CMYK 57 / 0 / 43 / 25

HEX #53BF6C

RGB 83 191 108

HSL 133.89, 0.46%, 0.54%

LAB 69.6, -49.01, 32.71

 

CMYK 20 / 56 / 0 / 25

HEX #9A55C0

RGB 154 85 192

HSL 278.69, 0.46%, 0.54%

LAB 48.48, 47.03, -44.97

 

CMYK 0 / 20 / 57 / 25

HEX #BF9853

RGB 191 152 83

HSL 38.33, 0.46%, 0.54%

LAB 65.09, 6.38, 41.4

 

CMYK 57 / 0 / 20 / 25

HEX #53BF98

RGB 83 191 152

HSL 158.33, 0.46%, 0.54%

LAB 70.43, -40.4, 10.44

 

CMYK 20 / 56 / 0 / 25

HEX #9A55C0

RGB 154 85 192

HSL 278.69, 0.46%, 0.54%

LAB 48.48, 47.03, -44.97

 

CMYK 0 / 57 / 47 / 25

HEX #BF5365

RGB 191 83 101

HSL 350, 0.46%, 0.54%

LAB 49.74, 45.03, 11.43

 

CMYK 36 / 0 / 57 / 25

HEX #7BBF53

RGB 123 191 83

HSL 97.78, 0.46%, 0.54%

LAB 70.94, -40.62, 47.03

 

CMYK 57 / 0 / 9 / 25

HEX #53BFAD

RGB 83 191 173

HSL 170, 0.46%, 0.54%

LAB 70.95, -35.34, -0.26

 

CMYK 20 / 56 / 0 / 25

HEX #9A55C0

RGB 154 85 192

HSL 278.69, 0.46%, 0.54%

LAB 48.48, 47.03, -44.97

 

CMYK 0 / 49 / 57 / 25

HEX #BF6253

RGB 191 98 83

HSL 8.33, 0.46%, 0.54%

LAB 52.33, 35.85, 25.56

 

CMYK 36 / 0 / 57 / 25

HEX #7BBF53

RGB 123 191 83

HSL 97.78, 0.46%, 0.54%

LAB 70.94, -40.62, 47.03

 

CMYK 57 / 7 / 0 / 25

HEX #53B1BF

RGB 83 177 191

HSL 187.78, 0.46%, 0.54%

LAB 67.31, -23.68, -15.57

 

Description

Color code: HEX #9A55C0 | qconv.com Color code: HEX #9A55C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 85 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 85 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 56 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 56% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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