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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A4541 it is the complementary color #65BABE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A4541. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9A4541: #9F453C, #B0574F, #C16962, #D27B75 and #E38D88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A4541. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9A4541: #9A4541, #89332E, #78211B, #670F08 and #560000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 58 / 40

HEX #9A4541

RGB 154 69 65

HSL 2.7, 0.41%, 0.43%

LAB 40.42, 35.21, 19.69

 

Complementary color

CMYK 47 / 2 / 0 / 25

HEX #65BABE

RGB 101 186 190

HSL 182.7, 0.41%, 0.57%

LAB 70.6, -24.63, -10.02

 

CMYK 0 / 57 / 62 / 38

HEX #9F453C

RGB 159 69 60

HSL 5.45, 0.45%, 0.43%

LAB 41.14, 36.74, 23.82

 

CMYK 0 / 51 / 55 / 31

HEX #B0574F

RGB 176 87 79

HSL 4.95, 0.38%, 0.5%

LAB 47.77, 35.47, 21.53

 

CMYK 0 / 46 / 49 / 24

HEX #C16962

RGB 193 105 98

HSL 4.42, 0.43%, 0.57%

LAB 54.37, 34.26, 19.61

 

CMYK 0 / 41 / 44 / 18

HEX #D27B75

RGB 210 123 117

HSL 3.87, 0.51%, 0.64%

LAB 60.92, 33.13, 17.96

 

CMYK 0 / 38 / 40 / 11

HEX #E38D88

RGB 227 141 136

HSL 3.3, 0.62%, 0.71%

LAB 67.4, 32.09, 16.51

 

CMYK 0 / 55 / 58 / 40

HEX #9A4541

RGB 154 69 65

HSL 2.7, 0.41%, 0.43%

LAB 40.42, 35.21, 19.69

 

CMYK 0 / 63 / 66 / 46

HEX #89332E

RGB 137 51 46

HSL 3.3, 0.5%, 0.36%

LAB 33.74, 36.4, 22.32

 

CMYK 0 / 73 / 78 / 53

HEX #78211B

RGB 120 33 27

HSL 3.87, 0.63%, 0.29%

LAB 27.19, 37.34, 25.62

 

CMYK 0 / 85 / 92 / 60

HEX #670F08

RGB 103 15 8

HSL 4.42, 0.86%, 0.22%

LAB 20.99, 37.5, 28.33

 

CMYK 0 / 100 / 100 / 66

HEX #560000

RGB 86 0 0

HSL 0, 1%, 0.17%

LAB 15.37, 36.3, 23.94

 

CMYK 0 / 55 / 58 / 40

HEX #9A4541

RGB 154 69 65

HSL 2.7, 0.41%, 0.43%

LAB 40.42, 35.21, 19.69

 

CMYK 0 / 47 / 58 / 40

HEX #9A5240

RGB 154 82 64

HSL 12, 0.41%, 0.43%

LAB 43.17, 28.13, 23.85

 

CMYK 0 / 37 / 58 / 40

HEX #9A6140

RGB 154 97 64

HSL 22, 0.41%, 0.43%

LAB 46.7, 19.66, 28.28

 

CMYK 0 / 27 / 58 / 40

HEX #9A7040

RGB 154 112 64

HSL 32, 0.41%, 0.43%

LAB 50.49, 11.05, 32.91

 

CMYK 0 / 18 / 58 / 40

HEX #9A7F40

RGB 154 127 64

HSL 42, 0.41%, 0.43%

LAB 54.47, 2.51, 37.64

 

CMYK 0 / 55 / 58 / 40

HEX #9A4541

RGB 154 69 65

HSL 2.7, 0.41%, 0.43%

LAB 40.42, 35.21, 19.69

 

CMYK 0 / 55 / 58 / 20

HEX #CD5C57

RGB 205 92 87

HSL 2.54, 0.54%, 0.57%

LAB 53.3, 44.45, 24.91

 

CMYK 0 / 100 / 100 / 100

HEX #010000

RGB 1 0 0

HSL 0, 1%, 0%

LAB 0.06, 0.26, 0.09

 

CMYK 0 / 56 / 58 / 80

HEX #341716

RGB 52 23 22

HSL 2, 0.41%, 0.15%

LAB 11.96, 14.39, 7.31

 

CMYK 0 / 55 / 58 / 60

HEX #672E2B

RGB 103 46 43

HSL 3, 0.41%, 0.29%

LAB 26.77, 25.3, 14.12

 

CMYK 0 / 55 / 58 / 40

HEX #9A4541

RGB 154 69 65

HSL 2.7, 0.41%, 0.43%

LAB 40.42, 35.21, 19.69

 

CMYK 14 / 0 / 58 / 40

HEX #859A40

RGB 133 154 64

HSL 74, 0.41%, 0.43%

LAB 60.31, -21.21, 43.88

 

CMYK 58 / 37 / 0 / 40

HEX #40619A

RGB 64 97 154

HSL 218, 0.41%, 0.43%

LAB 41.17, 5.94, -34.73

 

CMYK 0 / 55 / 58 / 40

HEX #9A4541

RGB 154 69 65

HSL 2.7, 0.41%, 0.43%

LAB 40.42, 35.21, 19.69

 

CMYK 58 / 0 / 56 / 40

HEX #409A43

RGB 64 154 67

HSL 122, 0.41%, 0.43%

LAB 56.69, -45.03, 37.29

 

CMYK 56 / 58 / 0 / 40

HEX #43409A

RGB 67 64 154

HSL 242, 0.41%, 0.43%

LAB 32.24, 27.95, -49.01

 

CMYK 0 / 55 / 58 / 40

HEX #9A4541

RGB 154 69 65

HSL 2.7, 0.41%, 0.43%

LAB 40.42, 35.21, 19.69

 

CMYK 14 / 0 / 58 / 40

HEX #859A40

RGB 133 154 64

HSL 74, 0.41%, 0.43%

LAB 60.31, -21.21, 43.88

 

CMYK 58 / 2 / 0 / 40

HEX #40979A

RGB 64 151 154

HSL 182, 0.41%, 0.43%

LAB 57.61, -24.88, -9.43

 

CMYK 45 / 58 / 0 / 40

HEX #55409A

RGB 85 64 154

HSL 254, 0.41%, 0.43%

LAB 33.84, 31.85, -46.35

 

CMYK 0 / 55 / 58 / 40

HEX #9A4541

RGB 154 69 65

HSL 2.7, 0.41%, 0.43%

LAB 40.42, 35.21, 19.69

 

CMYK 31 / 0 / 58 / 40

HEX #6A9A40

RGB 106 154 64

HSL 92, 0.41%, 0.43%

LAB 58.55, -31.97, 41.41

 

CMYK 58 / 2 / 0 / 40

HEX #40979A

RGB 64 151 154

HSL 182, 0.41%, 0.43%

LAB 57.61, -24.88, -9.43

 

CMYK 27 / 58 / 0 / 40

HEX #70409A

RGB 112 64 154

HSL 272, 0.41%, 0.43%

LAB 36.83, 38.53, -41.39

 

Description

Color code: HEX #9A4541 | qconv.com Color code: HEX #9A4541 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 69 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 69 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 58 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 58% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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