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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99D7E1 it is the complementary color #66281E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99D7E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #99D7E1: #9ED7DC, #AFE9EF, #C0FBFF, #D1FFFF and #E2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99D7E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #99D7E1: #99D7E1, #88C5CE, #77B3BB, #66A1A8 and #558F95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 4 / 0 / 12

HEX #99D7E1

RGB 153 215 225

HSL 188.33, 0.55%, 0.74%

LAB 82.28, -17.23, -11.24

 

Complementary color

CMYK 0 / 61 / 71 / 60

HEX #66281E

RGB 102 40 30

HSL 8.33, 0.55%, 0.26%

LAB 25.06, 27.18, 20.39

 

CMYK 28 / 2 / 0 / 14

HEX #9ED7DC

RGB 158 215 220

HSL 184.84, 0.47%, 0.74%

LAB 82.4, -16.99, -8.37

 

CMYK 27 / 3 / 0 / 6

HEX #AFE9EF

RGB 175 233 239

HSL 185.63, 0.67%, 0.81%

LAB 88.74, -16.93, -8.88

 

CMYK 25 / 2 / 0 / 0

HEX #C0FBFF

RGB 192 251 255

HSL 183.81, 1%, 0.88%

LAB 94.92, -17.52, -7.96

 

CMYK 18 / 0 / 0 / 0

HEX #D1FFFF

RGB 209 255 255

HSL 180, 1%, 0.91%

LAB 96.94, -14.52, -4.86

 

CMYK 11 / 0 / 0 / 0

HEX #E2FFFF

RGB 226 255 255

HSL 180, 1%, 0.94%

LAB 98, -9.32, -3.18

 

CMYK 32 / 4 / 0 / 12

HEX #99D7E1

RGB 153 215 225

HSL 188.33, 0.55%, 0.74%

LAB 82.28, -17.23, -11.24

 

CMYK 34 / 4 / 0 / 19

HEX #88C5CE

RGB 136 197 206

HSL 187.71, 0.42%, 0.67%

LAB 75.84, -17.26, -10.75

 

CMYK 36 / 4 / 0 / 27

HEX #77B3BB

RGB 119 179 187

HSL 187.06, 0.33%, 0.6%

LAB 69.29, -17.29, -10.24

 

CMYK 39 / 4 / 0 / 34

HEX #66A1A8

RGB 102 161 168

HSL 186.36, 0.28%, 0.53%

LAB 62.63, -17.31, -9.7

 

CMYK 43 / 4 / 0 / 42

HEX #558F95

RGB 85 143 149

HSL 185.63, 0.27%, 0.46%

LAB 55.83, -17.3, -9.14

 

CMYK 32 / 4 / 0 / 12

HEX #99D7E1

RGB 153 215 225

HSL 188.33, 0.55%, 0.74%

LAB 82.28, -17.23, -11.24

 

CMYK 32 / 10 / 0 / 12

HEX #98CBE1

RGB 152 203 225

HSL 198.08, 0.55%, 0.74%

LAB 78.94, -11.34, -16.25

 

CMYK 32 / 15 / 0 / 12

HEX #98BFE1

RGB 152 191 225

HSL 207.95, 0.55%, 0.74%

LAB 75.68, -5, -21.17

 

CMYK 32 / 21 / 0 / 12

HEX #98B2E1

RGB 152 178 225

HSL 218.63, 0.55%, 0.74%

LAB 72.2, 2.06, -26.49

 

CMYK 32 / 26 / 0 / 12

HEX #98A6E1

RGB 152 166 225

HSL 228.49, 0.55%, 0.74%

LAB 69.03, 8.74, -31.37

 

CMYK 32 / 4 / 0 / 12

HEX #99D7E1

RGB 153 215 225

HSL 188.33, 0.55%, 0.74%

LAB 82.28, -17.23, -11.24

 

CMYK 33 / 5 / 0 / 92

HEX #0E1415

RGB 14 20 21

HSL 188.57, 0.2%, 0.07%

LAB 5.85, -2.01, -1.42

 

CMYK 32 / 4 / 0 / 72

HEX #314548

RGB 49 69 72

HSL 187.83, 0.19%, 0.24%

LAB 27.78, -6.98, -4.36

 

CMYK 32 / 4 / 0 / 52

HEX #54767B

RGB 84 118 123

HSL 187.69, 0.19%, 0.41%

LAB 47.33, -10.75, -6.65

 

CMYK 32 / 5 / 0 / 32

HEX #76A6AE

RGB 118 166 174

HSL 188.57, 0.26%, 0.57%

LAB 65.11, -13.96, -9.28

 

CMYK 32 / 4 / 0 / 12

HEX #99D7E1

RGB 153 215 225

HSL 188.33, 0.55%, 0.74%

LAB 82.28, -17.23, -11.24

 

CMYK 22 / 32 / 0 / 12

HEX #B098E1

RGB 176 152 225

HSL 259.73, 0.55%, 0.74%

LAB 67.37, 23.66, -33.79

 

CMYK 0 / 9 / 32 / 12

HEX #E1CD98

RGB 225 205 152

HSL 43.56, 0.55%, 0.74%

LAB 82.88, -0.77, 28.96

 

CMYK 32 / 4 / 0 / 12

HEX #99D7E1

RGB 153 215 225

HSL 188.33, 0.55%, 0.74%

LAB 82.28, -17.23, -11.24

 

CMYK 0 / 32 / 4 / 12

HEX #E198D7

RGB 225 152 215

HSL 308.22, 0.55%, 0.74%

LAB 71.81, 37.03, -21.05

 

CMYK 4 / 0 / 32 / 12

HEX #D7E198

RGB 215 225 152

HSL 68.22, 0.55%, 0.74%

LAB 87.27, -14.76, 34.66

 

CMYK 32 / 4 / 0 / 12

HEX #99D7E1

RGB 153 215 225

HSL 188.33, 0.55%, 0.74%

LAB 82.28, -17.23, -11.24

 

CMYK 22 / 32 / 0 / 12

HEX #B098E1

RGB 176 152 225

HSL 259.73, 0.55%, 0.74%

LAB 67.37, 23.66, -33.79

 

CMYK 0 / 28 / 32 / 12

HEX #E1A198

RGB 225 161 152

HSL 7.4, 0.55%, 0.74%

LAB 72.07, 22.56, 14.13

 

CMYK 11 / 0 / 32 / 12

HEX #C8E198

RGB 200 225 152

HSL 80.55, 0.55%, 0.74%

LAB 86.2, -20.34, 33.05

 

CMYK 32 / 4 / 0 / 12

HEX #99D7E1

RGB 153 215 225

HSL 188.33, 0.55%, 0.74%

LAB 82.28, -17.23, -11.24

 

CMYK 12 / 32 / 0 / 12

HEX #C698E1

RGB 198 152 225

HSL 277.81, 0.55%, 0.74%

LAB 69.4, 30.38, -30.49

 

CMYK 0 / 28 / 32 / 12

HEX #E1A198

RGB 225 161 152

HSL 7.4, 0.55%, 0.74%

LAB 72.07, 22.56, 14.13

 

CMYK 21 / 0 / 32 / 12

HEX #B2E198

RGB 178 225 152

HSL 98.63, 0.55%, 0.74%

LAB 84.78, -28.23, 30.91

 

Description

Color code: HEX #99D7E1 | qconv.com Color code: HEX #99D7E1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 215 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 215 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 4 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 4% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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