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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99A73D it is the complementary color #6658C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99A73D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #99A73D: #9EA738, #AFB94B, #C0CB5E, #D1DD71 and #E2EF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99A73D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #99A73D: #99A73D, #88952A, #778317, #667104 and #555F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 63 / 35

HEX #99A73D

RGB 153 167 61

HSL 67.92, 0.46%, 0.45%

LAB 65.55, -19.62, 51.41

 

Complementary color

CMYK 47 / 55 / 0 / 24

HEX #6658C2

RGB 102 88 194

HSL 247.92, 0.46%, 0.55%

LAB 43.8, 33.09, -53.93

 

CMYK 5 / 0 / 66 / 35

HEX #9EA738

RGB 158 167 56

HSL 64.86, 0.5%, 0.44%

LAB 65.9, -17.83, 54

 

CMYK 5 / 0 / 59 / 27

HEX #AFB94B

RGB 175 185 75

HSL 65.45, 0.44%, 0.51%

LAB 72.44, -18.46, 53.26

 

CMYK 5 / 0 / 54 / 20

HEX #C0CB5E

RGB 192 203 94

HSL 66.06, 0.51%, 0.58%

LAB 78.88, -18.95, 52.27

 

CMYK 5 / 0 / 49 / 13

HEX #D1DD71

RGB 209 221 113

HSL 66.67, 0.61%, 0.65%

LAB 85.23, -19.35, 51.18

 

CMYK 5 / 0 / 45 / 6

HEX #E2EF84

RGB 226 239 132

HSL 67.29, 0.77%, 0.73%

LAB 91.49, -19.68, 50.06

 

CMYK 8 / 0 / 63 / 35

HEX #99A73D

RGB 153 167 61

HSL 67.92, 0.46%, 0.45%

LAB 65.55, -19.62, 51.41

 

CMYK 9 / 0 / 72 / 42

HEX #88952A

RGB 136 149 42

HSL 67.29, 0.56%, 0.37%

LAB 58.88, -18.96, 51.92

 

CMYK 9 / 0 / 82 / 49

HEX #778317

RGB 119 131 23

HSL 66.67, 0.7%, 0.3%

LAB 52.08, -18.07, 51.59

 

CMYK 10 / 0 / 96 / 56

HEX #667104

RGB 102 113 4

HSL 66.06, 0.93%, 0.23%

LAB 45.14, -16.92, 49.81

 

CMYK 11 / 0 / 100 / 63

HEX #555F00

RGB 85 95 0

HSL 66.32, 1%, 0.19%

LAB 38.05, -15.33, 44.83

 

CMYK 8 / 0 / 63 / 35

HEX #99A73D

RGB 153 167 61

HSL 67.92, 0.46%, 0.45%

LAB 65.55, -19.62, 51.41

 

CMYK 18 / 0 / 63 / 35

HEX #89A73D

RGB 137 167 61

HSL 76.98, 0.46%, 0.45%

LAB 64.4, -26.28, 49.83

 

CMYK 28 / 0 / 63 / 35

HEX #78A73D

RGB 120 167 61

HSL 86.6, 0.46%, 0.45%

LAB 63.32, -33, 48.35

 

CMYK 39 / 0 / 63 / 35

HEX #66A73D

RGB 102 167 61

HSL 96.79, 0.46%, 0.45%

LAB 62.34, -39.57, 46.99

 

CMYK 50 / 0 / 63 / 35

HEX #54A73D

RGB 84 167 61

HSL 106.98, 0.46%, 0.45%

LAB 61.53, -45.38, 45.87

 

CMYK 8 / 0 / 63 / 35

HEX #99A73D

RGB 153 167 61

HSL 67.92, 0.46%, 0.45%

LAB 65.55, -19.62, 51.41

 

CMYK 8 / 0 / 63 / 15

HEX #C8DA50

RGB 200 218 80

HSL 67.83, 0.65%, 0.58%

LAB 83.44, -24.1, 63.56

 

CMYK 7 / 0 / 64 / 95

HEX #0D0E05

RGB 13 14 5

HSL 66.67, 0.47%, 0.04%

LAB 3.71, -1.63, 3.47

 

CMYK 8 / 0 / 63 / 75

HEX #3C4118

RGB 60 65 24

HSL 67.32, 0.46%, 0.17%

LAB 26.18, -9.07, 23.88

 

CMYK 9 / 0 / 64 / 55

HEX #6A742A

RGB 106 116 42

HSL 68.11, 0.47%, 0.31%

LAB 46.61, -14.87, 38.49

 

CMYK 8 / 0 / 63 / 35

HEX #99A73D

RGB 153 167 61

HSL 67.92, 0.46%, 0.45%

LAB 65.55, -19.62, 51.41

 

CMYK 63 / 0 / 43 / 35

HEX #3DA75F

RGB 61 167 95

HSL 139.25, 0.46%, 0.45%

LAB 61.18, -46.57, 28.48

 

CMYK 18 / 63 / 0 / 35

HEX #893DA7

RGB 137 61 167

HSL 283.02, 0.46%, 0.45%

LAB 40.32, 49.38, -43.42

 

CMYK 8 / 0 / 63 / 35

HEX #99A73D

RGB 153 167 61

HSL 67.92, 0.46%, 0.45%

LAB 65.55, -19.62, 51.41

 

CMYK 63 / 7 / 0 / 35

HEX #3D9BA7

RGB 61 155 167

HSL 186.79, 0.46%, 0.45%

LAB 59.18, -23.62, -14.48

 

CMYK 0 / 63 / 7 / 35

HEX #A73D9B

RGB 167 61 155

HSL 306.79, 0.46%, 0.45%

LAB 44.12, 54.79, -29.95

 

CMYK 8 / 0 / 63 / 35

HEX #99A73D

RGB 153 167 61

HSL 67.92, 0.46%, 0.45%

LAB 65.55, -19.62, 51.41

 

CMYK 63 / 0 / 43 / 35

HEX #3DA75F

RGB 61 167 95

HSL 139.25, 0.46%, 0.45%

LAB 61.18, -46.57, 28.48

 

CMYK 56 / 63 / 0 / 35

HEX #4A3DA7

RGB 74 61 167

HSL 247.36, 0.46%, 0.45%

LAB 33.1, 35.43, -55.43

 

CMYK 0 / 63 / 20 / 35

HEX #A73D86

RGB 167 61 134

HSL 318.68, 0.46%, 0.45%

LAB 43.17, 51.51, -18.73

 

CMYK 8 / 0 / 63 / 35

HEX #99A73D

RGB 153 167 61

HSL 67.92, 0.46%, 0.45%

LAB 65.55, -19.62, 51.41

 

CMYK 63 / 0 / 24 / 35

HEX #3DA77F

RGB 61 167 127

HSL 157.36, 0.46%, 0.45%

LAB 61.79, -40.05, 11.87

 

CMYK 56 / 63 / 0 / 35

HEX #4A3DA7

RGB 74 61 167

HSL 247.36, 0.46%, 0.45%

LAB 33.1, 35.43, -55.43

 

CMYK 0 / 63 / 39 / 35

HEX #A73D66

RGB 167 61 102

HSL 336.79, 0.46%, 0.45%

LAB 42.02, 47.33, -0.75

 

Description

Color code: HEX #99A73D | qconv.com Color code: HEX #99A73D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 167 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 167 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 63 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 63% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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