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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99A1EA it is the complementary color #665E15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99A1EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #99A1EA: #9EA1E5, #AFB3F8, #C0C5FF, #D1D7FF and #E2E9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99A1EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #99A1EA: #99A1EA, #888FD7, #777DC4, #666BB1 and #55599E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 31 / 0 / 8

HEX #99A1EA

RGB 153 161 234

HSL 234.07, 0.66%, 0.76%

LAB 68.17, 14.17, -37.63

 

Complementary color

CMYK 0 / 8 / 79 / 60

HEX #665E15

RGB 102 94 21

HSL 54.07, 0.66%, 0.24%

LAB 39.38, -5.73, 40.18

 

CMYK 31 / 30 / 0 / 10

HEX #9EA1E5

RGB 158 161 229

HSL 237.46, 0.58%, 0.76%

LAB 68.33, 14.28, -34.62

 

CMYK 29 / 28 / 0 / 3

HEX #AFB3F8

RGB 175 179 248

HSL 236.71, 0.84%, 0.83%

LAB 74.91, 13.77, -34.66

 

CMYK 25 / 23 / 0 / 0

HEX #C0C5FF

RGB 192 197 255

HSL 235.24, 1%, 0.88%

LAB 80.94, 10.5, -29.02

 

CMYK 18 / 16 / 0 / 0

HEX #D1D7FF

RGB 209 215 255

HSL 232.17, 1%, 0.91%

LAB 86.69, 5.97, -20.15

 

CMYK 11 / 9 / 0 / 0

HEX #E2E9FF

RGB 226 233 255

HSL 225.52, 1%, 0.94%

LAB 92.43, 1.86, -11.42

 

CMYK 35 / 31 / 0 / 8

HEX #99A1EA

RGB 153 161 234

HSL 234.07, 0.66%, 0.76%

LAB 68.17, 14.17, -37.63

 

CMYK 37 / 33 / 0 / 16

HEX #888FD7

RGB 136 143 215

HSL 234.68, 0.5%, 0.69%

LAB 61.47, 14.79, -37.67

 

CMYK 39 / 36 / 0 / 23

HEX #777DC4

RGB 119 125 196

HSL 235.32, 0.39%, 0.62%

LAB 54.63, 15.51, -37.76

 

CMYK 42 / 40 / 0 / 31

HEX #666BB1

RGB 102 107 177

HSL 236, 0.32%, 0.55%

LAB 47.64, 16.35, -37.91

 

CMYK 46 / 44 / 0 / 38

HEX #55599E

RGB 85 89 158

HSL 236.71, 0.3%, 0.48%

LAB 40.48, 17.35, -38.12

 

CMYK 35 / 31 / 0 / 8

HEX #99A1EA

RGB 153 161 234

HSL 234.07, 0.66%, 0.76%

LAB 68.17, 14.17, -37.63

 

CMYK 32 / 35 / 0 / 8

HEX #9E99EA

RGB 158 153 234

HSL 243.7, 0.66%, 0.76%

LAB 66.51, 20.1, -40.19

 

CMYK 26 / 35 / 0 / 8

HEX #AC99EA

RGB 172 153 234

HSL 254.07, 0.66%, 0.76%

LAB 67.65, 24.05, -38.33

 

CMYK 21 / 35 / 0 / 8

HEX #B999EA

RGB 185 153 234

HSL 263.7, 0.66%, 0.76%

LAB 68.78, 27.85, -36.48

 

CMYK 15 / 35 / 0 / 8

HEX #C799EA

RGB 199 153 234

HSL 274.07, 0.66%, 0.76%

LAB 70.08, 32.04, -34.36

 

CMYK 35 / 31 / 0 / 8

HEX #99A1EA

RGB 153 161 234

HSL 234.07, 0.66%, 0.76%

LAB 68.17, 14.17, -37.63

 

CMYK 33 / 30 / 0 / 88

HEX #14151E

RGB 20 21 30

HSL 234, 0.2%, 0.1%

LAB 7.03, 2.08, -6.43

 

CMYK 35 / 31 / 0 / 68

HEX #353851

RGB 53 56 81

HSL 233.57, 0.21%, 0.26%

LAB 24.26, 5.57, -15.6

 

CMYK 35 / 31 / 0 / 48

HEX #565B84

RGB 86 91 132

HSL 233.48, 0.21%, 0.43%

LAB 39.79, 8.55, -23.53

 

CMYK 34 / 31 / 0 / 28

HEX #787EB7

RGB 120 126 183

HSL 234.29, 0.3%, 0.59%

LAB 54.38, 11.59, -30.72

 

CMYK 35 / 31 / 0 / 8

HEX #99A1EA

RGB 153 161 234

HSL 234.07, 0.66%, 0.76%

LAB 68.17, 14.17, -37.63

 

CMYK 0 / 35 / 3 / 8

HEX #EA99E2

RGB 234 153 226

HSL 305.93, 0.66%, 0.76%

LAB 73.39, 41.33, -24.58

 

CMYK 18 / 0 / 35 / 8

HEX #C1EA99

RGB 193 234 153

HSL 90.37, 0.66%, 0.76%

LAB 88.2, -27.09, 35.1

 

CMYK 35 / 31 / 0 / 8

HEX #99A1EA

RGB 153 161 234

HSL 234.07, 0.66%, 0.76%

LAB 68.17, 14.17, -37.63

 

CMYK 0 / 35 / 31 / 8

HEX #EA99A1

RGB 234 153 161

HSL 354.07, 0.66%, 0.76%

LAB 71.45, 31.35, 8.43

 

CMYK 31 / 0 / 35 / 8

HEX #A1EA99

RGB 161 234 153

HSL 114.07, 0.66%, 0.76%

LAB 86.37, -37.96, 32.34

 

CMYK 35 / 31 / 0 / 8

HEX #99A1EA

RGB 153 161 234

HSL 234.07, 0.66%, 0.76%

LAB 68.17, 14.17, -37.63

 

CMYK 0 / 35 / 3 / 8

HEX #EA99E2

RGB 234 153 226

HSL 305.93, 0.66%, 0.76%

LAB 73.39, 41.33, -24.58

 

CMYK 0 / 3 / 35 / 8

HEX #EAE299

RGB 234 226 153

HSL 54.07, 0.66%, 0.76%

LAB 89.01, -7.91, 36.71

 

CMYK 35 / 0 / 31 / 8

HEX #99EAA1

RGB 153 234 161

HSL 125.93, 0.66%, 0.76%

LAB 86.1, -39.2, 27.84

 

CMYK 35 / 31 / 0 / 8

HEX #99A1EA

RGB 153 161 234

HSL 234.07, 0.66%, 0.76%

LAB 68.17, 14.17, -37.63

 

CMYK 0 / 35 / 14 / 8

HEX #EA99C9

RGB 234 153 201

HSL 324.44, 0.66%, 0.76%

LAB 72.56, 37.12, -12.1

 

CMYK 0 / 3 / 35 / 8

HEX #EAE299

RGB 234 226 153

HSL 54.07, 0.66%, 0.76%

LAB 89.01, -7.91, 36.71

 

CMYK 35 / 0 / 21 / 8

HEX #99EAB9

RGB 153 234 185

HSL 143.7, 0.66%, 0.76%

LAB 86.56, -34.95, 16.08

 

Description

Color code: HEX #99A1EA | qconv.com Color code: HEX #99A1EA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 161 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 161 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 31 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 31% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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