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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9977B6 it is the complementary color #668849. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9977B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9977B6: #9E77B1, #AF89C4, #C09BD7, #D1ADEA and #E2BFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9977B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9977B6: #9977B6, #8865A3, #775390, #66417D and #552F6A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 35 / 0 / 29

HEX #9977B6

RGB 153 119 182

HSL 272.38, 0.3%, 0.59%

LAB 55.42, 25.53, -28.3

 

Complementary color

CMYK 25 / 0 / 46 / 47

HEX #668849

RGB 102 136 73

HSL 92.38, 0.3%, 0.41%

LAB 52.86, -23.7, 29.94

 

CMYK 11 / 33 / 0 / 31

HEX #9E77B1

RGB 158 119 177

HSL 280.34, 0.27%, 0.58%

LAB 55.72, 26.03, -24.93

 

CMYK 11 / 30 / 0 / 23

HEX #AF89C4

RGB 175 137 196

HSL 278.64, 0.33%, 0.65%

LAB 62.5, 25.36, -25.16

 

CMYK 11 / 28 / 0 / 16

HEX #C09BD7

RGB 192 155 215

HSL 277, 0.43%, 0.73%

LAB 69.15, 24.75, -25.4

 

CMYK 11 / 26 / 0 / 8

HEX #D1ADEA

RGB 209 173 234

HSL 275.41, 0.59%, 0.8%

LAB 75.69, 24.18, -25.65

 

CMYK 11 / 25 / 0 / 1

HEX #E2BFFD

RGB 226 191 253

HSL 273.87, 0.94%, 0.87%

LAB 82.12, 23.65, -25.9

 

CMYK 16 / 35 / 0 / 29

HEX #9977B6

RGB 153 119 182

HSL 272.38, 0.3%, 0.59%

LAB 55.42, 25.53, -28.3

 

CMYK 17 / 38 / 0 / 36

HEX #8865A3

RGB 136 101 163

HSL 273.87, 0.25%, 0.52%

LAB 48.49, 26.27, -28.17

 

CMYK 17 / 42 / 0 / 44

HEX #775390

RGB 119 83 144

HSL 275.41, 0.27%, 0.45%

LAB 41.41, 27.09, -28.04

 

CMYK 18 / 48 / 0 / 51

HEX #66417D

RGB 102 65 125

HSL 277, 0.32%, 0.37%

LAB 34.16, 27.98, -27.92

 

CMYK 20 / 56 / 0 / 58

HEX #552F6A

RGB 85 47 106

HSL 278.64, 0.39%, 0.3%

LAB 26.75, 28.9, -27.75

 

CMYK 16 / 35 / 0 / 29

HEX #9977B6

RGB 153 119 182

HSL 272.38, 0.3%, 0.59%

LAB 55.42, 25.53, -28.3

 

CMYK 10 / 34 / 0 / 29

HEX #A277B5

RGB 162 119 181

HSL 281.61, 0.3%, 0.59%

LAB 56.3, 28.18, -26.3

 

CMYK 4 / 34 / 0 / 29

HEX #AD77B5

RGB 173 119 181

HSL 292.26, 0.3%, 0.59%

LAB 57.48, 31.74, -24.39

 

CMYK 0 / 34 / 1 / 29

HEX #B577B3

RGB 181 119 179

HSL 301.94, 0.3%, 0.59%

LAB 58.29, 33.97, -21.91

 

CMYK 0 / 34 / 7 / 29

HEX #B577A9

RGB 181 119 169

HSL 311.61, 0.3%, 0.59%

LAB 57.92, 32.12, -16.73

 

CMYK 16 / 35 / 0 / 29

HEX #9977B6

RGB 153 119 182

HSL 272.38, 0.3%, 0.59%

LAB 55.42, 25.53, -28.3

 

CMYK 16 / 35 / 0 / 9

HEX #C498E9

RGB 196 152 233

HSL 272.59, 0.65%, 0.75%

LAB 69.52, 31.47, -34.7

 

CMYK 17 / 34 / 0 / 89

HEX #18131D

RGB 24 19 29

HSL 270, 0.21%, 0.09%

LAB 6.76, 4.91, -6.03

 

CMYK 16 / 35 / 0 / 69

HEX #433450

RGB 67 52 80

HSL 272.14, 0.21%, 0.26%

LAB 24.41, 13.04, -14.58

 

CMYK 16 / 34 / 0 / 49

HEX #6E5683

RGB 110 86 131

HSL 272, 0.21%, 0.43%

LAB 40.59, 19.23, -21.52

 

CMYK 16 / 35 / 0 / 29

HEX #9977B6

RGB 153 119 182

HSL 272.38, 0.3%, 0.59%

LAB 55.42, 25.53, -28.3

 

CMYK 0 / 34 / 25 / 29

HEX #B57787

RGB 181 119 135

HSL 344.52, 0.3%, 0.59%

LAB 56.85, 26.53, 1.33

 

CMYK 34 / 0 / 30 / 29

HEX #77B57F

RGB 119 181 127

HSL 127.74, 0.3%, 0.59%

LAB 68.39, -31.2, 21.36

 

CMYK 16 / 35 / 0 / 29

HEX #9977B6

RGB 153 119 182

HSL 272.38, 0.3%, 0.59%

LAB 55.42, 25.53, -28.3

 

CMYK 0 / 16 / 34 / 29

HEX #B59877

RGB 181 152 119

HSL 31.94, 0.3%, 0.59%

LAB 64.65, 5.94, 21.4

 

CMYK 34 / 0 / 16 / 29

HEX #77B598

RGB 119 181 152

HSL 151.94, 0.3%, 0.59%

LAB 68.92, -26.37, 8.5

 

CMYK 16 / 35 / 0 / 29

HEX #9977B6

RGB 153 119 182

HSL 272.38, 0.3%, 0.59%

LAB 55.42, 25.53, -28.3

 

CMYK 0 / 34 / 25 / 29

HEX #B57787

RGB 181 119 135

HSL 344.52, 0.3%, 0.59%

LAB 56.85, 26.53, 1.33

 

CMYK 18 / 0 / 34 / 29

HEX #94B577

RGB 148 181 119

HSL 91.94, 0.3%, 0.59%

LAB 69.95, -22.39, 28.02

 

CMYK 34 / 0 / 9 / 29

HEX #77B5A5

RGB 119 181 165

HSL 164.52, 0.3%, 0.59%

LAB 69.25, -23.55, 1.82

 

CMYK 16 / 35 / 0 / 29

HEX #9977B6

RGB 153 119 182

HSL 272.38, 0.3%, 0.59%

LAB 55.42, 25.53, -28.3

 

CMYK 0 / 33 / 34 / 29

HEX #B57977

RGB 181 121 119

HSL 1.94, 0.3%, 0.59%

LAB 56.91, 23.2, 10.7

 

CMYK 18 / 0 / 34 / 29

HEX #94B577

RGB 148 181 119

HSL 91.94, 0.3%, 0.59%

LAB 69.95, -22.39, 28.02

 

CMYK 34 / 1 / 0 / 29

HEX #77B3B5

RGB 119 179 181

HSL 181.94, 0.3%, 0.59%

LAB 69.11, -18.77, -7.2

 

Description

Color code: HEX #9977B6 | qconv.com Color code: HEX #9977B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 119 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 119 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 35 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 35% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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