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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #994BB6 it is the complementary color #66B449. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #994BB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #994BB6 shade: #9E4BB1, #AF5DC4, #C06FD7, #D181EA and #E293FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #994BB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #994BB6 shade: #994BB6, #8839A3, #772790, #66157D and #55036A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #994BB6 shade: #984AB5, #B54AB5, #B54A98, #B54A7B and #B54A5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #994BB6 shade: #984AB5, #7B4AB5, #5E4AB5 and #4A4AB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #994BB6 shade matches the following richer shades: #984AB5, #A135CA, #AB21DE and #B40CF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #994BB6 shade: #984AB5, #8F5FA0, #85738C, #7C8877 and #729C63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #994BB6 shade: #5E4AB5, #7A4AB5, #974AB5, #B34AB5 and #B54A9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #994BB6 shade: #67327A, #7F3E98, #984AB5, #A967C1 and #B985CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #994BB6 shade: #994BB6, #B54A53 and #4AB56C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #994BB6 shade: #994BB6, #B5974A and #4AB597

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #994BB6 shade: #994BB6, #B54A53, #68B54A and #4AB5AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #994BB6 shade: #994BB6, #B5614A, #68B54A and #4A9EB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 59 / 0 / 29

HEX #994BB6

RGB 153 75 182

HSL 283.74, 0.42%, 0.5%

LAB 45.88, 49.72, -43.29

 

Complementary color

CMYK 43 / 0 / 59 / 29

HEX #66B449

RGB 102 180 73

HSL 103.74, 0.42%, 0.5%

LAB 66.48, -43.93, 46.24

 

CMYK 11 / 58 / 0 / 31

HEX #9E4BB1

RGB 158 75 177

HSL 288.82, 0.4%, 0.49%

LAB 46.28, 49.99, -39.68

 

CMYK 11 / 53 / 0 / 23

HEX #AF5DC4

RGB 175 93 196

HSL 287.77, 0.47%, 0.57%

LAB 52.87, 49.37, -40.15

 

CMYK 11 / 48 / 0 / 16

HEX #C06FD7

RGB 192 111 215

HSL 286.73, 0.57%, 0.64%

LAB 59.42, 48.64, -40.51

 

CMYK 11 / 45 / 0 / 8

HEX #D181EA

RGB 209 129 234

HSL 285.71, 0.71%, 0.71%

LAB 65.9, 47.88, -40.79

 

CMYK 11 / 42 / 0 / 1

HEX #E293FD

RGB 226 147 253

HSL 284.72, 0.96%, 0.78%

LAB 72.31, 47.13, -41.04

 

CMYK 16 / 59 / 0 / 29

HEX #994BB6

RGB 153 75 182

HSL 283.74, 0.42%, 0.5%

LAB 45.88, 49.72, -43.29

 

CMYK 17 / 65 / 0 / 36

HEX #8839A3

RGB 136 57 163

HSL 284.72, 0.48%, 0.43%

LAB 39.25, 50.19, -42.75

 

CMYK 17 / 73 / 0 / 44

HEX #772790

RGB 119 39 144

HSL 285.71, 0.57%, 0.36%

LAB 32.67, 50.23, -41.9

 

CMYK 18 / 83 / 0 / 51

HEX #66157D

RGB 102 21 125

HSL 286.73, 0.71%, 0.29%

LAB 26.28, 49.39, -40.49

 

CMYK 20 / 97 / 0 / 58

HEX #55036A

RGB 85 3 106

HSL 287.77, 0.94%, 0.21%

LAB 20.19, 47.21, -38.27

 

CMYK 16 / 59 / 0 / 29

HEX #984AB5

RGB 152 74 181

HSL 283.74, 0.42%, 0.5%

LAB 45.51, 49.75, -43.3

 

CMYK 0 / 59 / 0 / 29

HEX #B54AB5

RGB 181 74 181

HSL 300, 0.42%, 0.5%

LAB 49.57, 57.24, -36.62

 

CMYK 0 / 59 / 16 / 29

HEX #B54A98

RGB 181 74 152

HSL 316.26, 0.42%, 0.5%

LAB 48.25, 52.46, -21.58

 

CMYK 0 / 59 / 32 / 29

HEX #B54A7B

RGB 181 74 123

HSL 332.52, 0.42%, 0.5%

LAB 47.17, 48.41, -5.78

 

CMYK 0 / 59 / 48 / 29

HEX #B54A5F

RGB 181 74 95

HSL 348.22, 0.42%, 0.5%

LAB 46.38, 45.27, 10.12

 

CMYK 16 / 59 / 0 / 29

HEX #984AB5

RGB 152 74 181

HSL 283.74, 0.42%, 0.5%

LAB 45.51, 49.75, -43.3

 

CMYK 32 / 59 / 0 / 29

HEX #7B4AB5

RGB 123 74 181

HSL 267.48, 0.42%, 0.5%

LAB 41.91, 42.51, -49.25

 

CMYK 48 / 59 / 0 / 29

HEX #5E4AB5

RGB 94 74 181

HSL 251.21, 0.42%, 0.5%

LAB 38.92, 35.88, -54.23

 

CMYK 59 / 59 / 0 / 29

HEX #4A4AB5

RGB 74 74 181

HSL 240, 0.42%, 0.5%

LAB 37.28, 31.95, -56.97

 

CMYK 16 / 59 / 0 / 29

HEX #984AB5

RGB 152 74 181

HSL 283.74, 0.42%, 0.5%

LAB 45.51, 49.75, -43.3

 

CMYK 20 / 74 / 0 / 21

HEX #A135CA

RGB 161 53 202

HSL 283.49, 0.58%, 0.5%

LAB 44.78, 65.18, -56.63

 

CMYK 23 / 85 / 0 / 13

HEX #AB21DE

RGB 171 33 222

HSL 283.81, 0.74%, 0.5%

LAB 45.66, 76.62, -66.63

 

CMYK 26 / 95 / 0 / 5

HEX #B40CF3

RGB 180 12 243

HSL 283.64, 0.91%, 0.5%

LAB 47.54, 84.94, -75.4

 

CMYK 16 / 59 / 0 / 29

HEX #984AB5

RGB 152 74 181

HSL 283.74, 0.42%, 0.5%

LAB 45.51, 49.75, -43.3

 

CMYK 11 / 41 / 0 / 37

HEX #8F5FA0

RGB 143 95 160

HSL 284.31, 0.25%, 0.5%

LAB 47.7, 31.31, -27.57

 

CMYK 5 / 18 / 0 / 45

HEX #85738C

RGB 133 115 140

HSL 283.2, 0.1%, 0.5%

LAB 50.85, 11.88, -11.04

 

CMYK 9 / 0 / 13 / 47

HEX #7C8877

RGB 124 136 119

HSL 102.35, 0.07%, 0.5%

LAB 55.3, -7.75, 7.64

 

CMYK 27 / 0 / 37 / 39

HEX #729C63

RGB 114 156 99

HSL 104.21, 0.22%, 0.5%

LAB 60.12, -25.44, 25.38

 

CMYK 48 / 59 / 0 / 29

HEX #5E4AB5

RGB 94 74 181

HSL 251.21, 0.42%, 0.5%

LAB 38.92, 35.88, -54.23

 

CMYK 33 / 59 / 0 / 29

HEX #7A4AB5

RGB 122 74 181

HSL 266.92, 0.42%, 0.5%

LAB 41.8, 42.26, -49.44

 

CMYK 17 / 59 / 0 / 29

HEX #974AB5

RGB 151 74 181

HSL 283.18, 0.42%, 0.5%

LAB 45.38, 49.49, -43.52

 

CMYK 1 / 59 / 0 / 29

HEX #B34AB5

RGB 179 74 181

HSL 298.88, 0.42%, 0.5%

LAB 49.27, 56.72, -37.1

 

CMYK 0 / 59 / 15 / 29

HEX #B54A9A

RGB 181 74 154

HSL 315.14, 0.42%, 0.5%

LAB 48.33, 52.77, -22.64

 

CMYK 16 / 59 / 0 / 52

HEX #67327A

RGB 103 50 122

HSL 284.17, 0.42%, 0.34%

LAB 30.81, 36.22, -31.33

 

CMYK 16 / 59 / 0 / 40

HEX #7F3E98

RGB 127 62 152

HSL 283.33, 0.42%, 0.42%

LAB 38.24, 43.09, -37.81

 

CMYK 16 / 59 / 0 / 29

HEX #984AB5

RGB 152 74 181

HSL 283.74, 0.42%, 0.5%

LAB 45.51, 49.75, -43.3

 

CMYK 12 / 47 / 0 / 24

HEX #A967C1

RGB 169 103 193

HSL 284, 0.42%, 0.58%

LAB 54.01, 41.8, -36.69

 

CMYK 10 / 35 / 0 / 20

HEX #B985CD

RGB 185 133 205

HSL 283.33, 0.42%, 0.66%

LAB 62.93, 32.66, -29.48

 

CMYK 16 / 59 / 0 / 29

HEX #994BB6

RGB 153 75 182

HSL 283.74, 0.42%, 0.5%

LAB 45.88, 49.72, -43.29

 

CMYK 0 / 59 / 54 / 29

HEX #B54A53

RGB 181 74 83

HSL 354.95, 0.42%, 0.5%

LAB 46.1, 44.19, 17.05

 

CMYK 59 / 0 / 40 / 29

HEX #4AB56C

RGB 74 181 108

HSL 139.07, 0.42%, 0.5%

LAB 66.2, -47.07, 28.24

 

CMYK 16 / 59 / 0 / 29

HEX #994BB6

RGB 153 75 182

HSL 283.74, 0.42%, 0.5%

LAB 45.88, 49.72, -43.29

 

CMYK 0 / 17 / 59 / 29

HEX #B5974A

RGB 181 151 74

HSL 43.18, 0.42%, 0.5%

LAB 63.71, 1.9, 44.04

 

CMYK 59 / 0 / 17 / 29

HEX #4AB597

RGB 74 181 151

HSL 163.18, 0.42%, 0.5%

LAB 67.08, -38.03, 6.17

 

CMYK 16 / 59 / 0 / 29

HEX #994BB6

RGB 153 75 182

HSL 283.74, 0.42%, 0.5%

LAB 45.88, 49.72, -43.29

 

CMYK 0 / 59 / 54 / 29

HEX #B54A53

RGB 181 74 83

HSL 354.95, 0.42%, 0.5%

LAB 46.1, 44.19, 17.05

 

CMYK 43 / 0 / 59 / 29

HEX #68B54A

RGB 104 181 74

HSL 103.18, 0.42%, 0.5%

LAB 66.89, -43.6, 46.27

 

CMYK 59 / 0 / 5 / 29

HEX #4AB5AC

RGB 74 181 172

HSL 174.95, 0.42%, 0.5%

LAB 67.64, -32.66, -4.61

 

CMYK 16 / 59 / 0 / 29

HEX #994BB6

RGB 153 75 182

HSL 283.74, 0.42%, 0.5%

LAB 45.88, 49.72, -43.29

 

CMYK 0 / 46 / 59 / 29

HEX #B5614A

RGB 181 97 74

HSL 12.9, 0.42%, 0.5%

LAB 50.53, 31.72, 28.16

 

CMYK 43 / 0 / 59 / 29

HEX #68B54A

RGB 104 181 74

HSL 103.18, 0.42%, 0.5%

LAB 66.89, -43.6, 46.27

 

CMYK 59 / 13 / 0 / 29

HEX #4A9EB5

RGB 74 158 181

HSL 192.9, 0.42%, 0.5%

LAB 61, -18.55, -19.6

 

Description

Color code: HEX #994BB6 | qconv.com Color code: HEX #994BB6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 75 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 75 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 59 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 59% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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