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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B985CD it is the complementary color #467A32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B985CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B985CD shade: #BE85C8, #CF97DB, #E0A9EE, #F1BBFF and #FFCDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B985CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B985CD shade: #B985CD, #A873BA, #9761A7, #864F94 and #753D81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B985CD shade: #B884CD, #CC84CD, #CD84BA, #CD84A6 and #CD8492

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B985CD shade: #B884CD, #A584CD, #9184CD and #8484CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B985CD shade matches the following richer shades: #B884CD, #BF76DB, #C568E9 and #CB5AF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B985CD shade: #B884CD, #B292BF, #ACA0B1, #A6AEA3 and #A0BC95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B985CD shade: #9184CD, #A584CD, #B884CD, #CC84CD and #CD84BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B985CD shade: #974AB4, #A867C1, #B884CD, #C9A1D9 and #DABEE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B985CD shade: #B985CD, #CD848A and #84CD9B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B985CD shade: #B985CD, #CDB884 and #84CDB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B985CD shade: #B985CD, #CD848A, #99CD84 and #84CDC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B985CD shade: #B985CD, #CD9484, #99CD84 and #84BDCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 35 / 0 / 20

HEX #B985CD

RGB 185 133 205

HSL 283.33, 0.42%, 0.66%

LAB 62.93, 32.66, -29.48

 

Complementary color

CMYK 43 / 0 / 59 / 52

HEX #467A32

RGB 70 122 50

HSL 103.33, 0.42%, 0.34%

LAB 46.25, -31.78, 33.53

 

CMYK 5 / 34 / 0 / 22

HEX #BE85C8

RGB 190 133 200

HSL 291.04, 0.38%, 0.65%

LAB 63.25, 33.23, -26.12

 

CMYK 5 / 31 / 0 / 14

HEX #CF97DB

RGB 207 151 219

HSL 289.41, 0.49%, 0.73%

LAB 69.83, 32.54, -26.43

 

CMYK 6 / 29 / 0 / 7

HEX #E0A9EE

RGB 224 169 238

HSL 287.83, 0.67%, 0.8%

LAB 76.31, 31.88, -26.74

 

CMYK 5 / 27 / 0 / 0

HEX #F1BBFF

RGB 241 187 255

HSL 287.65, 1%, 0.87%

LAB 82.63, 30.88, -26.08

 

CMYK 0 / 20 / 0 / 0

HEX #FFCDFF

RGB 255 205 255

HSL 300, 1%, 0.9%

LAB 88.04, 25.84, -17.75

 

CMYK 10 / 35 / 0 / 20

HEX #B985CD

RGB 185 133 205

HSL 283.33, 0.42%, 0.66%

LAB 62.93, 32.66, -29.48

 

CMYK 10 / 38 / 0 / 27

HEX #A873BA

RGB 168 115 186

HSL 284.79, 0.34%, 0.59%

LAB 56.22, 33.41, -29.24

 

CMYK 10 / 42 / 0 / 35

HEX #9761A7

RGB 151 97 167

HSL 286.29, 0.28%, 0.52%

LAB 49.4, 34.2, -28.98

 

CMYK 9 / 47 / 0 / 42

HEX #864F94

RGB 134 79 148

HSL 287.83, 0.3%, 0.45%

LAB 42.46, 35.01, -28.68

 

CMYK 9 / 53 / 0 / 49

HEX #753D81

RGB 117 61 129

HSL 289.41, 0.36%, 0.37%

LAB 35.41, 35.81, -28.31

 

CMYK 10 / 36 / 0 / 20

HEX #B884CD

RGB 184 132 205

HSL 282.74, 0.42%, 0.66%

LAB 62.59, 32.9, -30

 

CMYK 0 / 36 / 0 / 20

HEX #CC84CD

RGB 204 132 205

HSL 299.18, 0.42%, 0.66%

LAB 64.76, 39.18, -26.48

 

CMYK 0 / 36 / 9 / 20

HEX #CD84BA

RGB 205 132 186

HSL 315.62, 0.42%, 0.66%

LAB 64.18, 36.1, -16.67

 

CMYK 0 / 36 / 19 / 20

HEX #CD84A6

RGB 205 132 166

HSL 332.05, 0.42%, 0.66%

LAB 63.54, 32.83, -6.31

 

CMYK 0 / 36 / 29 / 20

HEX #CD8492

RGB 205 132 146

HSL 348.49, 0.42%, 0.66%

LAB 62.98, 29.91, 4.24

 

CMYK 10 / 36 / 0 / 20

HEX #B884CD

RGB 184 132 205

HSL 282.74, 0.42%, 0.66%

LAB 62.59, 32.9, -30

 

CMYK 20 / 36 / 0 / 20

HEX #A584CD

RGB 165 132 205

HSL 267.12, 0.42%, 0.66%

LAB 60.7, 27.05, -33.08

 

CMYK 29 / 36 / 0 / 20

HEX #9184CD

RGB 145 132 205

HSL 250.68, 0.42%, 0.66%

LAB 58.91, 21.09, -36.01

 

CMYK 36 / 36 / 0 / 20

HEX #8484CD

RGB 132 132 205

HSL 240, 0.42%, 0.66%

LAB 57.86, 17.41, -37.73

 

CMYK 10 / 36 / 0 / 20

HEX #B884CD

RGB 184 132 205

HSL 282.74, 0.42%, 0.66%

LAB 62.59, 32.9, -30

 

CMYK 13 / 46 / 0 / 14

HEX #BF76DB

RGB 191 118 219

HSL 283.37, 0.58%, 0.66%

LAB 60.91, 45.51, -40.41

 

CMYK 15 / 55 / 0 / 9

HEX #C568E9

RGB 197 104 233

HSL 283.26, 0.75%, 0.66%

LAB 59.57, 57.14, -50.3

 

CMYK 18 / 64 / 0 / 3

HEX #CB5AF7

RGB 203 90 247

HSL 283.18, 0.91%, 0.66%

LAB 58.72, 67.85, -59.41

 

CMYK 10 / 36 / 0 / 20

HEX #B884CD

RGB 184 132 205

HSL 282.74, 0.42%, 0.66%

LAB 62.59, 32.9, -30

 

CMYK 7 / 24 / 0 / 25

HEX #B292BF

RGB 178 146 191

HSL 282.67, 0.26%, 0.66%

LAB 64.79, 20.24, -18.83

 

CMYK 3 / 10 / 0 / 31

HEX #ACA0B1

RGB 172 160 177

HSL 282.35, 0.1%, 0.66%

LAB 67.34, 7.55, -7.22

 

CMYK 5 / 0 / 6 / 32

HEX #A6AEA3

RGB 166 174 163

HSL 103.64, 0.06%, 0.66%

LAB 70.19, -4.89, 4.66

 

CMYK 15 / 0 / 21 / 26

HEX #A0BC95

RGB 160 188 149

HSL 103.08, 0.23%, 0.66%

LAB 73.29, -16.84, 16.64

 

CMYK 29 / 36 / 0 / 20

HEX #9184CD

RGB 145 132 205

HSL 250.68, 0.42%, 0.66%

LAB 58.91, 21.09, -36.01

 

CMYK 20 / 36 / 0 / 20

HEX #A584CD

RGB 165 132 205

HSL 267.12, 0.42%, 0.66%

LAB 60.7, 27.05, -33.08

 

CMYK 10 / 36 / 0 / 20

HEX #B884CD

RGB 184 132 205

HSL 282.74, 0.42%, 0.66%

LAB 62.59, 32.9, -30

 

CMYK 0 / 36 / 0 / 20

HEX #CC84CD

RGB 204 132 205

HSL 299.18, 0.42%, 0.66%

LAB 64.76, 39.18, -26.48

 

CMYK 0 / 36 / 9 / 20

HEX #CD84BB

RGB 205 132 187

HSL 314.79, 0.42%, 0.66%

LAB 64.22, 36.27, -17.18

 

CMYK 16 / 59 / 0 / 29

HEX #974AB4

RGB 151 74 180

HSL 283.58, 0.42%, 0.5%

LAB 45.32, 49.28, -43.02

 

CMYK 13 / 47 / 0 / 24

HEX #A867C1

RGB 168 103 193

HSL 283.33, 0.42%, 0.58%

LAB 53.89, 41.51, -36.88

 

CMYK 10 / 36 / 0 / 20

HEX #B884CD

RGB 184 132 205

HSL 282.74, 0.42%, 0.66%

LAB 62.59, 32.9, -30

 

CMYK 7 / 26 / 0 / 15

HEX #C9A1D9

RGB 201 161 217

HSL 282.86, 0.42%, 0.74%

LAB 71.5, 24.74, -22.84

 

CMYK 5 / 17 / 0 / 10

HEX #DABEE5

RGB 218 190 229

HSL 283.08, 0.43%, 0.82%

LAB 80.4, 16.88, -15.73

 

CMYK 10 / 35 / 0 / 20

HEX #B985CD

RGB 185 133 205

HSL 283.33, 0.42%, 0.66%

LAB 62.93, 32.66, -29.48

 

CMYK 0 / 36 / 33 / 20

HEX #CD848A

RGB 205 132 138

HSL 355.07, 0.42%, 0.66%

LAB 62.77, 28.85, 8.5

 

CMYK 36 / 0 / 24 / 20

HEX #84CD9B

RGB 132 205 155

HSL 138.9, 0.42%, 0.66%

LAB 76.64, -33.36, 17.84

 

CMYK 10 / 35 / 0 / 20

HEX #B985CD

RGB 185 133 205

HSL 283.33, 0.42%, 0.66%

LAB 62.93, 32.66, -29.48

 

CMYK 0 / 10 / 36 / 20

HEX #CDB884

RGB 205 184 132

HSL 42.74, 0.42%, 0.66%

LAB 75.41, -0.06, 29.18

 

CMYK 36 / 0 / 10 / 20

HEX #84CDB8

RGB 132 205 184

HSL 162.74, 0.42%, 0.66%

LAB 77.3, -27.46, 3.25

 

CMYK 10 / 35 / 0 / 20

HEX #B985CD

RGB 185 133 205

HSL 283.33, 0.42%, 0.66%

LAB 62.93, 32.66, -29.48

 

CMYK 0 / 36 / 33 / 20

HEX #CD848A

RGB 205 132 138

HSL 355.07, 0.42%, 0.66%

LAB 62.77, 28.85, 8.5

 

CMYK 25 / 0 / 36 / 20

HEX #99CD84

RGB 153 205 132

HSL 102.74, 0.42%, 0.66%

LAB 77.34, -30.36, 31.05

 

CMYK 36 / 0 / 3 / 20

HEX #84CDC7

RGB 132 205 199

HSL 175.07, 0.42%, 0.66%

LAB 77.69, -24.05, -4.24

 

CMYK 10 / 35 / 0 / 20

HEX #B985CD

RGB 185 133 205

HSL 283.33, 0.42%, 0.66%

LAB 62.93, 32.66, -29.48

 

CMYK 0 / 28 / 36 / 20

HEX #CD9484

RGB 205 148 132

HSL 13.15, 0.42%, 0.66%

LAB 66.39, 19.37, 16.95

 

CMYK 25 / 0 / 36 / 20

HEX #99CD84

RGB 153 205 132

HSL 102.74, 0.42%, 0.66%

LAB 77.34, -30.36, 31.05

 

CMYK 36 / 8 / 0 / 20

HEX #84BDCD

RGB 132 189 205

HSL 193.15, 0.42%, 0.66%

LAB 73.36, -14.46, -13.94

 

Description

Color code: HEX #B985CD | qconv.com Color code: HEX #B985CD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 133 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 133 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 35 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 35% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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