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Color name
HEX #9948C2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9948C2 it is the complementary color #66B73D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9948C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9948C2 shade: #9E48BD, #AF5AD0, #C06CE3, #D17EF6 and #E290FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9948C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9948C2 shade: #9948C2, #8836AF, #77249C, #661289 and #550076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9948C2 shade: #9947C2, #BA47C2, #C247A9, #C24788 and #C24767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9948C2 shade: #9947C2, #7847C2, #5747C2 and #4747C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9948C2 shade matches the following richer shades: #9947C2, #9F34D6, #A620E9 and #AC0CFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9948C2 shade: #9947C2, #925BAE, #8C6F9A, #858386 and #7F9773

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9948C2 shade: #5647C2, #7647C2, #9747C2, #B847C2 and #C247AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9948C2 shade: #6A2E89, #8238A8, #9947C2, #AA66CC and #BB85D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9948C2 shade: #9948C2, #C2475A and #47C266

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9948C2 shade: #9948C2, #C29747 and #47C297

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9948C2 shade: #9948C2, #C2475A, #72C247 and #47C2AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9948C2 shade: #9948C2, #C25A47, #72C247 and #47AFC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 63 / 0 / 24

HEX #9948C2

RGB 153 72 194

HSL 279.84, 0.5%, 0.52%

LAB 46.05, 53.74, -50.02

 

Complementary color

CMYK 44 / 0 / 67 / 28

HEX #66B73D

RGB 102 183 61

HSL 99.84, 0.5%, 0.48%

LAB 67.3, -46.32, 52.38

 

CMYK 16 / 62 / 0 / 26

HEX #9E48BD

RGB 158 72 189

HSL 284.1, 0.47%, 0.51%

LAB 46.42, 53.88, -46.48

 

CMYK 16 / 57 / 0 / 18

HEX #AF5AD0

RGB 175 90 208

HSL 283.22, 0.56%, 0.58%

LAB 52.93, 53.32, -46.93

 

CMYK 15 / 52 / 0 / 11

HEX #C06CE3

RGB 192 108 227

HSL 282.35, 0.68%, 0.66%

LAB 59.41, 52.63, -47.25

 

CMYK 15 / 49 / 0 / 4

HEX #D17EF6

RGB 209 126 246

HSL 281.5, 0.87%, 0.73%

LAB 65.85, 51.87, -47.48

 

CMYK 11 / 44 / 0 / 0

HEX #E290FF

RGB 226 144 255

HSL 284.32, 1%, 0.78%

LAB 71.78, 49.08, -42.96

 

CMYK 21 / 63 / 0 / 24

HEX #9948C2

RGB 153 72 194

HSL 279.84, 0.5%, 0.52%

LAB 46.05, 53.74, -50.02

 

CMYK 22 / 69 / 0 / 31

HEX #8836AF

RGB 136 54 175

HSL 280.66, 0.53%, 0.45%

LAB 39.53, 54.09, -49.46

 

CMYK 24 / 77 / 0 / 39

HEX #77249C

RGB 119 36 156

HSL 281.5, 0.63%, 0.38%

LAB 33.1, 53.91, -48.54

 

CMYK 26 / 87 / 0 / 46

HEX #661289

RGB 102 18 137

HSL 282.35, 0.77%, 0.3%

LAB 26.92, 52.71, -47

 

CMYK 28 / 100 / 0 / 54

HEX #550076

RGB 85 0 118

HSL 283.22, 1%, 0.23%

LAB 20.98, 50.36, -44.77

 

CMYK 21 / 63 / 0 / 24

HEX #9947C2

RGB 153 71 194

HSL 280, 0.5%, 0.52%

LAB 45.87, 54.22, -50.3

 

CMYK 4 / 63 / 0 / 24

HEX #BA47C2

RGB 186 71 194

HSL 296.1, 0.5%, 0.52%

LAB 50.5, 62.07, -42.65

 

CMYK 0 / 63 / 13 / 24

HEX #C247A9

RGB 194 71 169

HSL 312.2, 0.5%, 0.52%

LAB 50.5, 59.97, -27.99

 

CMYK 0 / 63 / 30 / 24

HEX #C24788

RGB 194 71 136

HSL 328.29, 0.5%, 0.52%

LAB 49.2, 55.38, -10.38

 

CMYK 0 / 63 / 47 / 24

HEX #C24767

RGB 194 71 103

HSL 344.39, 0.5%, 0.52%

LAB 48.2, 51.74, 8.13

 

CMYK 21 / 63 / 0 / 24

HEX #9947C2

RGB 153 71 194

HSL 280, 0.5%, 0.52%

LAB 45.87, 54.22, -50.3

 

CMYK 38 / 63 / 0 / 24

HEX #7847C2

RGB 120 71 194

HSL 263.9, 0.5%, 0.52%

LAB 41.84, 46.79, -57

 

CMYK 55 / 63 / 0 / 24

HEX #5747C2

RGB 87 71 194

HSL 247.8, 0.5%, 0.52%

LAB 38.6, 40.28, -62.41

 

CMYK 63 / 63 / 0 / 24

HEX #4747C2

RGB 71 71 194

HSL 240, 0.5%, 0.52%

LAB 37.37, 37.65, -64.46

 

CMYK 21 / 63 / 0 / 24

HEX #9947C2

RGB 153 71 194

HSL 280, 0.5%, 0.52%

LAB 45.87, 54.22, -50.3

 

CMYK 26 / 76 / 0 / 16

HEX #9F34D6

RGB 159 52 214

HSL 279.63, 0.66%, 0.52%

LAB 45.2, 67.58, -62.89

 

CMYK 29 / 86 / 0 / 9

HEX #A620E9

RGB 166 32 233

HSL 280, 0.82%, 0.52%

LAB 45.67, 78.19, -72.91

 

CMYK 32 / 95 / 0 / 1

HEX #AC0CFD

RGB 172 12 253

HSL 279.83, 0.98%, 0.52%

LAB 47.14, 85.8, -81.71

 

CMYK 21 / 63 / 0 / 24

HEX #9947C2

RGB 153 71 194

HSL 280, 0.5%, 0.52%

LAB 45.87, 54.22, -50.3

 

CMYK 16 / 48 / 0 / 32

HEX #925BAE

RGB 146 91 174

HSL 279.76, 0.34%, 0.52%

LAB 47.81, 37.57, -35.6

 

CMYK 9 / 28 / 0 / 40

HEX #8C6F9A

RGB 140 111 154

HSL 280.47, 0.18%, 0.52%

LAB 51.01, 19.7, -18.96

 

CMYK 1 / 2 / 0 / 47

HEX #858386

RGB 133 131 134

HSL 280, 0.01%, 0.52%

LAB 55.01, 1.34, -1.36

 

CMYK 16 / 0 / 24 / 41

HEX #7F9773

RGB 127 151 115

HSL 100, 0.15%, 0.52%

LAB 59.78, -15.46, 16.23

 

CMYK 56 / 63 / 0 / 24

HEX #5647C2

RGB 86 71 194

HSL 247.32, 0.5%, 0.52%

LAB 38.52, 40.11, -62.55

 

CMYK 39 / 63 / 0 / 24

HEX #7647C2

RGB 118 71 194

HSL 262.93, 0.5%, 0.52%

LAB 41.62, 46.36, -57.37

 

CMYK 22 / 63 / 0 / 24

HEX #9747C2

RGB 151 71 194

HSL 279.02, 0.5%, 0.52%

LAB 45.61, 53.75, -50.73

 

CMYK 5 / 63 / 0 / 24

HEX #B847C2

RGB 184 71 194

HSL 295.12, 0.5%, 0.52%

LAB 50.21, 61.58, -43.13

 

CMYK 0 / 63 / 12 / 24

HEX #C247AB

RGB 194 71 171

HSL 311.22, 0.5%, 0.52%

LAB 50.59, 60.28, -29.03

 

CMYK 23 / 66 / 0 / 46

HEX #6A2E89

RGB 106 46 137

HSL 279.56, 0.5%, 0.36%

LAB 31.4, 42.52, -39.72

 

CMYK 23 / 67 / 0 / 34

HEX #8238A8

RGB 130 56 168

HSL 279.64, 0.5%, 0.44%

LAB 38.55, 50.32, -46.9

 

CMYK 21 / 63 / 0 / 24

HEX #9947C2

RGB 153 71 194

HSL 280, 0.5%, 0.52%

LAB 45.87, 54.22, -50.3

 

CMYK 17 / 50 / 0 / 20

HEX #AA66CC

RGB 170 102 204

HSL 280, 0.5%, 0.6%

LAB 54.46, 44.96, -42.26

 

CMYK 13 / 38 / 0 / 16

HEX #BB85D6

RGB 187 133 214

HSL 280, 0.5%, 0.68%

LAB 63.5, 35.16, -33.6

 

CMYK 21 / 63 / 0 / 24

HEX #9948C2

RGB 153 72 194

HSL 279.84, 0.5%, 0.52%

LAB 46.05, 53.74, -50.02

 

CMYK 0 / 63 / 54 / 24

HEX #C2475A

RGB 194 71 90

HSL 350.73, 0.5%, 0.52%

LAB 47.9, 50.59, 15.6

 

CMYK 63 / 0 / 47 / 24

HEX #47C266

RGB 71 194 102

HSL 135.12, 0.5%, 0.52%

LAB 70.09, -53.8, 36.32

 

CMYK 21 / 63 / 0 / 24

HEX #9948C2

RGB 153 72 194

HSL 279.84, 0.5%, 0.52%

LAB 46.05, 53.74, -50.02

 

CMYK 0 / 22 / 63 / 24

HEX #C29747

RGB 194 151 71

HSL 39.02, 0.5%, 0.52%

LAB 65.01, 7.33, 47.32

 

CMYK 63 / 0 / 22 / 24

HEX #47C297

RGB 71 194 151

HSL 159.02, 0.5%, 0.52%

LAB 70.98, -44.31, 11.71

 

CMYK 21 / 63 / 0 / 24

HEX #9948C2

RGB 153 72 194

HSL 279.84, 0.5%, 0.52%

LAB 46.05, 53.74, -50.02

 

CMYK 0 / 63 / 54 / 24

HEX #C2475A

RGB 194 71 90

HSL 350.73, 0.5%, 0.52%

LAB 47.9, 50.59, 15.6

 

CMYK 41 / 0 / 63 / 24

HEX #72C247

RGB 114 194 71

HSL 99.02, 0.5%, 0.52%

LAB 71.29, -46.09, 52.67

 

CMYK 63 / 0 / 10 / 24

HEX #47C2AF

RGB 71 194 175

HSL 170.73, 0.5%, 0.52%

LAB 71.57, -38.43, -0.49

 

CMYK 21 / 63 / 0 / 24

HEX #9948C2

RGB 153 72 194

HSL 279.84, 0.5%, 0.52%

LAB 46.05, 53.74, -50.02

 

CMYK 0 / 54 / 63 / 24

HEX #C25A47

RGB 194 90 71

HSL 9.27, 0.5%, 0.52%

LAB 50.96, 40.22, 30.83

 

CMYK 41 / 0 / 63 / 24

HEX #72C247

RGB 114 194 71

HSL 99.02, 0.5%, 0.52%

LAB 71.29, -46.09, 52.67

 

CMYK 63 / 10 / 0 / 24

HEX #47AFC2

RGB 71 175 194

HSL 189.27, 0.5%, 0.52%

LAB 66.44, -23.98, -18.59

 

Description

Color code: HEX #9948C2 | qconv.com Color code: HEX #9948C2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 72 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 72 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 63 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 63% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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