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Color name
HEX #98DD2E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98DD2E it is the complementary color #6722D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98DD2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98DD2E shade: #9DDD29, #AEEF3C, #BFFF4F, #D0FF62 and #E1FF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98DD2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98DD2E shade: #98DD2E, #87CB1B, #76B908, #65A700 and #549500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98DD2E shade: #97DD2C, #C7DD2C, #DDC32C, #DD942C and #DD642C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98DD2E shade: #97DD2C, #68DD2C, #38DD2C, #2CDD50 and #2CDD80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98DD2E shade matches the following richer shades: #97DD2C and #9BF119

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98DD2E shade: #97DD2C, #93C940, #8FB554, #8BA168 and #868E7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98DD2E shade: #DDC22C, #C8DD2C, #99DD2C, #6ADD2C and #3BDD2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98DD2E shade: #699D1A, #81C11F, #97DD2C, #A9E350 and #BAE873

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98DD2E shade: #98DD2E, #2CDD93 and #DA2CDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98DD2E shade: #98DD2E, #2C99DD and #DD2C99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98DD2E shade: #98DD2E, #2CDD93, #702CDD and #DD2C76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98DD2E shade: #98DD2E, #2CDDC8, #702CDD and #DD2C41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 79 / 13

HEX #98DD2E

RGB 152 221 46

HSL 83.66, 0.72%, 0.52%

LAB 81.06, -45.89, 71.94

 

Complementary color

CMYK 51 / 84 / 0 / 18

HEX #6722D1

RGB 103 34 209

HSL 263.66, 0.72%, 0.48%

LAB 35.26, 64.42, -76.54

 

CMYK 29 / 0 / 81 / 13

HEX #9DDD29

RGB 157 221 41

HSL 81.33, 0.73%, 0.51%

LAB 81.31, -44.26, 73.58

 

CMYK 27 / 0 / 75 / 6

HEX #AEEF3C

RGB 174 239 60

HSL 81.79, 0.85%, 0.59%

LAB 87.51, -44.88, 74.27

 

CMYK 25 / 0 / 69 / 0

HEX #BFFF4F

RGB 191 255 79

HSL 81.82, 1%, 0.65%

LAB 93.08, -44.5, 73.71

 

CMYK 18 / 0 / 62 / 0

HEX #D0FF62

RGB 208 255 98

HSL 77.96, 1%, 0.69%

LAB 94.23, -36.94, 68

 

CMYK 12 / 0 / 54 / 0

HEX #E1FF75

RGB 225 255 117

HSL 73.04, 1%, 0.73%

LAB 95.5, -29.03, 61.7

 

CMYK 31 / 0 / 79 / 13

HEX #98DD2E

RGB 152 221 46

HSL 83.66, 0.72%, 0.52%

LAB 81.06, -45.89, 71.94

 

CMYK 33 / 0 / 87 / 20

HEX #87CB1B

RGB 135 203 27

HSL 83.18, 0.77%, 0.45%

LAB 74.79, -45.15, 70.63

 

CMYK 36 / 0 / 96 / 27

HEX #76B908

RGB 118 185 8

HSL 82.71, 0.92%, 0.38%

LAB 68.44, -44.17, 67.97

 

CMYK 40 / 0 / 100 / 35

HEX #65A700

RGB 101 167 0

HSL 83.71, 1%, 0.33%

LAB 62, -42.91, 63.55

 

CMYK 44 / 0 / 100 / 42

HEX #549500

RGB 84 149 0

HSL 86.17, 1%, 0.29%

LAB 55.46, -41.45, 58.12

 

CMYK 32 / 0 / 80 / 13

HEX #97DD2C

RGB 151 221 44

HSL 83.73, 0.72%, 0.52%

LAB 81, -46.33, 72.4

 

CMYK 10 / 0 / 80 / 13

HEX #C7DD2C

RGB 199 221 44

HSL 67.46, 0.72%, 0.52%

LAB 83.98, -27.71, 76.19

 

CMYK 0 / 12 / 80 / 13

HEX #DDC32C

RGB 221 195 44

HSL 51.19, 0.72%, 0.52%

LAB 78.8, -5.57, 72.34

 

CMYK 0 / 33 / 80 / 13

HEX #DD942C

RGB 221 148 44

HSL 35.25, 0.72%, 0.52%

LAB 67.08, 19.28, 61.91

 

CMYK 0 / 55 / 80 / 13

HEX #DD642C

RGB 221 100 44

HSL 18.98, 0.72%, 0.52%

LAB 56.75, 44.22, 52.37

 

CMYK 32 / 0 / 80 / 13

HEX #97DD2C

RGB 151 221 44

HSL 83.73, 0.72%, 0.52%

LAB 81, -46.33, 72.4

 

CMYK 53 / 0 / 80 / 13

HEX #68DD2C

RGB 104 221 44

HSL 99.66, 0.72%, 0.52%

LAB 78.95, -61.35, 69.77

 

CMYK 75 / 0 / 80 / 13

HEX #38DD2C

RGB 56 221 44

HSL 115.93, 0.72%, 0.52%

LAB 77.72, -71.5, 68.18

 

CMYK 80 / 0 / 64 / 13

HEX #2CDD50

RGB 44 221 80

HSL 132.2, 0.72%, 0.52%

LAB 77.77, -70.15, 55.5

 

CMYK 80 / 0 / 42 / 13

HEX #2CDD80

RGB 44 221 128

HSL 148.47, 0.72%, 0.52%

LAB 78.35, -63.28, 33.72

 

CMYK 32 / 0 / 80 / 13

HEX #97DD2C

RGB 151 221 44

HSL 83.73, 0.72%, 0.52%

LAB 81, -46.33, 72.4

 

CMYK 36 / 0 / 90 / 5

HEX #9BF119

RGB 155 241 25

HSL 83.89, 0.89%, 0.52%

LAB 86.97, -53.72, 81.54

 

CMYK 32 / 0 / 80 / 13

HEX #97DD2C

RGB 151 221 44

HSL 83.73, 0.72%, 0.52%

LAB 81, -46.33, 72.4

 

CMYK 27 / 0 / 68 / 21

HEX #93C940

RGB 147 201 64

HSL 83.65, 0.56%, 0.52%

LAB 75.04, -38.03, 60.03

 

CMYK 21 / 0 / 54 / 29

HEX #8FB554

RGB 143 181 84

HSL 83.51, 0.4%, 0.52%

LAB 69.13, -28.6, 44.73

 

CMYK 14 / 0 / 35 / 37

HEX #8BA168

RGB 139 161 104

HSL 83.16, 0.23%, 0.52%

LAB 63.32, -17.8, 27.2

 

CMYK 6 / 0 / 13 / 44

HEX #868E7C

RGB 134 142 124

HSL 86.67, 0.07%, 0.52%

LAB 57.91, -6.37, 8.6

 

CMYK 0 / 12 / 80 / 13

HEX #DDC22C

RGB 221 194 44

HSL 50.85, 0.72%, 0.52%

LAB 78.54, -5.05, 72.11

 

CMYK 10 / 0 / 80 / 13

HEX #C8DD2C

RGB 200 221 44

HSL 67.12, 0.72%, 0.52%

LAB 84.06, -27.3, 76.28

 

CMYK 31 / 0 / 80 / 13

HEX #99DD2C

RGB 153 221 44

HSL 83.05, 0.72%, 0.52%

LAB 81.11, -45.61, 72.54

 

CMYK 52 / 0 / 80 / 13

HEX #6ADD2C

RGB 106 221 44

HSL 98.98, 0.72%, 0.52%

LAB 79.02, -60.8, 69.86

 

CMYK 73 / 0 / 80 / 13

HEX #3BDD2C

RGB 59 221 44

HSL 114.92, 0.72%, 0.52%

LAB 77.77, -71.04, 68.25

 

CMYK 33 / 0 / 83 / 38

HEX #699D1A

RGB 105 157 26

HSL 83.82, 0.72%, 0.36%

LAB 59.15, -36.43, 56.67

 

CMYK 33 / 0 / 84 / 24

HEX #81C11F

RGB 129 193 31

HSL 83.7, 0.72%, 0.44%

LAB 71.49, -42.96, 66.79

 

CMYK 32 / 0 / 80 / 13

HEX #97DD2C

RGB 151 221 44

HSL 83.73, 0.72%, 0.52%

LAB 81, -46.33, 72.4

 

CMYK 26 / 0 / 65 / 11

HEX #A9E350

RGB 169 227 80

HSL 83.67, 0.72%, 0.6%

LAB 83.94, -40.28, 63.47

 

CMYK 20 / 0 / 50 / 9

HEX #BAE873

RGB 186 232 115

HSL 83.59, 0.72%, 0.68%

LAB 86.7, -33.19, 51.63

 

CMYK 31 / 0 / 79 / 13

HEX #98DD2E

RGB 152 221 46

HSL 83.66, 0.72%, 0.52%

LAB 81.06, -45.89, 71.94

 

CMYK 80 / 0 / 33 / 13

HEX #2CDD93

RGB 44 221 147

HSL 154.92, 0.72%, 0.52%

LAB 78.67, -59.63, 24.41

 

CMYK 1 / 80 / 0 / 13

HEX #DA2CDD

RGB 218 44 221

HSL 298.98, 0.72%, 0.52%

LAB 53.95, 81.93, -52.32

 

CMYK 31 / 0 / 79 / 13

HEX #98DD2E

RGB 152 221 46

HSL 83.66, 0.72%, 0.52%

LAB 81.06, -45.89, 71.94

 

CMYK 80 / 31 / 0 / 13

HEX #2C99DD

RGB 44 153 221

HSL 203.05, 0.72%, 0.52%

LAB 60.37, -6.79, -43.03

 

CMYK 0 / 80 / 31 / 13

HEX #DD2C99

RGB 221 44 153

HSL 323.05, 0.72%, 0.52%

LAB 51.24, 73.52, -17.01

 

CMYK 31 / 0 / 79 / 13

HEX #98DD2E

RGB 152 221 46

HSL 83.66, 0.72%, 0.52%

LAB 81.06, -45.89, 71.94

 

CMYK 80 / 0 / 33 / 13

HEX #2CDD93

RGB 44 221 147

HSL 154.92, 0.72%, 0.52%

LAB 78.67, -59.63, 24.41

 

CMYK 49 / 80 / 0 / 13

HEX #702CDD

RGB 112 44 221

HSL 263.05, 0.72%, 0.52%

LAB 38.67, 64.87, -77.82

 

CMYK 0 / 80 / 47 / 13

HEX #DD2C76

RGB 221 44 118

HSL 334.92, 0.72%, 0.52%

LAB 50.08, 70.09, 2.33

 

CMYK 31 / 0 / 79 / 13

HEX #98DD2E

RGB 152 221 46

HSL 83.66, 0.72%, 0.52%

LAB 81.06, -45.89, 71.94

 

CMYK 80 / 0 / 10 / 13

HEX #2CDDC8

RGB 44 221 200

HSL 172.88, 0.72%, 0.52%

LAB 79.85, -47.02, -1.89

 

CMYK 49 / 80 / 0 / 13

HEX #702CDD

RGB 112 44 221

HSL 263.05, 0.72%, 0.52%

LAB 38.67, 64.87, -77.82

 

CMYK 0 / 80 / 71 / 13

HEX #DD2C41

RGB 221 44 65

HSL 352.88, 0.72%, 0.52%

LAB 48.95, 66.68, 32.95

 

Description

Color code: HEX #98DD2E | qconv.com Color code: HEX #98DD2E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 221 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 221 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 79 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 79% 13% C M Y K

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Provide designers and agencies with accurate color values.

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