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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98DB5B it is the complementary color #6724A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98DB5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #98DB5B: #9DDB56, #AEED69, #BFFF7C, #D0FF8F and #E1FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98DB5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #98DB5B: #98DB5B, #87C948, #76B735, #65A522 and #54930F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 58 / 14

HEX #98DB5B

RGB 152 219 91

HSL 91.41, 0.64%, 0.61%

LAB 80.79, -41.98, 55.13

 

Complementary color

CMYK 37 / 78 / 0 / 36

HEX #6724A4

RGB 103 36 164

HSL 271.41, 0.64%, 0.39%

LAB 31.41, 52.78, -56.25

 

CMYK 28 / 0 / 61 / 14

HEX #9DDB56

RGB 157 219 86

HSL 87.97, 0.65%, 0.6%

LAB 81.02, -40.65, 57.63

 

CMYK 27 / 0 / 56 / 7

HEX #AEED69

RGB 174 237 105

HSL 88.64, 0.79%, 0.67%

LAB 87.28, -40.78, 56.7

 

CMYK 25 / 0 / 51 / 0

HEX #BFFF7C

RGB 191 255 124

HSL 89.31, 1%, 0.74%

LAB 93.47, -40.85, 55.66

 

CMYK 18 / 0 / 44 / 0

HEX #D0FF8F

RGB 208 255 143

HSL 85.18, 1%, 0.78%

LAB 94.7, -32.77, 48.53

 

CMYK 12 / 0 / 36 / 0

HEX #E1FFA2

RGB 225 255 162

HSL 79.35, 1%, 0.82%

LAB 96.05, -24.4, 41.28

 

CMYK 31 / 0 / 58 / 14

HEX #98DB5B

RGB 152 219 91

HSL 91.41, 0.64%, 0.61%

LAB 80.79, -41.98, 55.13

 

CMYK 33 / 0 / 64 / 21

HEX #87C948

RGB 135 201 72

HSL 90.7, 0.54%, 0.54%

LAB 74.44, -41.82, 55.98

 

CMYK 36 / 0 / 71 / 28

HEX #76B735

RGB 118 183 53

HSL 90, 0.55%, 0.46%

LAB 68, -41.52, 56.51

 

CMYK 39 / 0 / 79 / 35

HEX #65A522

RGB 101 165 34

HSL 89.31, 0.66%, 0.39%

LAB 61.47, -41.02, 56.4

 

CMYK 43 / 0 / 90 / 42

HEX #54930F

RGB 84 147 15

HSL 88.64, 0.81%, 0.32%

LAB 54.85, -40.24, 55.11

 

CMYK 31 / 0 / 58 / 14

HEX #98DB5B

RGB 152 219 91

HSL 91.41, 0.64%, 0.61%

LAB 80.79, -41.98, 55.13

 

CMYK 40 / 0 / 58 / 14

HEX #84DB5B

RGB 132 219 91

HSL 100.78, 0.64%, 0.61%

LAB 79.8, -48.71, 53.74

 

CMYK 50 / 0 / 58 / 14

HEX #6EDB5B

RGB 110 219 91

HSL 111.09, 0.64%, 0.61%

LAB 78.89, -55.28, 52.45

 

CMYK 58 / 0 / 57 / 14

HEX #5BDB5E

RGB 91 219 94

HSL 121.41, 0.64%, 0.61%

LAB 78.28, -59.77, 50.24

 

CMYK 58 / 0 / 47 / 14

HEX #5BDB73

RGB 91 219 115

HSL 131.25, 0.64%, 0.61%

LAB 78.53, -56.98, 40.62

 

CMYK 31 / 0 / 58 / 14

HEX #98DB5B

RGB 152 219 91

HSL 91.41, 0.64%, 0.61%

LAB 80.79, -41.98, 55.13

 

CMYK 33 / 0 / 60 / 94

HEX #0A0F06

RGB 10 15 6

HSL 93.33, 0.43%, 0.04%

LAB 3.79, -2.85, 3.16

 

CMYK 30 / 0 / 59 / 74

HEX #2E421B

RGB 46 66 27

HSL 90.77, 0.42%, 0.18%

LAB 25.43, -15.92, 21.02

 

CMYK 31 / 0 / 58 / 54

HEX #517531

RGB 81 117 49

HSL 91.76, 0.41%, 0.33%

LAB 45.21, -25.39, 32.98

 

CMYK 30 / 0 / 58 / 34

HEX #75A846

RGB 117 168 70

HSL 91.22, 0.41%, 0.47%

LAB 63.53, -33.76, 44.45

 

CMYK 31 / 0 / 58 / 14

HEX #98DB5B

RGB 152 219 91

HSL 91.41, 0.64%, 0.61%

LAB 80.79, -41.98, 55.13

 

CMYK 58 / 0 / 16 / 14

HEX #5BDBB7

RGB 91 219 183

HSL 163.13, 0.64%, 0.61%

LAB 79.79, -43.91, 7.18

 

CMYK 0 / 58 / 7 / 14

HEX #DB5BCC

RGB 219 91 204

HSL 307.03, 0.64%, 0.61%

LAB 58.88, 63.59, -34.87

 

CMYK 31 / 0 / 58 / 14

HEX #98DB5B

RGB 152 219 91

HSL 91.41, 0.64%, 0.61%

LAB 80.79, -41.98, 55.13

 

CMYK 58 / 30 / 0 / 14

HEX #5B99DB

RGB 91 153 219

HSL 210.94, 0.64%, 0.61%

LAB 61.76, -0.54, -39.63

 

CMYK 0 / 58 / 30 / 14

HEX #DB5B99

RGB 219 91 153

HSL 330.94, 0.64%, 0.61%

LAB 56.92, 56.29, -8.47

 

CMYK 31 / 0 / 58 / 14

HEX #98DB5B

RGB 152 219 91

HSL 91.41, 0.64%, 0.61%

LAB 80.79, -41.98, 55.13

 

CMYK 58 / 0 / 16 / 14

HEX #5BDBB7

RGB 91 219 183

HSL 163.13, 0.64%, 0.61%

LAB 79.79, -43.91, 7.18

 

CMYK 28 / 58 / 0 / 14

HEX #9D5BDB

RGB 157 91 219

HSL 270.94, 0.64%, 0.61%

LAB 51.57, 50.81, -55.48

 

CMYK 0 / 58 / 42 / 14

HEX #DB5B7F

RGB 219 91 127

HSL 343.13, 0.64%, 0.61%

LAB 56.16, 53.33, 5.68

 

CMYK 31 / 0 / 58 / 14

HEX #98DB5B

RGB 152 219 91

HSL 91.41, 0.64%, 0.61%

LAB 80.79, -41.98, 55.13

 

CMYK 58 / 1 / 0 / 14

HEX #5BD9DB

RGB 91 217 219

HSL 180.94, 0.64%, 0.61%

LAB 80.16, -33.9, -11.47

 

CMYK 28 / 58 / 0 / 14

HEX #9D5BDB

RGB 157 91 219

HSL 270.94, 0.64%, 0.61%

LAB 51.57, 50.81, -55.48

 

CMYK 0 / 57 / 58 / 14

HEX #DB5E5B

RGB 219 94 91

HSL 1.41, 0.64%, 0.61%

LAB 55.91, 48.79, 26.4

 

Description

Color code: HEX #98DB5B | qconv.com Color code: HEX #98DB5B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 219 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 219 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 58 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 58% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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