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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98D5D0 it is the complementary color #672A2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98D5D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #98D5D0: #9DD5CB, #AEE7DE, #BFF9F1, #D0FFFF and #E1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98D5D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #98D5D0: #98D5D0, #87C3BD, #76B1AA, #659F97 and #548D84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 2 / 16

HEX #98D5D0

RGB 152 213 208

HSL 175.08, 0.42%, 0.72%

LAB 81.19, -20.4, -3.79

 

Complementary color

CMYK 0 / 59 / 54 / 60

HEX #672A2F

RGB 103 42 47

HSL 355.08, 0.42%, 0.28%

LAB 25.99, 27.92, 10.43

 

CMYK 26 / 0 / 5 / 16

HEX #9DD5CB

RGB 157 213 203

HSL 169.29, 0.4%, 0.73%

LAB 81.33, -20.03, -0.89

 

CMYK 25 / 0 / 4 / 9

HEX #AEE7DE

RGB 174 231 222

HSL 170.53, 0.54%, 0.79%

LAB 87.69, -19.9, -1.52

 

CMYK 23 / 0 / 3 / 2

HEX #BFF9F1

RGB 191 249 241

HSL 171.72, 0.83%, 0.86%

LAB 93.96, -19.78, -2.13

 

CMYK 18 / 0 / 0 / 0

HEX #D0FFFF

RGB 208 255 255

HSL 180, 1%, 0.91%

LAB 96.88, -14.82, -4.95

 

CMYK 12 / 0 / 0 / 0

HEX #E1FFFF

RGB 225 255 255

HSL 180, 1%, 0.94%

LAB 97.93, -9.63, -3.28

 

CMYK 29 / 0 / 2 / 16

HEX #98D5D0

RGB 152 213 208

HSL 175.08, 0.42%, 0.72%

LAB 81.19, -20.4, -3.79

 

CMYK 31 / 0 / 3 / 24

HEX #87C3BD

RGB 135 195 189

HSL 174, 0.33%, 0.65%

LAB 74.73, -20.53, -3.17

 

CMYK 33 / 0 / 4 / 31

HEX #76B1AA

RGB 118 177 170

HSL 172.88, 0.27%, 0.58%

LAB 68.17, -20.66, -2.52

 

CMYK 36 / 0 / 5 / 38

HEX #659F97

RGB 101 159 151

HSL 171.72, 0.23%, 0.51%

LAB 61.48, -20.81, -1.83

 

CMYK 40 / 0 / 6 / 45

HEX #548D84

RGB 84 141 132

HSL 170.53, 0.25%, 0.44%

LAB 54.66, -20.95, -1.1

 

CMYK 29 / 0 / 2 / 16

HEX #98D5D0

RGB 152 213 208

HSL 175.08, 0.42%, 0.72%

LAB 81.19, -20.4, -3.79

 

CMYK 28 / 2 / 0 / 16

HEX #99D0D5

RGB 153 208 213

HSL 185, 0.42%, 0.72%

LAB 80, -16.46, -8.22

 

CMYK 28 / 7 / 0 / 16

HEX #99C6D5

RGB 153 198 213

HSL 195, 0.42%, 0.72%

LAB 77.26, -11.3, -12.31

 

CMYK 28 / 12 / 0 / 16

HEX #99BCD5

RGB 153 188 213

HSL 205, 0.42%, 0.72%

LAB 74.54, -6.02, -16.4

 

CMYK 28 / 16 / 0 / 16

HEX #99B2D5

RGB 153 178 213

HSL 215, 0.42%, 0.72%

LAB 71.84, -0.61, -20.48

 

CMYK 29 / 0 / 2 / 16

HEX #98D5D0

RGB 152 213 208

HSL 175.08, 0.42%, 0.72%

LAB 81.19, -20.4, -3.79

 

CMYK 33 / 0 / 0 / 96

HEX #060909

RGB 6 9 9

HSL 180, 0.2%, 0.03%

LAB 2.29, -0.78, -0.28

 

CMYK 28 / 0 / 2 / 76

HEX #2B3C3B

RGB 43 60 59

HSL 176.47, 0.17%, 0.2%

LAB 23.87, -7.09, -1.62

 

CMYK 29 / 0 / 3 / 56

HEX #4F6F6C

RGB 79 111 108

HSL 174.38, 0.17%, 0.37%

LAB 44.4, -12.2, -2.06

 

CMYK 28 / 0 / 2 / 36

HEX #74A29E

RGB 116 162 158

HSL 174.78, 0.2%, 0.55%

LAB 63.36, -16.28, -2.91

 

CMYK 29 / 0 / 2 / 16

HEX #98D5D0

RGB 152 213 208

HSL 175.08, 0.42%, 0.72%

LAB 81.19, -20.4, -3.79

 

CMYK 25 / 28 / 0 / 16

HEX #A099D5

RGB 160 153 213

HSL 247, 0.42%, 0.72%

LAB 65.8, 15.45, -29.69

 

CMYK 0 / 14 / 28 / 16

HEX #D5B899

RGB 213 184 153

HSL 31, 0.42%, 0.72%

LAB 76.51, 5.75, 19.59

 

CMYK 29 / 0 / 2 / 16

HEX #98D5D0

RGB 152 213 208

HSL 175.08, 0.42%, 0.72%

LAB 81.19, -20.4, -3.79

 

CMYK 2 / 28 / 0 / 16

HEX #D099D5

RGB 208 153 213

HSL 295, 0.42%, 0.72%

LAB 70.17, 30.61, -22.6

 

CMYK 0 / 2 / 28 / 16

HEX #D5D099

RGB 213 208 153

HSL 55, 0.42%, 0.72%

LAB 82.68, -6.8, 28

 

CMYK 29 / 0 / 2 / 16

HEX #98D5D0

RGB 152 213 208

HSL 175.08, 0.42%, 0.72%

LAB 81.19, -20.4, -3.79

 

CMYK 25 / 28 / 0 / 16

HEX #A099D5

RGB 160 153 213

HSL 247, 0.42%, 0.72%

LAB 65.8, 15.45, -29.69

 

CMYK 0 / 28 / 26 / 16

HEX #D5999E

RGB 213 153 158

HSL 355, 0.42%, 0.72%

LAB 69.04, 23.16, 6.33

 

CMYK 3 / 0 / 28 / 16

HEX #CED599

RGB 206 213 153

HSL 67, 0.42%, 0.72%

LAB 83.45, -12, 28.94

 

CMYK 29 / 0 / 2 / 16

HEX #98D5D0

RGB 152 213 208

HSL 175.08, 0.42%, 0.72%

LAB 81.19, -20.4, -3.79

 

CMYK 16 / 28 / 0 / 16

HEX #B299D5

RGB 178 153 213

HSL 265, 0.42%, 0.72%

LAB 67.32, 21, -27.22

 

CMYK 0 / 28 / 26 / 16

HEX #D5999E

RGB 213 153 158

HSL 355, 0.42%, 0.72%

LAB 69.04, 23.16, 6.33

 

CMYK 12 / 0 / 28 / 16

HEX #BCD599

RGB 188 213 153

HSL 85, 0.42%, 0.72%

LAB 82.15, -18.68, 26.97

 

Description

Color code: HEX #98D5D0 | qconv.com Color code: HEX #98D5D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 213 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 213 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 2 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 2% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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