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Color name
HEX #98AC15

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98AC15 it is the complementary color #6753EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98AC15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98AC15 shade: #9DAC10, #AEBE23, #BFD036, #D0E249 and #E1F45C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98AC15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98AC15 shade: #98AC15, #879A02, #768800, #657600 and #546400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98AC15 shade: #98AC15, #AC9815, #AC6F15, #AC4615 and #AC1D15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98AC15 shade: #98AC15, #70AC15, #47AC15, #1EAC15 and #15AC35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98AC15 shade matches the following richer shades: #98AC15 and #A4BC06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98AC15 shade: #98AC15, #8D9D25, #818D35, #767D44 and #6A6E54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98AC15 shade: #AC6D15, #AC9615, #9BAC15, #73AC15 and #4AAC15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98AC15 shade: #58630C, #788811, #98AC15, #B9D11A and #CDE52F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98AC15 shade: #98AC15, #15AC45 and #8215AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98AC15 shade: #98AC15, #159BAC and #AC159B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98AC15 shade: #98AC15, #15AC45, #2715AC and #AC157D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98AC15 shade: #98AC15, #15AC73, #2715AC and #AC154F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 88 / 33

HEX #98AC15

RGB 152 172 21

HSL 67.95, 0.78%, 0.38%

LAB 66.7, -24.42, 65.49

 

Complementary color

CMYK 56 / 65 / 0 / 8

HEX #6753EA

RGB 103 83 234

HSL 247.95, 0.78%, 0.62%

LAB 45.65, 48.26, -73.8

 

CMYK 9 / 0 / 91 / 33

HEX #9DAC10

RGB 157 172 16

HSL 65.77, 0.83%, 0.37%

LAB 67.06, -22.37, 66.84

 

CMYK 8 / 0 / 82 / 25

HEX #AEBE23

RGB 174 190 35

HSL 66.19, 0.69%, 0.44%

LAB 73.51, -23.48, 68.68

 

CMYK 8 / 0 / 74 / 18

HEX #BFD036

RGB 191 208 54

HSL 66.62, 0.62%, 0.51%

LAB 79.87, -24.39, 69.33

 

CMYK 8 / 0 / 68 / 11

HEX #D0E249

RGB 208 226 73

HSL 67.06, 0.73%, 0.59%

LAB 86.15, -25.13, 69.24

 

CMYK 8 / 0 / 62 / 4

HEX #E1F45C

RGB 225 244 92

HSL 67.5, 0.87%, 0.66%

LAB 92.35, -25.74, 68.72

 

CMYK 12 / 0 / 88 / 33

HEX #98AC15

RGB 152 172 21

HSL 67.95, 0.78%, 0.38%

LAB 66.7, -24.42, 65.49

 

CMYK 12 / 0 / 99 / 40

HEX #879A02

RGB 135 154 2

HSL 67.5, 0.97%, 0.31%

LAB 60.13, -23.21, 62.74

 

CMYK 13 / 0 / 100 / 47

HEX #768800

RGB 118 136 0

HSL 67.94, 1%, 0.27%

LAB 53.45, -21.7, 57.48

 

CMYK 14 / 0 / 100 / 54

HEX #657600

RGB 101 118 0

HSL 68.64, 1%, 0.23%

LAB 46.61, -20.12, 51.79

 

CMYK 16 / 0 / 100 / 61

HEX #546400

RGB 84 100 0

HSL 69.6, 1%, 0.2%

LAB 39.58, -18.51, 45.94

 

CMYK 12 / 0 / 88 / 33

HEX #98AC15

RGB 152 172 21

HSL 67.95, 0.78%, 0.38%

LAB 66.7, -24.42, 65.49

 

CMYK 0 / 12 / 88 / 33

HEX #AC9815

RGB 172 152 21

HSL 52.05, 0.78%, 0.38%

LAB 62.74, -5.24, 62.96

 

CMYK 0 / 35 / 88 / 33

HEX #AC6F15

RGB 172 111 21

HSL 35.76, 0.78%, 0.38%

LAB 52.06, 17.48, 54.33

 

CMYK 0 / 59 / 88 / 33

HEX #AC4615

RGB 172 70 21

HSL 19.47, 0.78%, 0.38%

LAB 43.07, 39.47, 47.05

 

CMYK 0 / 83 / 88 / 33

HEX #AC1D15

RGB 172 29 21

HSL 3.18, 0.78%, 0.38%

LAB 37.3, 55.16, 42.36

 

CMYK 12 / 0 / 88 / 33

HEX #98AC15

RGB 152 172 21

HSL 67.95, 0.78%, 0.38%

LAB 66.7, -24.42, 65.49

 

CMYK 35 / 0 / 88 / 33

HEX #70AC15

RGB 112 172 21

HSL 83.84, 0.78%, 0.38%

LAB 64.16, -40.55, 62.35

 

CMYK 59 / 0 / 88 / 33

HEX #47AC15

RGB 71 172 21

HSL 100.13, 0.78%, 0.38%

LAB 62.42, -53.65, 60.17

 

CMYK 83 / 0 / 88 / 33

HEX #1EAC15

RGB 30 172 21

HSL 116.42, 0.78%, 0.38%

LAB 61.51, -61.38, 59.02

 

CMYK 88 / 0 / 69 / 33

HEX #15AC35

RGB 21 172 53

HSL 132.72, 0.78%, 0.38%

LAB 61.59, -60.06, 48.91

 

CMYK 12 / 0 / 88 / 33

HEX #98AC15

RGB 152 172 21

HSL 67.95, 0.78%, 0.38%

LAB 66.7, -24.42, 65.49

 

CMYK 13 / 0 / 97 / 26

HEX #A4BC06

RGB 164 188 6

HSL 67.91, 0.94%, 0.38%

LAB 72.14, -27.35, 72.3

 

CMYK 12 / 0 / 88 / 33

HEX #98AC15

RGB 152 172 21

HSL 67.95, 0.78%, 0.38%

LAB 66.7, -24.42, 65.49

 

CMYK 10 / 0 / 76 / 38

HEX #8D9D25

RGB 141 157 37

HSL 68, 0.62%, 0.38%

LAB 61.58, -21.12, 56.43

 

CMYK 9 / 0 / 62 / 45

HEX #818D35

RGB 129 141 53

HSL 68.18, 0.45%, 0.38%

LAB 56.06, -17.13, 44.19

 

CMYK 6 / 0 / 46 / 51

HEX #767D44

RGB 118 125 68

HSL 67.37, 0.3%, 0.38%

LAB 50.61, -11.92, 30.09

 

CMYK 4 / 0 / 24 / 57

HEX #6A6E54

RGB 106 110 84

HSL 69.23, 0.13%, 0.38%

LAB 45.44, -6.41, 14.03

 

CMYK 0 / 37 / 88 / 33

HEX #AC6D15

RGB 172 109 21

HSL 34.97, 0.78%, 0.38%

LAB 51.57, 18.6, 53.94

 

CMYK 0 / 13 / 88 / 33

HEX #AC9615

RGB 172 150 21

HSL 51.26, 0.78%, 0.38%

LAB 62.2, -4.16, 62.53

 

CMYK 10 / 0 / 88 / 33

HEX #9BAC15

RGB 155 172 21

HSL 66.75, 0.78%, 0.38%

LAB 66.92, -23.13, 65.76

 

CMYK 33 / 0 / 88 / 33

HEX #73AC15

RGB 115 172 21

HSL 82.65, 0.78%, 0.38%

LAB 64.33, -39.43, 62.55

 

CMYK 57 / 0 / 88 / 33

HEX #4AAC15

RGB 74 172 21

HSL 98.94, 0.78%, 0.38%

LAB 62.52, -52.86, 60.29

 

CMYK 11 / 0 / 88 / 61

HEX #58630C

RGB 88 99 12

HSL 67.59, 0.78%, 0.22%

LAB 39.62, -15.69, 42.91

 

CMYK 12 / 0 / 88 / 47

HEX #788811

RGB 120 136 17

HSL 68.07, 0.78%, 0.3%

LAB 53.64, -20.42, 54.55

 

CMYK 12 / 0 / 88 / 33

HEX #98AC15

RGB 152 172 21

HSL 67.95, 0.78%, 0.38%

LAB 66.7, -24.42, 65.49

 

CMYK 11 / 0 / 88 / 18

HEX #B9D11A

RGB 185 209 26

HSL 67.87, 0.78%, 0.46%

LAB 79.61, -28.28, 76.08

 

CMYK 10 / 0 / 79 / 10

HEX #CDE52F

RGB 205 229 47

HSL 67.91, 0.78%, 0.54%

LAB 86.61, -28.93, 77.89

 

CMYK 12 / 0 / 88 / 33

HEX #98AC15

RGB 152 172 21

HSL 67.95, 0.78%, 0.38%

LAB 66.7, -24.42, 65.49

 

CMYK 88 / 0 / 60 / 33

HEX #15AC45

RGB 21 172 69

HSL 139.07, 0.78%, 0.38%

LAB 61.74, -58.21, 42.05

 

CMYK 24 / 88 / 0 / 33

HEX #8215AC

RGB 130 21 172

HSL 283.31, 0.78%, 0.38%

LAB 34.52, 63.51, -55.82

 

CMYK 12 / 0 / 88 / 33

HEX #98AC15

RGB 152 172 21

HSL 67.95, 0.78%, 0.38%

LAB 66.7, -24.42, 65.49

 

CMYK 88 / 10 / 0 / 33

HEX #159BAC

RGB 21 155 172

HSL 186.75, 0.78%, 0.38%

LAB 58.58, -26.7, -18.29

 

CMYK 0 / 88 / 10 / 33

HEX #AC159B

RGB 172 21 155

HSL 306.75, 0.78%, 0.38%

LAB 40.69, 68.1, -35.28

 

CMYK 12 / 0 / 88 / 33

HEX #98AC15

RGB 152 172 21

HSL 67.95, 0.78%, 0.38%

LAB 66.7, -24.42, 65.49

 

CMYK 88 / 0 / 60 / 33

HEX #15AC45

RGB 21 172 69

HSL 139.07, 0.78%, 0.38%

LAB 61.74, -58.21, 42.05

 

CMYK 77 / 88 / 0 / 33

HEX #2715AC

RGB 39 21 172

HSL 247.15, 0.78%, 0.38%

LAB 23.49, 53.82, -74.36

 

CMYK 0 / 88 / 27 / 33

HEX #AC157D

RGB 172 21 125

HSL 318.68, 0.78%, 0.38%

LAB 39.22, 64.17, -19.19

 

CMYK 12 / 0 / 88 / 33

HEX #98AC15

RGB 152 172 21

HSL 67.95, 0.78%, 0.38%

LAB 66.7, -24.42, 65.49

 

CMYK 88 / 0 / 33 / 33

HEX #15AC73

RGB 21 172 115

HSL 157.35, 0.78%, 0.38%

LAB 62.43, -50.08, 19.25

 

CMYK 77 / 88 / 0 / 33

HEX #2715AC

RGB 39 21 172

HSL 247.15, 0.78%, 0.38%

LAB 23.49, 53.82, -74.36

 

CMYK 0 / 88 / 54 / 33

HEX #AC154F

RGB 172 21 79

HSL 336.95, 0.78%, 0.38%

LAB 37.61, 59.69, 7.57

 

Description

Color code: HEX #98AC15 | qconv.com Color code: HEX #98AC15 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 172 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 172 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 88 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 88% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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