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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98A9DC it is the complementary color #675623. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98A9DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #98A9DC: #9DA9D7, #AEBBEA, #BFCDFD, #D0DFFF and #E1F1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98A9DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #98A9DC: #98A9DC, #8797C9, #7685B6, #6573A3 and #546190

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 23 / 0 / 14

HEX #98A9DC

RGB 152 169 220

HSL 225, 0.49%, 0.73%

LAB 69.62, 5.79, -27.71

 

Complementary color

CMYK 0 / 17 / 66 / 60

HEX #675623

RGB 103 86 35

HSL 45, 0.49%, 0.27%

LAB 37.23, 0.35, 31.57

 

CMYK 27 / 21 / 0 / 16

HEX #9DA9D7

RGB 157 169 215

HSL 227.59, 0.42%, 0.73%

LAB 69.79, 6.03, -24.68

 

CMYK 26 / 20 / 0 / 8

HEX #AEBBEA

RGB 174 187 234

HSL 227, 0.59%, 0.8%

LAB 76.36, 5.72, -24.87

 

CMYK 25 / 19 / 0 / 1

HEX #BFCDFD

RGB 191 205 253

HSL 226.45, 0.94%, 0.87%

LAB 82.82, 5.44, -25.08

 

CMYK 18 / 13 / 0 / 0

HEX #D0DFFF

RGB 208 223 255

HSL 220.85, 1%, 0.91%

LAB 88.64, 1.46, -17.22

 

CMYK 12 / 5 / 0 / 0

HEX #E1F1FF

RGB 225 241 255

HSL 208, 1%, 0.94%

LAB 94.37, -2.56, -8.54

 

CMYK 31 / 23 / 0 / 14

HEX #98A9DC

RGB 152 169 220

HSL 225, 0.49%, 0.73%

LAB 69.62, 5.79, -27.71

 

CMYK 33 / 25 / 0 / 21

HEX #8797C9

RGB 135 151 201

HSL 225.45, 0.38%, 0.66%

LAB 62.93, 6.17, -27.59

 

CMYK 35 / 27 / 0 / 29

HEX #7685B6

RGB 118 133 182

HSL 225.94, 0.3%, 0.59%

LAB 56.09, 6.61, -27.5

 

CMYK 38 / 29 / 0 / 36

HEX #6573A3

RGB 101 115 163

HSL 226.45, 0.25%, 0.52%

LAB 49.1, 7.12, -27.46

 

CMYK 42 / 33 / 0 / 44

HEX #546190

RGB 84 97 144

HSL 227, 0.26%, 0.45%

LAB 41.92, 7.73, -27.48

 

CMYK 31 / 23 / 0 / 14

HEX #98A9DC

RGB 152 169 220

HSL 225, 0.49%, 0.73%

LAB 69.62, 5.79, -27.71

 

CMYK 31 / 28 / 0 / 14

HEX #989EDB

RGB 152 158 219

HSL 234.63, 0.48%, 0.73%

LAB 66.71, 11.73, -31.66

 

CMYK 28 / 31 / 0 / 14

HEX #9E98DB

RGB 158 152 219

HSL 245.37, 0.48%, 0.73%

LAB 65.62, 16.89, -33.3

 

CMYK 23 / 31 / 0 / 14

HEX #A998DB

RGB 169 152 219

HSL 255.22, 0.48%, 0.73%

LAB 66.52, 20.16, -31.83

 

CMYK 18 / 31 / 0 / 14

HEX #B498DB

RGB 180 152 219

HSL 265.07, 0.48%, 0.73%

LAB 67.48, 23.51, -30.27

 

CMYK 31 / 23 / 0 / 14

HEX #98A9DC

RGB 152 169 220

HSL 225, 0.49%, 0.73%

LAB 69.62, 5.79, -27.71

 

CMYK 31 / 25 / 0 / 94

HEX #0B0C10

RGB 11 12 16

HSL 228, 0.19%, 0.05%

LAB 3.36, 0.41, -1.98

 

CMYK 31 / 24 / 0 / 74

HEX #2E3343

RGB 46 51 67

HSL 225.71, 0.19%, 0.22%

LAB 21.41, 2.26, -10.68

 

CMYK 31 / 23 / 0 / 54

HEX #525B76

RGB 82 91 118

HSL 225, 0.18%, 0.39%

LAB 38.87, 3.33, -16.43

 

CMYK 31 / 23 / 0 / 34

HEX #7582A9

RGB 117 130 169

HSL 225, 0.23%, 0.56%

LAB 54.67, 4.6, -22.24

 

CMYK 31 / 23 / 0 / 14

HEX #98A9DC

RGB 152 169 220

HSL 225, 0.49%, 0.73%

LAB 69.62, 5.79, -27.71

 

CMYK 1 / 31 / 0 / 14

HEX #D898DB

RGB 216 152 219

HSL 297.31, 0.48%, 0.73%

LAB 70.99, 34.86, -24.58

 

CMYK 11 / 0 / 31 / 14

HEX #C4DB98

RGB 196 219 152

HSL 80.6, 0.48%, 0.73%

LAB 84.31, -18.86, 30.49

 

CMYK 31 / 23 / 0 / 14

HEX #98A9DC

RGB 152 169 220

HSL 225, 0.49%, 0.73%

LAB 69.62, 5.79, -27.71

 

CMYK 0 / 31 / 23 / 14

HEX #DB98A9

RGB 219 152 169

HSL 344.78, 0.48%, 0.73%

LAB 69.74, 27.5, 1.3

 

CMYK 23 / 0 / 31 / 14

HEX #A9DB98

RGB 169 219 152

HSL 104.78, 0.48%, 0.73%

LAB 82.57, -28.49, 27.85

 

CMYK 31 / 23 / 0 / 14

HEX #98A9DC

RGB 152 169 220

HSL 225, 0.49%, 0.73%

LAB 69.62, 5.79, -27.71

 

CMYK 1 / 31 / 0 / 14

HEX #D898DB

RGB 216 152 219

HSL 297.31, 0.48%, 0.73%

LAB 70.99, 34.86, -24.58

 

CMYK 0 / 7 / 31 / 14

HEX #DBCB98

RGB 219 203 152

HSL 45.67, 0.48%, 0.73%

LAB 81.86, -2.05, 27.5

 

CMYK 29 / 0 / 31 / 14

HEX #9BDB98

RGB 155 219 152

HSL 117.31, 0.48%, 0.73%

LAB 81.78, -33.18, 26.65

 

CMYK 31 / 23 / 0 / 14

HEX #98A9DC

RGB 152 169 220

HSL 225, 0.49%, 0.73%

LAB 69.62, 5.79, -27.71

 

CMYK 0 / 31 / 7 / 14

HEX #DB98CB

RGB 219 152 203

HSL 314.33, 0.48%, 0.73%

LAB 70.75, 32.95, -16.08

 

CMYK 0 / 7 / 31 / 14

HEX #DBCB98

RGB 219 203 152

HSL 45.67, 0.48%, 0.73%

LAB 81.86, -2.05, 27.5

 

CMYK 31 / 0 / 23 / 14

HEX #98DBA9

RGB 152 219 169

HSL 135.22, 0.48%, 0.73%

LAB 81.95, -31.22, 17.98

 

Description

Color code: HEX #98A9DC | qconv.com Color code: HEX #98A9DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 169 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 169 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 23 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 23% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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