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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98968D it is the complementary color #676972. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98968D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98968D shade: #9D9688, #AEA89B, #BFBAAE, #D0CCC1 and #E1DED4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98968D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98968D shade: #98968D, #87847A, #767267, #656054 and #544E41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98968D shade: #97958C, #97928C, #978F8C and #978C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98968D shade: #97958C, #96978C, #93978C, #90978C and #8D978C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98968D shade matches the following richer shades: #97958C, #A9A07A, #BAAB68, #CCB757 and #DEC245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98968D shade: #97958C, #858A9E, #737EAF, #6273C1 and #5068D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98968D shade: #978F8C, #97928C, #97958C, #96978C and #93978C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98968D shade: #6D6B63, #838176, #97958C, #AAA9A2 and #BEBDB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98968D shade: #98968D, #8C978C and #908C97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98968D shade: #98968D, #8C9795 and #958C97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98968D shade: #98968D, #8C978C, #8C8E97 and #978C97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98968D shade: #98968D, #8C978F, #8C8E97 and #978C93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 7 / 40

HEX #98968D

RGB 152 150 141

HSL 49.09, 0.05%, 0.57%

LAB 62.01, -0.94, 5

 

Complementary color

CMYK 10 / 8 / 0 / 55

HEX #676972

RGB 103 105 114

HSL 229.09, 0.05%, 0.43%

LAB 44.52, 1.18, -5.3

 

CMYK 0 / 4 / 13 / 38

HEX #9D9688

RGB 157 150 136

HSL 40, 0.1%, 0.57%

LAB 62.3, 0.08, 8.3

 

CMYK 0 / 3 / 11 / 32

HEX #AEA89B

RGB 174 168 155

HSL 41.05, 0.1%, 0.65%

LAB 69.02, -0.15, 7.47

 

CMYK 0 / 3 / 9 / 25

HEX #BFBAAE

RGB 191 186 174

HSL 42.35, 0.12%, 0.72%

LAB 75.61, -0.35, 6.7

 

CMYK 0 / 2 / 7 / 18

HEX #D0CCC1

RGB 208 204 193

HSL 44, 0.14%, 0.79%

LAB 82.08, -0.54, 5.96

 

CMYK 0 / 1 / 6 / 12

HEX #E1DED4

RGB 225 222 212

HSL 46.15, 0.18%, 0.86%

LAB 88.45, -0.72, 5.25

 

CMYK 0 / 1 / 7 / 40

HEX #98968D

RGB 152 150 141

HSL 49.09, 0.05%, 0.57%

LAB 62.01, -0.94, 5

 

CMYK 0 / 2 / 10 / 47

HEX #87847A

RGB 135 132 122

HSL 46.15, 0.05%, 0.5%

LAB 55.13, -0.75, 5.79

 

CMYK 0 / 3 / 13 / 54

HEX #767267

RGB 118 114 103

HSL 44, 0.07%, 0.43%

LAB 48.09, -0.54, 6.64

 

CMYK 0 / 5 / 17 / 60

HEX #656054

RGB 101 96 84

HSL 42.35, 0.09%, 0.36%

LAB 40.85, -0.29, 7.57

 

CMYK 0 / 7 / 23 / 67

HEX #544E41

RGB 84 78 65

HSL 41.05, 0.13%, 0.29%

LAB 33.38, 0.02, 8.6

 

CMYK 0 / 1 / 7 / 41

HEX #97958C

RGB 151 149 140

HSL 49.09, 0.05%, 0.57%

LAB 61.63, -0.94, 5

 

CMYK 0 / 3 / 7 / 41

HEX #97928C

RGB 151 146 140

HSL 32.73, 0.05%, 0.57%

LAB 60.81, 0.73, 3.82

 

CMYK 0 / 5 / 7 / 41

HEX #978F8C

RGB 151 143 140

HSL 16.36, 0.05%, 0.57%

LAB 59.99, 2.41, 2.65

 

CMYK 0 / 7 / 7 / 41

HEX #978C8C

RGB 151 140 140

HSL 0, 0.05%, 0.57%

LAB 59.19, 4.1, 1.47

 

CMYK 0 / 1 / 7 / 41

HEX #97958C

RGB 151 149 140

HSL 49.09, 0.05%, 0.57%

LAB 61.63, -0.94, 5

 

CMYK 1 / 0 / 7 / 41

HEX #96978C

RGB 150 151 140

HSL 65.45, 0.05%, 0.57%

LAB 62.09, -2.42, 5.66

 

CMYK 3 / 0 / 7 / 41

HEX #93978C

RGB 147 151 140

HSL 81.82, 0.05%, 0.57%

LAB 61.85, -3.54, 5.28

 

CMYK 5 / 0 / 7 / 41

HEX #90978C

RGB 144 151 140

HSL 98.18, 0.05%, 0.57%

LAB 61.62, -4.65, 4.91

 

CMYK 7 / 0 / 7 / 41

HEX #8D978C

RGB 141 151 140

HSL 114.55, 0.05%, 0.57%

LAB 61.39, -5.75, 4.55

 

CMYK 0 / 1 / 7 / 41

HEX #97958C

RGB 151 149 140

HSL 49.09, 0.05%, 0.57%

LAB 61.63, -0.94, 5

 

CMYK 0 / 5 / 28 / 34

HEX #A9A07A

RGB 169 160 122

HSL 48.51, 0.21%, 0.57%

LAB 65.73, -2.86, 21.03

 

CMYK 0 / 8 / 44 / 27

HEX #BAAB68

RGB 186 171 104

HSL 49.02, 0.37%, 0.57%

LAB 69.87, -4.02, 36.37

 

CMYK 0 / 10 / 57 / 20

HEX #CCB757

RGB 204 183 87

HSL 49.23, 0.53%, 0.57%

LAB 74.44, -4.35, 50.68

 

CMYK 0 / 13 / 69 / 13

HEX #DEC245

RGB 222 194 69

HSL 49.02, 0.7%, 0.57%

LAB 78.78, -3.58, 63.69

 

CMYK 0 / 1 / 7 / 41

HEX #97958C

RGB 151 149 140

HSL 49.09, 0.05%, 0.57%

LAB 61.63, -0.94, 5

 

CMYK 16 / 13 / 0 / 38

HEX #858A9E

RGB 133 138 158

HSL 228, 0.11%, 0.57%

LAB 57.69, 2.46, -11.23

 

CMYK 34 / 28 / 0 / 31

HEX #737EAF

RGB 115 126 175

HSL 229, 0.27%, 0.57%

LAB 53.67, 7.96, -27.26

 

CMYK 49 / 40 / 0 / 24

HEX #6273C1

RGB 98 115 193

HSL 229.26, 0.43%, 0.57%

LAB 50.34, 15.31, -42.91

 

CMYK 62 / 51 / 0 / 17

HEX #5068D3

RGB 80 104 211

HSL 229.01, 0.6%, 0.57%

LAB 47.38, 24.3, -58.02

 

CMYK 0 / 5 / 7 / 41

HEX #978F8C

RGB 151 143 140

HSL 16.36, 0.05%, 0.57%

LAB 59.99, 2.41, 2.65

 

CMYK 0 / 3 / 7 / 41

HEX #97928C

RGB 151 146 140

HSL 32.73, 0.05%, 0.57%

LAB 60.81, 0.73, 3.82

 

CMYK 0 / 1 / 7 / 41

HEX #97958C

RGB 151 149 140

HSL 49.09, 0.05%, 0.57%

LAB 61.63, -0.94, 5

 

CMYK 1 / 0 / 7 / 41

HEX #96978C

RGB 150 151 140

HSL 65.45, 0.05%, 0.57%

LAB 62.09, -2.42, 5.66

 

CMYK 3 / 0 / 7 / 41

HEX #93978C

RGB 147 151 140

HSL 81.82, 0.05%, 0.57%

LAB 61.85, -3.54, 5.28

 

CMYK 0 / 2 / 9 / 57

HEX #6D6B63

RGB 109 107 99

HSL 48, 0.05%, 0.41%

LAB 45.18, -0.79, 4.75

 

CMYK 0 / 2 / 10 / 49

HEX #838176

RGB 131 129 118

HSL 50.77, 0.05%, 0.49%

LAB 53.85, -1.32, 6.22

 

CMYK 0 / 1 / 7 / 41

HEX #97958C

RGB 151 149 140

HSL 49.09, 0.05%, 0.57%

LAB 61.63, -0.94, 5

 

CMYK 0 / 1 / 5 / 33

HEX #AAA9A2

RGB 170 169 162

HSL 52.5, 0.04%, 0.65%

LAB 69.13, -0.93, 3.73

 

CMYK 0 / 1 / 4 / 25

HEX #BEBDB7

RGB 190 189 183

HSL 51.43, 0.05%, 0.73%

LAB 76.53, -0.74, 3.14

 

CMYK 0 / 1 / 7 / 40

HEX #98968D

RGB 152 150 141

HSL 49.09, 0.05%, 0.57%

LAB 62.01, -0.94, 5

 

CMYK 7 / 0 / 7 / 41

HEX #8C978C

RGB 140 151 140

HSL 120, 0.05%, 0.57%

LAB 61.31, -6.11, 4.43

 

CMYK 5 / 7 / 0 / 41

HEX #908C97

RGB 144 140 151

HSL 261.82, 0.05%, 0.57%

LAB 58.9, 3.66, -5.31

 

CMYK 0 / 1 / 7 / 40

HEX #98968D

RGB 152 150 141

HSL 49.09, 0.05%, 0.57%

LAB 62.01, -0.94, 5

 

CMYK 7 / 0 / 1 / 41

HEX #8C9795

RGB 140 151 149

HSL 169.09, 0.05%, 0.57%

LAB 61.55, -4.34, -0.31

 

CMYK 1 / 7 / 0 / 41

HEX #958C97

RGB 149 140 151

HSL 289.09, 0.05%, 0.57%

LAB 59.32, 5.46, -4.64

 

CMYK 0 / 1 / 7 / 40

HEX #98968D

RGB 152 150 141

HSL 49.09, 0.05%, 0.57%

LAB 62.01, -0.94, 5

 

CMYK 7 / 0 / 7 / 41

HEX #8C978C

RGB 140 151 140

HSL 120, 0.05%, 0.57%

LAB 61.31, -6.11, 4.43

 

CMYK 7 / 6 / 0 / 41

HEX #8C8E97

RGB 140 142 151

HSL 229.09, 0.05%, 0.57%

LAB 59.12, 1.1, -5.03

 

CMYK 0 / 7 / 0 / 41

HEX #978C97

RGB 151 140 151

HSL 300, 0.05%, 0.57%

LAB 59.5, 6.18, -4.36

 

CMYK 0 / 1 / 7 / 40

HEX #98968D

RGB 152 150 141

HSL 49.09, 0.05%, 0.57%

LAB 62.01, -0.94, 5

 

CMYK 7 / 0 / 5 / 41

HEX #8C978F

RGB 140 151 143

HSL 136.36, 0.05%, 0.57%

LAB 61.39, -5.53, 2.85

 

CMYK 7 / 6 / 0 / 41

HEX #8C8E97

RGB 140 142 151

HSL 229.09, 0.05%, 0.57%

LAB 59.12, 1.1, -5.03

 

CMYK 0 / 7 / 3 / 41

HEX #978C93

RGB 151 140 147

HSL 321.82, 0.05%, 0.57%

LAB 59.38, 5.41, -2.25

 

Description

Color code: HEX #98968D | qconv.com Color code: HEX #98968D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 150 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 150 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 7 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 7% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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