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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 3 / 0 / 7 / 41 it is the complementary color CMYK 5 / 9 / 0 / 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 3 / 0 / 7 / 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 3 / 0 / 7 / 41: CMYK 0 / 1 / 11 / 41, CMYK 0 / 0 / 8 / 34, CMYK 1 / 0 / 7 / 27, CMYK 1 / 0 / 6 / 20 and CMYK 1 / 0 / 5 / 13

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 3 / 0 / 7 / 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 3 / 0 / 7 / 41: CMYK 3 / 0 / 7 / 41, CMYK 2 / 0 / 8 / 48, CMYK 2 / 0 / 11 / 55, CMYK 1 / 0 / 14 / 62 and CMYK 0 / 0 / 18 / 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 7 / 41

HEX #92968C

RGB 146 150 140

HSL 84, 0.05%, 0.57%

LAB 61.5, -3.36, 4.76

 

Complementary color

CMYK 5 / 9 / 0 / 55

HEX #6D6973

RGB 109 105 115

HSL 264, 0.05%, 0.43%

LAB 45.07, 3.64, -5.03

 

CMYK 0 / 1 / 11 / 41

HEX #979687

RGB 151 150 135

HSL 56.25, 0.07%, 0.56%

LAB 61.78, -2.38, 8.04

 

CMYK 0 / 0 / 8 / 34

HEX #A8A89A

RGB 168 168 154

HSL 60, 0.07%, 0.63%

LAB 68.51, -2.54, 7.23

 

CMYK 1 / 0 / 7 / 27

HEX #B9BAAD

RGB 185 186 173

HSL 64.62, 0.09%, 0.7%

LAB 75.11, -2.69, 6.46

 

CMYK 1 / 0 / 6 / 20

HEX #CACCC0

RGB 202 204 192

HSL 70, 0.11%, 0.78%

LAB 81.59, -2.83, 5.73

 

CMYK 1 / 0 / 5 / 13

HEX #DBDED3

RGB 219 222 211

HSL 76.36, 0.14%, 0.85%

LAB 87.97, -2.96, 5.03

 

CMYK 3 / 0 / 7 / 41

HEX #92968C

RGB 146 150 140

HSL 84, 0.05%, 0.57%

LAB 61.5, -3.36, 4.76

 

CMYK 2 / 0 / 8 / 48

HEX #818479

RGB 129 132 121

HSL 76.36, 0.04%, 0.5%

LAB 54.61, -3.24, 5.55

 

CMYK 2 / 0 / 11 / 55

HEX #707266

RGB 112 114 102

HSL 70, 0.06%, 0.42%

LAB 47.54, -3.11, 6.39

 

CMYK 1 / 0 / 14 / 62

HEX #5F6053

RGB 95 96 83

HSL 64.62, 0.07%, 0.35%

LAB 40.28, -2.97, 7.3

 

CMYK 0 / 0 / 18 / 69

HEX #4E4E40

RGB 78 78 64

HSL 60, 0.1%, 0.28%

LAB 32.79, -2.8, 8.31

 

CMYK 3 / 0 / 7 / 41

HEX #92968C

RGB 146 150 140

HSL 84, 0.05%, 0.57%

LAB 61.5, -3.36, 4.76

 

CMYK 4 / 0 / 7 / 41

HEX #90968B

RGB 144 150 139

HSL 92.73, 0.05%, 0.57%

LAB 61.31, -4.28, 5.04

 

CMYK 5 / 0 / 7 / 41

HEX #8E968B

RGB 142 150 139

HSL 103.64, 0.05%, 0.57%

LAB 61.16, -5.02, 4.8

 

CMYK 7 / 0 / 7 / 41

HEX #8C968B

RGB 140 150 139

HSL 114.55, 0.05%, 0.57%

LAB 61, -5.76, 4.56

 

CMYK 7 / 0 / 7 / 41

HEX #8B968C

RGB 139 150 140

HSL 125.45, 0.05%, 0.57%

LAB 60.95, -5.93, 3.91

 

CMYK 3 / 0 / 7 / 41

HEX #92968C

RGB 146 150 140

HSL 84, 0.05%, 0.57%

LAB 61.5, -3.36, 4.76

 

CMYK 2 / 0 / 6 / 21

HEX #C4C9BC

RGB 196 201 188

HSL 83.08, 0.11%, 0.76%

LAB 80.26, -4.07, 5.89

 

CMYK 3 / 0 / 7 / 1

HEX #F5FCEB

RGB 245 252 235

HSL 84.71, 0.74%, 0.95%

LAB 98.05, -5.25, 7.33

 

CMYK 2 / 0 / 6 / 81

HEX #2F302D

RGB 47 48 45

HSL 80, 0.03%, 0.18%

LAB 19.67, -1.14, 1.76

 

CMYK 3 / 0 / 7 / 61

HEX #60635C

RGB 96 99 92

HSL 85.71, 0.04%, 0.37%

LAB 41.51, -2.61, 3.56

 

CMYK 3 / 0 / 7 / 41

HEX #92968C

RGB 146 150 140

HSL 84, 0.05%, 0.57%

LAB 61.5, -3.36, 4.76

 

CMYK 7 / 0 / 3 / 41

HEX #8B9692

RGB 139 150 146

HSL 158.18, 0.05%, 0.57%

LAB 61.11, -4.75, 0.74

 

CMYK 0 / 7 / 0 / 41

HEX #968B96

RGB 150 139 150

HSL 300, 0.05%, 0.57%

LAB 59.11, 6.19, -4.37

 

CMYK 3 / 0 / 7 / 41

HEX #92968C

RGB 146 150 140

HSL 84, 0.05%, 0.57%

LAB 61.5, -3.36, 4.76

 

CMYK 7 / 3 / 0 / 41

HEX #8B9296

RGB 139 146 150

HSL 201.82, 0.05%, 0.57%

LAB 60.11, -1.71, -3

 

CMYK 0 / 7 / 3 / 41

HEX #968B92

RGB 150 139 146

HSL 321.82, 0.05%, 0.57%

LAB 59, 5.41, -2.25

 

CMYK 3 / 0 / 7 / 41

HEX #92968C

RGB 146 150 140

HSL 84, 0.05%, 0.57%

LAB 61.5, -3.36, 4.76

 

CMYK 7 / 0 / 3 / 41

HEX #8B9692

RGB 139 150 146

HSL 158.18, 0.05%, 0.57%

LAB 61.11, -4.75, 0.74

 

CMYK 4 / 7 / 0 / 41

HEX #908B96

RGB 144 139 150

HSL 267.27, 0.05%, 0.57%

LAB 58.6, 4.02, -5.19

 

CMYK 0 / 7 / 4 / 41

HEX #968B90

RGB 150 139 144

HSL 332.73, 0.05%, 0.57%

LAB 58.94, 5.03, -1.19

 

CMYK 3 / 0 / 7 / 41

HEX #92968C

RGB 146 150 140

HSL 84, 0.05%, 0.57%

LAB 61.5, -3.36, 4.76

 

CMYK 7 / 0 / 1 / 41

HEX #8B9695

RGB 139 150 149

HSL 174.55, 0.05%, 0.57%

LAB 61.2, -4.14, -0.84

 

CMYK 4 / 7 / 0 / 41

HEX #908B96

RGB 144 139 150

HSL 267.27, 0.05%, 0.57%

LAB 58.6, 4.02, -5.19

 

CMYK 0 / 7 / 7 / 41

HEX #968B8C

RGB 150 139 140

HSL 354.55, 0.05%, 0.57%

LAB 58.83, 4.29, 0.94

 

Description

Color code: CMYK 3 / 0 / 7 / 41 | qconv.com Color code: CMYK 3 / 0 / 7 / 41 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 150 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 150 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 7 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 7% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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