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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #987D7A it is the complementary color #678285. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #987D7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #987D7A: #9D7D75, #AE8F88, #BFA19B, #D0B3AE and #E1C5C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #987D7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #987D7A: #987D7A, #876B67, #765954, #654741 and #54352E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 20 / 40

HEX #987D7A

RGB 152 125 122

HSL 6, 0.13%, 0.54%

LAB 54.81, 9.91, 5.54

 

Complementary color

CMYK 23 / 2 / 0 / 48

HEX #678285

RGB 103 130 133

HSL 186, 0.13%, 0.46%

LAB 52.44, -8.9, -4.81

 

CMYK 0 / 20 / 25 / 38

HEX #9D7D75

RGB 157 125 117

HSL 12, 0.17%, 0.54%

LAB 55.2, 11.11, 9.05

 

CMYK 0 / 18 / 22 / 32

HEX #AE8F88

RGB 174 143 136

HSL 11.05, 0.19%, 0.61%

LAB 62.02, 10.55, 8.1

 

CMYK 0 / 16 / 19 / 25

HEX #BFA19B

RGB 191 161 155

HSL 10, 0.22%, 0.68%

LAB 68.7, 10.06, 7.22

 

CMYK 0 / 14 / 16 / 18

HEX #D0B3AE

RGB 208 179 174

HSL 8.82, 0.27%, 0.75%

LAB 75.27, 9.62, 6.4

 

CMYK 0 / 12 / 14 / 12

HEX #E1C5C1

RGB 225 197 193

HSL 7.5, 0.35%, 0.82%

LAB 81.72, 9.22, 5.63

 

CMYK 0 / 18 / 20 / 40

HEX #987D7A

RGB 152 125 122

HSL 6, 0.13%, 0.54%

LAB 54.81, 9.91, 5.54

 

CMYK 0 / 21 / 24 / 47

HEX #876B67

RGB 135 107 103

HSL 7.5, 0.13%, 0.47%

LAB 47.81, 10.47, 6.47

 

CMYK 0 / 25 / 29 / 54

HEX #765954

RGB 118 89 84

HSL 8.82, 0.17%, 0.4%

LAB 40.63, 11.14, 7.51

 

CMYK 0 / 30 / 36 / 60

HEX #654741

RGB 101 71 65

HSL 10, 0.22%, 0.33%

LAB 33.25, 11.95, 8.7

 

CMYK 0 / 37 / 45 / 67

HEX #54352E

RGB 84 53 46

HSL 11.05, 0.29%, 0.25%

LAB 25.65, 12.96, 10.14

 

CMYK 0 / 18 / 20 / 40

HEX #987D7A

RGB 152 125 122

HSL 6, 0.13%, 0.54%

LAB 54.81, 9.91, 5.54

 

CMYK 0 / 14 / 20 / 40

HEX #98827A

RGB 152 130 122

HSL 16, 0.13%, 0.54%

LAB 56.13, 7.05, 7.43

 

CMYK 0 / 11 / 20 / 40

HEX #98877A

RGB 152 135 122

HSL 26, 0.13%, 0.54%

LAB 57.47, 4.21, 9.33

 

CMYK 0 / 8 / 20 / 40

HEX #988C7A

RGB 152 140 122

HSL 36, 0.13%, 0.54%

LAB 58.82, 1.39, 11.24

 

CMYK 0 / 5 / 20 / 40

HEX #98917A

RGB 152 145 122

HSL 46, 0.13%, 0.54%

LAB 60.19, -1.39, 13.15

 

CMYK 0 / 18 / 20 / 40

HEX #987D7A

RGB 152 125 122

HSL 6, 0.13%, 0.54%

LAB 54.81, 9.91, 5.54

 

CMYK 0 / 18 / 20 / 20

HEX #CBA7A3

RGB 203 167 163

HSL 6, 0.28%, 0.72%

LAB 71.54, 12.54, 7.01

 

CMYK 0 / 18 / 20 / 0

HEX #FED1CC

RGB 254 209 204

HSL 6, 0.96%, 0.9%

LAB 87.5, 15.04, 8.42

 

CMYK 0 / 18 / 20 / 80

HEX #322928

RGB 50 41 40

HSL 6, 0.11%, 0.18%

LAB 17.54, 3.96, 2.2

 

CMYK 0 / 18 / 20 / 60

HEX #655351

RGB 101 83 81

HSL 6, 0.11%, 0.36%

LAB 37.02, 7.09, 3.96

 

CMYK 0 / 18 / 20 / 40

HEX #987D7A

RGB 152 125 122

HSL 6, 0.13%, 0.54%

LAB 54.81, 9.91, 5.54

 

CMYK 6 / 0 / 20 / 40

HEX #8F987A

RGB 143 152 122

HSL 78, 0.13%, 0.54%

LAB 61.4, -8.74, 14.73

 

CMYK 20 / 14 / 0 / 40

HEX #7A8398

RGB 122 131 152

HSL 222, 0.13%, 0.54%

LAB 54.7, 1.38, -12.35

 

CMYK 0 / 18 / 20 / 40

HEX #987D7A

RGB 152 125 122

HSL 6, 0.13%, 0.54%

LAB 54.81, 9.91, 5.54

 

CMYK 20 / 0 / 18 / 40

HEX #7A987D

RGB 122 152 125

HSL 126, 0.13%, 0.54%

LAB 59.96, -16.02, 10.8

 

CMYK 18 / 20 / 0 / 40

HEX #7D7A98

RGB 125 122 152

HSL 246, 0.13%, 0.54%

LAB 52.45, 7.64, -15.73

 

CMYK 0 / 18 / 20 / 40

HEX #987D7A

RGB 152 125 122

HSL 6, 0.13%, 0.54%

LAB 54.81, 9.91, 5.54

 

CMYK 6 / 0 / 20 / 40

HEX #8F987A

RGB 143 152 122

HSL 78, 0.13%, 0.54%

LAB 61.4, -8.74, 14.73

 

CMYK 20 / 2 / 0 / 40

HEX #7A9598

RGB 122 149 152

HSL 186, 0.13%, 0.54%

LAB 59.8, -8.76, -4.74

 

CMYK 14 / 20 / 0 / 40

HEX #837A98

RGB 131 122 152

HSL 258, 0.13%, 0.54%

LAB 52.96, 9.69, -14.9

 

CMYK 0 / 18 / 20 / 40

HEX #987D7A

RGB 152 125 122

HSL 6, 0.13%, 0.54%

LAB 54.81, 9.91, 5.54

 

CMYK 12 / 0 / 20 / 40

HEX #86987A

RGB 134 152 122

HSL 96, 0.13%, 0.54%

LAB 60.72, -12.17, 13.68

 

CMYK 20 / 2 / 0 / 40

HEX #7A9598

RGB 122 149 152

HSL 186, 0.13%, 0.54%

LAB 59.8, -8.76, -4.74

 

CMYK 8 / 20 / 0 / 40

HEX #8C7A98

RGB 140 122 152

HSL 276, 0.13%, 0.54%

LAB 53.77, 12.82, -13.6

 

Description

Color code: HEX #987D7A | qconv.com Color code: HEX #987D7A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 125 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 125 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 20 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 20% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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