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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #986C04 it is the complementary color #6793FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #986C04. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #986C04: #9D6C00, #AE7E12, #BF9025, #D0A238 and #E1B44B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #986C04. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #986C04: #986C04, #875A00, #764800, #653600 and #542400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 97 / 40

HEX #986C04

RGB 152 108 4

HSL 42.16, 0.95%, 0.31%

LAB 48.77, 9.71, 54.76

 

Complementary color

CMYK 59 / 41 / 0 / 2

HEX #6793FB

RGB 103 147 251

HSL 222.16, 0.95%, 0.69%

LAB 62.27, 15.62, -56.46

 

CMYK 0 / 31 / 100 / 38

HEX #9D6C00

RGB 157 108 0

HSL 41.27, 1%, 0.31%

LAB 49.37, 11.97, 56.33

 

CMYK 0 / 28 / 90 / 32

HEX #AE7E12

RGB 174 126 18

HSL 41.54, 0.81%, 0.38%

LAB 56.05, 9.9, 58.42

 

CMYK 0 / 25 / 81 / 25

HEX #BF9025

RGB 191 144 37

HSL 41.69, 0.68%, 0.45%

LAB 62.64, 8.12, 59.11

 

CMYK 0 / 22 / 73 / 18

HEX #D0A238

RGB 208 162 56

HSL 41.84, 0.62%, 0.52%

LAB 69.14, 6.61, 58.76

 

CMYK 0 / 20 / 67 / 12

HEX #E1B44B

RGB 225 180 75

HSL 42, 0.71%, 0.59%

LAB 75.55, 5.33, 57.92

 

CMYK 0 / 29 / 97 / 40

HEX #986C04

RGB 152 108 4

HSL 42.16, 0.95%, 0.31%

LAB 48.77, 9.71, 54.76

 

CMYK 0 / 33 / 100 / 47

HEX #875A00

RGB 135 90 0

HSL 40, 1%, 0.26%

LAB 41.94, 12.07, 50.05

 

CMYK 0 / 39 / 100 / 54

HEX #764800

RGB 118 72 0

HSL 36.61, 1%, 0.23%

LAB 34.98, 14.64, 44.37

 

CMYK 0 / 47 / 100 / 60

HEX #653600

RGB 101 54 0

HSL 32.08, 1%, 0.2%

LAB 27.86, 17.35, 38.15

 

CMYK 0 / 57 / 100 / 67

HEX #542400

RGB 84 36 0

HSL 25.71, 1%, 0.16%

LAB 20.62, 20.13, 30.1

 

CMYK 0 / 29 / 97 / 40

HEX #986C04

RGB 152 108 4

HSL 42.16, 0.95%, 0.31%

LAB 48.77, 9.71, 54.76

 

CMYK 0 / 13 / 98 / 40

HEX #9A8603

RGB 154 134 3

HSL 52.05, 0.96%, 0.31%

LAB 56.01, -4.03, 60.26

 

CMYK 3 / 0 / 98 / 40

HEX #959A03

RGB 149 154 3

HSL 61.99, 0.96%, 0.31%

LAB 61.23, -16.99, 63.91

 

CMYK 19 / 0 / 98 / 40

HEX #7C9A03

RGB 124 154 3

HSL 71.92, 0.96%, 0.31%

LAB 59.35, -27.94, 61.65

 

CMYK 36 / 0 / 98 / 40

HEX #639A03

RGB 99 154 3

HSL 81.85, 0.96%, 0.31%

LAB 57.82, -38.04, 59.81

 

CMYK 0 / 29 / 97 / 40

HEX #986C04

RGB 152 108 4

HSL 42.16, 0.95%, 0.31%

LAB 48.77, 9.71, 54.76

 

CMYK 0 / 29 / 98 / 20

HEX #CB9005

RGB 203 144 5

HSL 42.12, 0.95%, 0.41%

LAB 63.88, 12.8, 67.96

 

CMYK 0 / 29 / 97 / 0

HEX #FEB407

RGB 254 180 7

HSL 42.02, 0.99%, 0.51%

LAB 78.3, 15.74, 80.41

 

CMYK 0 / 28 / 98 / 80

HEX #322401

RGB 50 36 1

HSL 42.86, 0.96%, 0.1%

LAB 15.18, 2.52, 21.87

 

CMYK 0 / 29 / 97 / 60

HEX #654803

RGB 101 72 3

HSL 42.24, 0.94%, 0.2%

LAB 32.72, 6.36, 40.63

 

CMYK 0 / 29 / 97 / 40

HEX #986C04

RGB 152 108 4

HSL 42.16, 0.95%, 0.31%

LAB 48.77, 9.71, 54.76

 

CMYK 88 / 0 / 98 / 40

HEX #129A03

RGB 18 154 3

HSL 114.04, 0.96%, 0.31%

LAB 55.33, -57.85, 56.77

 

CMYK 68 / 98 / 0 / 40

HEX #31039A

RGB 49 3 154

HSL 258.28, 0.96%, 0.31%

LAB 20.25, 54.65, -68.77

 

CMYK 0 / 29 / 97 / 40

HEX #986C04

RGB 152 108 4

HSL 42.16, 0.95%, 0.31%

LAB 48.77, 9.71, 54.76

 

CMYK 98 / 0 / 29 / 40

HEX #039A6D

RGB 3 154 109

HSL 162.12, 0.96%, 0.31%

LAB 56.32, -45.47, 14.14

 

CMYK 29 / 98 / 0 / 40

HEX #6D039A

RGB 109 3 154

HSL 282.12, 0.96%, 0.31%

LAB 28.51, 60.17, -54.86

 

CMYK 0 / 29 / 97 / 40

HEX #986C04

RGB 152 108 4

HSL 42.16, 0.95%, 0.31%

LAB 48.77, 9.71, 54.76

 

CMYK 88 / 0 / 98 / 40

HEX #129A03

RGB 18 154 3

HSL 114.04, 0.96%, 0.31%

LAB 55.33, -57.85, 56.77

 

CMYK 98 / 68 / 0 / 40

HEX #03319A

RGB 3 49 154

HSL 221.72, 0.96%, 0.31%

LAB 25.41, 30.78, -60.29

 

CMYK 10 / 98 / 0 / 40

HEX #8B039A

RGB 139 3 154

HSL 294.04, 0.96%, 0.31%

LAB 33.75, 64.57, -46.12

 

CMYK 0 / 29 / 97 / 40

HEX #986C04

RGB 152 108 4

HSL 42.16, 0.95%, 0.31%

LAB 48.77, 9.71, 54.76

 

CMYK 98 / 0 / 79 / 40

HEX #039A21

RGB 3 154 33

HSL 131.92, 0.96%, 0.31%

LAB 55.32, -57.5, 49.94

 

CMYK 98 / 68 / 0 / 40

HEX #03319A

RGB 3 49 154

HSL 221.72, 0.96%, 0.31%

LAB 25.41, 30.78, -60.29

 

CMYK 0 / 98 / 19 / 40

HEX #9A037C

RGB 154 3 124

HSL 311.92, 0.96%, 0.31%

LAB 34.78, 62.8, -25.74

 

Description

Color code: HEX #986C04 | qconv.com Color code: HEX #986C04 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 108 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 108 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 97 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 97% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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