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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #983AEE it is the complementary color #67C511. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #983AEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #983AEE: #9D3AE9, #AE4CFC, #BF5EFF, #D070FF and #E182FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #983AEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #983AEE: #983AEE, #8728DB, #7616C8, #6504B5 and #5400A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 76 / 0 / 7

HEX #983AEE

RGB 152 58 238

HSL 271.33, 0.84%, 0.58%

LAB 46.81, 69.3, -73.95

 

Complementary color

CMYK 48 / 0 / 91 / 23

HEX #67C511

RGB 103 197 17

HSL 91.33, 0.84%, 0.42%

LAB 71.46, -53.81, 68.99

 

CMYK 33 / 75 / 0 / 9

HEX #9D3AE9

RGB 157 58 233

HSL 273.94, 0.8%, 0.57%

LAB 47.08, 69.03, -70.66

 

CMYK 31 / 70 / 0 / 1

HEX #AE4CFC

RGB 174 76 252

HSL 273.41, 0.97%, 0.64%

LAB 53.16, 68.96, -71.33

 

CMYK 25 / 63 / 0 / 0

HEX #BF5EFF

RGB 191 94 255

HSL 276.15, 1%, 0.68%

LAB 58.32, 65.08, -64.56

 

CMYK 18 / 56 / 0 / 0

HEX #D070FF

RGB 208 112 255

HSL 280.28, 1%, 0.72%

LAB 63.52, 60.47, -56.12

 

CMYK 12 / 49 / 0 / 0

HEX #E182FF

RGB 225 130 255

HSL 285.6, 1%, 0.75%

LAB 68.89, 55.95, -47.5

 

CMYK 36 / 76 / 0 / 7

HEX #983AEE

RGB 152 58 238

HSL 271.33, 0.84%, 0.58%

LAB 46.81, 69.3, -73.95

 

CMYK 38 / 82 / 0 / 14

HEX #8728DB

RGB 135 40 219

HSL 271.84, 0.71%, 0.51%

LAB 40.87, 68.86, -72.95

 

CMYK 41 / 89 / 0 / 22

HEX #7616C8

RGB 118 22 200

HSL 272.36, 0.8%, 0.44%

LAB 35.19, 67.44, -71.35

 

CMYK 44 / 98 / 0 / 29

HEX #6504B5

RGB 101 4 181

HSL 272.88, 0.96%, 0.36%

LAB 29.89, 64.7, -68.96

 

CMYK 48 / 100 / 0 / 36

HEX #5400A2

RGB 84 0 162

HSL 271.11, 1%, 0.32%

LAB 25.24, 59.67, -65.26

 

CMYK 36 / 76 / 0 / 7

HEX #983AEE

RGB 152 58 238

HSL 271.33, 0.84%, 0.58%

LAB 46.81, 69.3, -73.95

 

CMYK 24 / 76 / 0 / 7

HEX #B439ED

RGB 180 57 237

HSL 281, 0.83%, 0.58%

LAB 50.39, 74.17, -67.4

 

CMYK 11 / 76 / 0 / 7

HEX #D239ED

RGB 210 57 237

HSL 291, 0.83%, 0.58%

LAB 54.81, 79.61, -60.05

 

CMYK 0 / 76 / 1 / 7

HEX #ED39EA

RGB 237 57 234

HSL 301, 0.83%, 0.58%

LAB 58.86, 84.28, -51.66

 

CMYK 0 / 76 / 14 / 7

HEX #ED39CC

RGB 237 57 204

HSL 311, 0.83%, 0.58%

LAB 57.36, 80, -37.05

 

CMYK 36 / 76 / 0 / 7

HEX #983AEE

RGB 152 58 238

HSL 271.33, 0.84%, 0.58%

LAB 46.81, 69.3, -73.95

 

CMYK 35 / 76 / 0 / 87

HEX #160822

RGB 22 8 34

HSL 272.31, 0.62%, 0.08%

LAB 4.15, 11.04, -13.88

 

CMYK 36 / 75 / 0 / 67

HEX #361555

RGB 54 21 85

HSL 270.94, 0.6%, 0.21%

LAB 15.36, 30.03, -32.38

 

CMYK 36 / 76 / 0 / 47

HEX #572188

RGB 87 33 136

HSL 271.46, 0.61%, 0.33%

LAB 26.42, 44.35, -47.28

 

CMYK 36 / 75 / 0 / 27

HEX #772EBB

RGB 119 46 187

HSL 271.06, 0.61%, 0.46%

LAB 36.86, 56.89, -60.98

 

CMYK 36 / 76 / 0 / 7

HEX #983AEE

RGB 152 58 238

HSL 271.33, 0.84%, 0.58%

LAB 46.81, 69.3, -73.95

 

CMYK 0 / 76 / 54 / 7

HEX #ED396C

RGB 237 57 108

HSL 343, 0.83%, 0.58%

LAB 54.04, 69.94, 14.4

 

CMYK 76 / 0 / 67 / 7

HEX #39ED4E

RGB 57 237 78

HSL 127, 0.83%, 0.58%

LAB 82.91, -73.68, 61.97

 

CMYK 36 / 76 / 0 / 7

HEX #983AEE

RGB 152 58 238

HSL 271.33, 0.84%, 0.58%

LAB 46.81, 69.3, -73.95

 

CMYK 0 / 37 / 76 / 7

HEX #ED9639

RGB 237 150 57

HSL 31, 0.83%, 0.58%

LAB 69.55, 25.43, 59.87

 

CMYK 76 / 0 / 37 / 7

HEX #39ED96

RGB 57 237 150

HSL 151, 0.83%, 0.58%

LAB 83.78, -63.43, 29.8

 

CMYK 36 / 76 / 0 / 7

HEX #983AEE

RGB 152 58 238

HSL 271.33, 0.84%, 0.58%

LAB 46.81, 69.3, -73.95

 

CMYK 0 / 76 / 54 / 7

HEX #ED396C

RGB 237 57 108

HSL 343, 0.83%, 0.58%

LAB 54.04, 69.94, 14.4

 

CMYK 39 / 0 / 76 / 7

HEX #90ED39

RGB 144 237 57

HSL 91, 0.83%, 0.58%

LAB 85.4, -54.65, 72.64

 

CMYK 76 / 0 / 22 / 7

HEX #39EDBA

RGB 57 237 186

HSL 163, 0.83%, 0.58%

LAB 84.48, -55.8, 12.19

 

CMYK 36 / 76 / 0 / 7

HEX #983AEE

RGB 152 58 238

HSL 271.33, 0.84%, 0.58%

LAB 46.81, 69.3, -73.95

 

CMYK 0 / 75 / 76 / 7

HEX #ED3C39

RGB 237 60 57

HSL 1, 0.83%, 0.58%

LAB 53.53, 66.32, 43.5

 

CMYK 39 / 0 / 76 / 7

HEX #90ED39

RGB 144 237 57

HSL 91, 0.83%, 0.58%

LAB 85.4, -54.65, 72.64

 

CMYK 76 / 1 / 0 / 7

HEX #39EAED

RGB 57 234 237

HSL 181, 0.83%, 0.58%

LAB 84.91, -41.27, -13.98

 

Description

Color code: HEX #983AEE | qconv.com Color code: HEX #983AEE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 58 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 58 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 76 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 76% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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