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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #981AD0 it is the complementary color #67E52F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #981AD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #981AD0: #9D1ACB, #AE2CDE, #BF3EF1, #D050FF and #E162FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #981AD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #981AD0: #981AD0, #8708BD, #7600AA, #650097 and #540084

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 88 / 0 / 18

HEX #981AD0

RGB 152 26 208

HSL 281.54, 0.78%, 0.46%

LAB 41.17, 72.68, -66.03

 

Complementary color

CMYK 55 / 0 / 79 / 10

HEX #67E52F

RGB 103 229 47

HSL 101.54, 0.78%, 0.54%

LAB 81.36, -64.29, 71.17

 

CMYK 23 / 87 / 0 / 20

HEX #9D1ACB

RGB 157 26 203

HSL 284.41, 0.77%, 0.45%

LAB 41.56, 72.48, -62.45

 

CMYK 22 / 80 / 0 / 13

HEX #AE2CDE

RGB 174 44 222

HSL 283.82, 0.73%, 0.52%

LAB 47.07, 74.31, -64.32

 

CMYK 21 / 74 / 0 / 5

HEX #BF3EF1

RGB 191 62 241

HSL 283.24, 0.86%, 0.59%

LAB 52.81, 75.22, -65.65

 

CMYK 18 / 69 / 0 / 0

HEX #D050FF

RGB 208 80 255

HSL 283.89, 1%, 0.66%

LAB 58.38, 74.57, -64.34

 

CMYK 12 / 62 / 0 / 0

HEX #E162FF

RGB 225 98 255

HSL 288.54, 1%, 0.69%

LAB 63.31, 70.89, -56.33

 

CMYK 27 / 88 / 0 / 18

HEX #981AD0

RGB 152 26 208

HSL 281.54, 0.78%, 0.46%

LAB 41.17, 72.68, -66.03

 

CMYK 29 / 96 / 0 / 26

HEX #8708BD

RGB 135 8 189

HSL 282.1, 0.92%, 0.39%

LAB 35.98, 69.64, -63.5

 

CMYK 31 / 100 / 0 / 33

HEX #7600AA

RGB 118 0 170

HSL 281.65, 1%, 0.33%

LAB 31.24, 64.93, -60.05

 

CMYK 33 / 100 / 0 / 41

HEX #650097

RGB 101 0 151

HSL 280.13, 1%, 0.3%

LAB 26.74, 59.1, -55.97

 

CMYK 36 / 100 / 0 / 48

HEX #540084

RGB 84 0 132

HSL 278.18, 1%, 0.26%

LAB 22.13, 53.14, -51.81

 

CMYK 27 / 88 / 0 / 18

HEX #981AD0

RGB 152 26 208

HSL 281.54, 0.78%, 0.46%

LAB 41.17, 72.68, -66.03

 

CMYK 13 / 88 / 0 / 18

HEX #B519D0

RGB 181 25 208

HSL 291.15, 0.79%, 0.46%

LAB 45.73, 77.3, -58.4

 

CMYK 0 / 88 / 1 / 18

HEX #D019CD

RGB 208 25 205

HSL 300.98, 0.79%, 0.46%

LAB 50.11, 81.36, -49.4

 

CMYK 0 / 88 / 16 / 18

HEX #D019AF

RGB 208 25 175

HSL 310.82, 0.79%, 0.46%

LAB 48.51, 77.21, -34.45

 

CMYK 0 / 88 / 31 / 18

HEX #D01990

RGB 208 25 144

HSL 320.98, 0.79%, 0.46%

LAB 47.13, 73.51, -18.1

 

CMYK 27 / 88 / 0 / 18

HEX #981AD0

RGB 152 26 208

HSL 281.54, 0.78%, 0.46%

LAB 41.17, 72.68, -66.03

 

CMYK 25 / 100 / 0 / 98

HEX #030004

RGB 3 0 4

HSL 285, 1%, 0.01%

LAB 0.25, 1.34, -1.24

 

CMYK 27 / 87 / 0 / 78

HEX #280737

RGB 40 7 55

HSL 281.25, 0.77%, 0.12%

LAB 7.94, 26.03, -23.49

 

CMYK 27 / 88 / 0 / 58

HEX #4D0D6A

RGB 77 13 106

HSL 281.29, 0.78%, 0.23%

LAB 19.66, 43.19, -39.19

 

CMYK 27 / 87 / 0 / 38

HEX #73149D

RGB 115 20 157

HSL 281.61, 0.77%, 0.35%

LAB 30.83, 58.42, -52.87

 

CMYK 27 / 88 / 0 / 18

HEX #981AD0

RGB 152 26 208

HSL 281.54, 0.78%, 0.46%

LAB 41.17, 72.68, -66.03

 

CMYK 0 / 88 / 77 / 18

HEX #D0192F

RGB 208 25 47

HSL 352.79, 0.79%, 0.46%

LAB 44.67, 66.64, 37.93

 

CMYK 88 / 0 / 63 / 18

HEX #19D04D

RGB 25 208 77

HSL 137.05, 0.79%, 0.46%

LAB 73.45, -68.24, 51.88

 

CMYK 27 / 88 / 0 / 18

HEX #981AD0

RGB 152 26 208

HSL 281.54, 0.78%, 0.46%

LAB 41.17, 72.68, -66.03

 

CMYK 0 / 28 / 88 / 18

HEX #D09619

RGB 208 150 25

HSL 40.98, 0.79%, 0.46%

LAB 65.98, 12.05, 66.19

 

CMYK 88 / 0 / 28 / 18

HEX #19D096

RGB 25 208 150

HSL 160.98, 0.79%, 0.46%

LAB 74.52, -55.67, 17.1

 

CMYK 27 / 88 / 0 / 18

HEX #981AD0

RGB 152 26 208

HSL 281.54, 0.78%, 0.46%

LAB 41.17, 72.68, -66.03

 

CMYK 0 / 88 / 77 / 18

HEX #D0192F

RGB 208 25 47

HSL 352.79, 0.79%, 0.46%

LAB 44.67, 66.64, 37.93

 

CMYK 60 / 0 / 88 / 18

HEX #53D019

RGB 83 208 25

HSL 100.98, 0.79%, 0.46%

LAB 74.2, -62.99, 69.68

 

CMYK 88 / 0 / 10 / 18

HEX #19D0BB

RGB 25 208 187

HSL 173.11, 0.79%, 0.46%

LAB 75.39, -46.37, -1.49

 

CMYK 27 / 88 / 0 / 18

HEX #981AD0

RGB 152 26 208

HSL 281.54, 0.78%, 0.46%

LAB 41.17, 72.68, -66.03

 

CMYK 0 / 72 / 88 / 18

HEX #D03B19

RGB 208 59 25

HSL 11.15, 0.79%, 0.46%

LAB 47.76, 56.87, 51.88

 

CMYK 60 / 0 / 88 / 18

HEX #53D019

RGB 83 208 25

HSL 100.98, 0.79%, 0.46%

LAB 74.2, -62.99, 69.68

 

CMYK 88 / 16 / 0 / 18

HEX #19AFD0

RGB 25 175 208

HSL 190.82, 0.79%, 0.46%

LAB 66.07, -24.62, -26.96

 

Description

Color code: HEX #981AD0 | qconv.com Color code: HEX #981AD0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 26 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 26 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 88 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 88% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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