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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97FB55 it is the complementary color #6804AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97FB55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #97FB55: #9CFB50, #ADFF63, #BEFF76, #CFFF89 and #E0FF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97FB55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #97FB55: #97FB55, #86E942, #75D72F, #64C51C and #53B309

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 66 / 2

HEX #97FB55

RGB 151 251 85

HSL 96.14, 0.95%, 0.66%

LAB 89.97, -56.11, 67.64

 

Complementary color

CMYK 39 / 98 / 0 / 33

HEX #6804AA

RGB 104 4 170

HSL 276.14, 0.95%, 0.34%

LAB 29.24, 62.67, -63.41

 

CMYK 38 / 0 / 68 / 2

HEX #9CFB50

RGB 156 251 80

HSL 93.33, 0.96%, 0.65%

LAB 90.16, -54.87, 69.78

 

CMYK 32 / 0 / 61 / 0

HEX #ADFF63

RGB 173 255 99

HSL 91.54, 1%, 0.69%

LAB 92.27, -49.39, 64.88

 

CMYK 25 / 0 / 54 / 0

HEX #BEFF76

RGB 190 255 118

HSL 88.47, 1%, 0.73%

LAB 93.35, -41.8, 58.2

 

CMYK 19 / 0 / 46 / 0

HEX #CFFF89

RGB 207 255 137

HSL 84.41, 1%, 0.77%

LAB 94.56, -33.79, 51.19

 

CMYK 12 / 0 / 39 / 0

HEX #E0FF9C

RGB 224 255 156

HSL 78.79, 1%, 0.81%

LAB 95.9, -25.48, 44

 

CMYK 40 / 0 / 66 / 2

HEX #97FB55

RGB 151 251 85

HSL 96.14, 0.95%, 0.66%

LAB 89.97, -56.11, 67.64

 

CMYK 42 / 0 / 72 / 9

HEX #86E942

RGB 134 233 66

HSL 95.57, 0.79%, 0.59%

LAB 83.83, -55.75, 68.03

 

CMYK 46 / 0 / 78 / 16

HEX #75D72F

RGB 117 215 47

HSL 95, 0.68%, 0.51%

LAB 77.63, -55.21, 67.88

 

CMYK 49 / 0 / 86 / 23

HEX #64C51C

RGB 100 197 28

HSL 94.44, 0.75%, 0.44%

LAB 71.37, -54.4, 66.85

 

CMYK 54 / 0 / 95 / 30

HEX #53B309

RGB 83 179 9

HSL 93.88, 0.9%, 0.37%

LAB 65.04, -53.23, 64.47

 

CMYK 40 / 0 / 66 / 2

HEX #97FB55

RGB 151 251 85

HSL 96.14, 0.95%, 0.66%

LAB 89.97, -56.11, 67.64

 

CMYK 50 / 0 / 66 / 2

HEX #7CFA55

RGB 124 250 85

HSL 105.82, 0.94%, 0.66%

LAB 88.6, -63.65, 65.86

 

CMYK 62 / 0 / 66 / 2

HEX #60FA55

RGB 96 250 85

HSL 116, 0.94%, 0.66%

LAB 87.73, -70.42, 64.68

 

CMYK 66 / 0 / 59 / 2

HEX #55FA66

RGB 85 250 102

HSL 126.18, 0.94%, 0.66%

LAB 87.61, -70.88, 57.49

 

CMYK 66 / 0 / 48 / 2

HEX #55FA81

RGB 85 250 129

HSL 136, 0.94%, 0.66%

LAB 87.91, -67.39, 45.59

 

CMYK 40 / 0 / 66 / 2

HEX #97FB55

RGB 151 251 85

HSL 96.14, 0.95%, 0.66%

LAB 89.97, -56.11, 67.64

 

CMYK 40 / 0 / 66 / 82

HEX #1C2F10

RGB 28 47 16

HSL 96.77, 0.49%, 0.12%

LAB 17.07, -14.7, 17.22

 

CMYK 40 / 0 / 66 / 62

HEX #3B6221

RGB 59 98 33

HSL 96, 0.5%, 0.26%

LAB 37.44, -26.43, 31.82

 

CMYK 40 / 0 / 66 / 42

HEX #5A9532

RGB 90 149 50

HSL 95.76, 0.5%, 0.39%

LAB 55.99, -36.88, 44.72

 

CMYK 40 / 0 / 66 / 22

HEX #78C844

RGB 120 200 68

HSL 96.36, 0.55%, 0.53%

LAB 73.36, -46.87, 56.25

 

CMYK 40 / 0 / 66 / 2

HEX #97FB55

RGB 151 251 85

HSL 96.14, 0.95%, 0.66%

LAB 89.97, -56.11, 67.64

 

CMYK 66 / 0 / 13 / 2

HEX #55FAD9

RGB 85 250 217

HSL 168, 0.94%, 0.66%

LAB 89.54, -50.06, 3.38

 

CMYK 0 / 66 / 13 / 2

HEX #FA55D9

RGB 250 85 217

HSL 312, 0.94%, 0.66%

LAB 63.2, 75.76, -35.13

 

CMYK 40 / 0 / 66 / 2

HEX #97FB55

RGB 151 251 85

HSL 96.14, 0.95%, 0.66%

LAB 89.97, -56.11, 67.64

 

CMYK 66 / 40 / 0 / 2

HEX #5597FA

RGB 85 151 250

HSL 216, 0.94%, 0.66%

LAB 62.48, 9.81, -55.62

 

CMYK 0 / 66 / 40 / 2

HEX #FA5597

RGB 250 85 151

HSL 336, 0.94%, 0.66%

LAB 60.83, 67.72, -0.98

 

CMYK 40 / 0 / 66 / 2

HEX #97FB55

RGB 151 251 85

HSL 96.14, 0.95%, 0.66%

LAB 89.97, -56.11, 67.64

 

CMYK 66 / 0 / 13 / 2

HEX #55FAD9

RGB 85 250 217

HSL 168, 0.94%, 0.66%

LAB 89.54, -50.06, 3.38

 

CMYK 26 / 66 / 0 / 2

HEX #B855FA

RGB 184 85 250

HSL 276, 0.94%, 0.66%

LAB 55.67, 66.6, -66.1

 

CMYK 0 / 66 / 53 / 2

HEX #FA5576

RGB 250 85 118

HSL 348, 0.94%, 0.66%

LAB 60.01, 64.79, 17.08

 

CMYK 40 / 0 / 66 / 2

HEX #97FB55

RGB 151 251 85

HSL 96.14, 0.95%, 0.66%

LAB 89.97, -56.11, 67.64

 

CMYK 66 / 6 / 0 / 2

HEX #55EAFA

RGB 85 234 250

HSL 185.82, 0.94%, 0.66%

LAB 85.85, -34.22, -19.36

 

CMYK 26 / 66 / 0 / 2

HEX #B855FA

RGB 184 85 250

HSL 276, 0.94%, 0.66%

LAB 55.67, 66.6, -66.1

 

CMYK 0 / 59 / 66 / 2

HEX #FA6655

RGB 250 102 85

HSL 6.18, 0.94%, 0.66%

LAB 62.07, 55.54, 38.54

 

Description

Color code: HEX #97FB55 | qconv.com Color code: HEX #97FB55 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 251 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 251 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 66 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 66% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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